“We’re too much ourselves. Afraid of letting go of what we are, in case we are nothing, and holding on so tight, we lose everything else.”
― Clive Barker, quote from Imajica
“A man kills the thing he loves, and he must die a little himself.”
― Clive Barker, quote from Imajica
“I haven't even had a life I could call my own, and you're ready to slot me into the grand design. Well, I don't think I want to go. I want to be my own design.”
― Clive Barker, quote from Imajica
“Study nothing except in the knowledge that you already knew it. Worship nothing except in adoration of your true self. And fear nothing except in the certainty that you are your enemy's begetter and its only hope of healing.”
― Clive Barker, quote from Imajica
“Perhaps sunlight had always been luminous, and doorways signs of greater passage than that of one room to another. But she’d not noticed it until now.”
― Clive Barker, quote from Imajica
“It was the pivotal teaching of Pluthero Quexos, the most celebrated dramatist of the Second Dominion, that in any fiction, no matter how ambitious its scope or profound its theme, there was only ever room for three players. Between warring kings, a peacemaker; between adoring spouses, a seducer or a child. Between twins, the spirit of the womb. Between lovers, Death. Greater numbers might drift through the drama, of course -- thousands in fact -- but they could only ever be phantoms, agents, or, on rare occasions, reflections of the three real and self-willed beings who stood at the center. And even this essential trio would not remain intact; or so he taught. It would steadily diminish as the story unfolded, three becoming two, two becoming one, until the stage was left deserted.”
― Clive Barker, quote from Imajica
“His body and his mind went about their different businesses. The former, freed from conscious instruction, breathed, rolled, sweated, and digested. The latter went dreaming.”
― Clive Barker, quote from Imajica
“Make a fist. Lightly. Leave enough room for a breath to pass through. Good. Good. All magic proceeds from breath. Remember that.”
― Clive Barker, quote from Imajica
“Her skin was flawless and always cool, always pale; her body was long, like her hair, like her fingers, like her laughter; and her eyes, oh, her eyes, had every season of leaf in them: the twin greens of spring and high summer, the golds of autumn, and, in her rages, black midwinter rot.”
― Clive Barker, quote from Imajica
“Despite his intent, tears sprang to his eyes, and he went into her embrace, both of them sobbing freely, like enemies joined by a common loss or lovers about to be parted. Or else souls who could not remember whether they were lovers or enemies and were weeping at their own confusion.”
― Clive Barker, quote from Imajica
“Look at him." The Autarch glanced back at the captive as he spoke. He's got seconds left to live. But the leech gave him a taste and he wants it back again."
"A taste of what?"
"Of the womb, Rosengarten. He said it was like being in the womb. We're all cast out. Whatever we build, wherever we hide, we're cast out.”
― Clive Barker, quote from Imajica
“The sight of her had pierced him, making her the enterer, had she but known it, and him the entered. Perhaps she had known, on reflection. Perhaps she’d fled from his passivity, from his ease beneath the spike of her beauty. If so, he would undo her revulsion with tonight’s business. Here,”
― Clive Barker, quote from Imajica
“You still love her, don’t you?” Pie said, once they were out and walking. “Of course I love her,” Estabrook said. “That’s why I want her dead.” “There’s no resurrection, Mr. Estabrook. Not for you, at least.” “It’s not me who’s dying,” he said. “I think it is,” came the”
― Clive Barker, quote from Imajica
“Remember, Lucius, that everything you learn is already a part of you, even to the Godhead Itself. Study nothing except in the knowledge that you already knew it. Worship nothing except in adoration of your true self. And fear nothing"--there the Maestro stopped and shuddered, as though he had a presentiment--"fear nothing except in the certainty that you are your enemy's begetter and its only hope of healing. For everything that does evil is in pain. Will you remember those things?”
― Clive Barker, quote from Imajica
“What marked this place as another Dominion was the people in the streets outside, some human, many not, all retreating from the wind or the commotions it carried.”
