Quotes from The Life and Loves of a She Devil

Fay Weldon ·  256 pages

Rating: (3.6K votes)


“I ran upstairs, loving, weeping. I will run downstairs, unloving, not weeping.”
― Fay Weldon, quote from The Life and Loves of a She Devil


“even as she says it, sees love drain out of his eyes: and somehow, as a stream, which seeks its own level, it flows over into hers, and her fate is sealed. The less he loves, the more she will.”
― Fay Weldon, quote from The Life and Loves of a She Devil


“for a man functions best if he ventures out into the world from a domestic setting in which his restless sexual and procreative energies are given liberty.”
― Fay Weldon, quote from The Life and Loves of a She Devil


“Up there on Olympus, where he’d been raised, where the mountain of reason pierces the sky of the intellect, the talk was all of how the soul suffered if the senses were gratified. Polly Patch would not allow it. She claimed, as the Devil would, that the senses and the soul were one: that gratifying one was to gratify the other.”
― Fay Weldon, quote from The Life and Loves of a She Devil


“We discuss things, rather than ideas; we exchange information, not theories; we keep ourselves steady by thinking about the particular. The general is frightening.”
― Fay Weldon, quote from The Life and Loves of a She Devil



“want revenge. I want power. I want money. I want to be loved and not love in return.”
― Fay Weldon, quote from The Life and Loves of a She Devil


About the author

Fay Weldon
Born place: in Alvechurch, England, The United Kingdom
Born date September 22, 1931
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Marginalia

Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.

Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.

Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.

Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.

And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.

We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.

Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.

And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.

Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page

A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.”
― Billy Collins, quote from Picnic, Lightning


“Somehow the idea of bearing his baby angers me. Let him bear his own baby! If I have a baby I want it to be all mine. A girl like me, but better. A girl who'll also be able to have her own babies. It is not having babies in itself which seems unfair, but having babies for men. Babies who get their names. Babies who lock you by means of love to a man you have to please and serve on pain of abandonment. And love, after all, is the strongest lock. The one that chafes hardest and wears longest. And then I would be trapped for good. The hostage of my own feelings and my own child.”
― Erica Jong, quote from Fear of Flying


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