“There are no dead ends, just detours.”
“Put all your eggs in one basket... the handle's going to break. Then all you've got is scrambled eggs.”
“- How is he in bed? Gladiator or poet?
- Hmmm... A poetic gladiator.”
“You're going to need this," she said, and pulled out a condom.
"At some point, we're also going to need a defibrillator and a fire extinguisher."
"Promises, promises.”
“-Estou a tentar pensar em qualquer coisa memorável, mas é difícil quando o sangue me saiu todo da cabeça.
-Experimenta.
-Uau.”
“Leave it to the army to mechanize an erection.” “Laugh now, funny girl,” Shane said. “That’s gonna be a bridge in about a minute.” “And that bridge can hold over sixty tons,” Carpenter said. “So it’s a strong erection,” Lisa Livia said, looking at Carpenter. “Oh,”
“Ruby told me it didn't matter what a boy was thinking about you so long as you had a good hold on what you were thinking about him.”
“And I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.”
“What is it with science these days? Everyone is so quick to believe in it, in all these new scientific discoveries, new pills for this, new pills for that. Get thinner, grow hair, yada, yada, yada, but when it requires a little faith in something you all go crazy.' He shook his head, 'If miracles had chemical equations then everyone would believe.”
“Finally, I’d say to anyone who wants to tell these tales, don’t be afraid to be superstitious. If you have a lucky pen, use it. If you speak with more force and wit when wearing one red sock and one blue one, dress like that. When I’m at work I’m highly superstitious. My own superstition has to do with the voice in which the story comes out. I believe that every story is attended by its own sprite, whose voice we embody when we tell the tale, and that we tell it more successfully if we approach the sprite with a certain degree of respect and courtesy. These sprites are both old and young, male and female, sentimental and cynical, sceptical and credulous, and so on, and what’s more, they’re completely amoral: like the air-spirits who helped Strong Hans escape from the cave, the story-sprites are willing to serve whoever has the ring, whoever is telling the tale. To the accusation that this is nonsense, that all you need to tell a story is a human imagination, I reply, ‘Of course, and this is the way my imagination works.”
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