“It doesn't really make sense. Guess it's not supposed to.”
― Joey W. Hill, quote from Natural Law
“His voice just became the music her soul yearned to embrace, to compose the right notes to make their songs come together again, as easily and beautifully as they had before.”
― Joey W. Hill, quote from Natural Law
“Being violent is easy, too easy.” He brushed it off. “Holding back, being gentle, restraining your strength when it’s not needed, that takes—” “Character,” she said. “Loads of it.”
― Joey W. Hill, quote from Natural Law
“Her plea was the music that the soul could hear at sunrise, if the mind was still enough to hear it.”
― Joey W. Hill, quote from Natural Law
“She chose the adjective deliberately. Handsome or sexy conveyed surface appeal. Beautiful addressed the whole package, inside and out.”
― Joey W. Hill, quote from Natural Law
“You’ll need to take it easy on him, Tyler. He comes off tough as nails, but if you find the way in, he can be hurt.
We all can, love. We all can.”
― Joey W. Hill, quote from Natural Law
“There was no law against being an asshole.”
― Joey W. Hill, quote from Natural Law
Joey W. Hill
Born date February 23, 1968
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“He's gonna be fine," I confirmed.
Can we see him?" Iggy asked.
Ig, I hate to break it to you, but you're blind.”
― James Patterson, quote from School's Out - Forever
“that I wasn’t going crazy. For a long time I thought that this story should begin with what happened to me at the church, when my life”
― Dani Atkins, quote from Fractured
“Mahogany shelves lined the counters, stacked with glass bottles and jars, like something from a fairy tale. There were whole, plump roses steeping in honey; purple-stained sugar, thick with lavender, tiny jars of crimson threads, cherries and peaches suspended in syrup as if they had fallen there from the trees.
The luxurious scents wrapped around him. 'Butter,' his nose relayed, 'cream, nuts, brandy, chocolate...”
― Laura Madeleine, quote from The Confectioner's Tale
“Amor, ch'al cor gentile ratto s'apprende
prese costui de la bella persona
che mi fu tolta; e 'l modo ancor m'offende.
Amor, che a nullo amato amar perdona,
Mi prese del costui piacer sì forte,
Che, come vedi, ancor non m'abbandona..."
"Love, which quickly arrests the gentle heart,
Seized him with my beautiful form
That was taken from me, in a manner which still grieves me.
Love, which pardons no beloved from loving,
took me so strongly with delight in him
That, as you see, it still abandons me not...”
― Dante Alighieri, quote from The Inferno
“You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you?
And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone.
And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water.
But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked.
Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing.
And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.”
― Caitlin Moran, quote from How to Build a Girl
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