― Clive Barker, quote from Imajica
“IT WAS THE PIVOTAL teaching of Pluthero Quexos, the most celebrated dramatist of the Second Dominion, that in any fiction, no matter how ambitious its scope or profound its theme, there was only ever room for three players. Between warring kings, a peacemaker; between adoring spouses, a seducer or a child. Between twins, the spirit of the womb. Between lovers, Death. Greater numbers might drift through the drama, of course—thousands in fact—but they could only ever be phantoms, agents, or, on rare occasions, reflections of the three real and self-willed beings who stood at the center. And even this essential trio would not remain intact; or so he taught. It would steadily diminish as the story unfolded, three becoming two, two becoming one, until the stage was left deserted.”
― Clive Barker, quote from Imajica
“You’ve got blood on your hands, and you smell of coitus.”
― Clive Barker, quote from Imajica
“This was the substance of every moment, she realized: the body - never certain if the next lungful would be its last - hovering for a tiny time between cessation and continuance. And in that space out of time, between a breath expelled and another drawn, the miraculous was easy, because neither flesh nor reason has laid their edicts there.”
― Clive Barker, quote from Imajica
Clive Barker
Born place: in Liverpool, The United Kingdom
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“Gazda şi musafirul goliră cîte un pahar, apoi încă unul. Musafirul devenea tot mai simpatic şi, la rîndul său, dădu repetate dovezi de sinceritate şi exuberanţă, participînd viu la mulţumirea sufletească a domnului Goliadkin şi bucurîndu-se de bucuria lui, văzînd în el pe adevăratul şi singurul său binefăcător. Luînd un condei şi o foaie de hîrtie, îl rugă pe domnul Goliadkin să nu se uite la ceea ce scrie şi, după ce isprăvi, îi întinse gazdei sale hîrtia. Era un catren sentimental, scris, de altfel, într-un stil emfatic, caligrafiat admirabil, compus, probabil, chiar de simpaticul musafir. Stihurile sunau astfel:
Chiar dacă tu mă vei uita,
Eu nu te voi uita pe tine;
Nicicînd, orice s-ar întîmpla,
Nu mă uita nici tu pe mine!”
― Fyodor Dostoyevsky, quote from The Double
“Picture a thirteen-year-old boy sitting in the living room of his family home doing his math assignment while wearing his Walkman headphones or watching MTV. He enjoys the liberties hard won over centuries by the alliance of philosophic genius and political heroism, consecrated by the blood of martyrs; he is provided with comfort and leisure by the most productive economy ever known to mankind; science has penetrated the secrets of nature in order to provide him with the marvelous, lifelike electronic sound and image reproduction he is enjoying. And in what does progress culminate? A pubescent child whose body throbs with orgasmic rhythms; whose feelings are made articulate in hymns to the joys of onanism or the killing of parents; whose ambition is to win fame and wealth in imitating the drag-queen who makes the music. In short, life is made into a nonstop, commercially prepackaged masturbational fantasy.”
― Allan Bloom, quote from The Closing of the American Mind
“[...] und sie hört, wie er sich in sein Doppelbett legt, auf seine Seite, da er nicht auf Helens Seite schlafen kann, wo er heimlich drei ihrer bestickten Kissen arrangiert hat und sich zum Schlafen ihnen zuwendet, ein Arm um das mittlere Kissen gelegt, den anderen unter dem Kopf, wobei seine Hand wie zum Schutz auf seiner Stirn ruht.”
― Amy Bloom, quote from Away
“Getting a room's not always enough. Sometimes you gotta close the door.”
― Nora Roberts, quote from Chasing Fire
“The truth is more magical - in the best and most exciting sense of the word - than any myth or made-up mystery or miracle. Science has its own magic: the magic of reality.”
― Richard Dawkins, quote from The Magic of Reality: How We Know What's Really True
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