“I have dreamt of a life you will never know; the life of a loving and caring companion. I simply thought you should know. I see that you are in trouble. I watch and listen to you. I want to help, but you won't let me. So be it. I love you still. Do what you will, I shall watch over you.”
― Timothy Findley, quote from Pilgrim
“Има хора, чието преживяване на живота е толкова различно от нашето собствено, че ги наричаме луди. За чисто удобство. Наричаме ги така, за да се освободим от поемането на отговорност за тяхното място в човешката общност. И затова ги изпращаме в приюти, затваряме ги, за да не се виждат и чуват, зад заключени врати. Но за тях няма разлика между това, което ние смятаме за сънища и кошмари, и света, в който протича всекидневният им живот... Според тях може да има святост в дървета и жаби, живи богове в огъня и водата и глас във вихрушката, към който, ако само се вслушаме, те ще насочат вниманието ни... Те не живеят в “други светове”, а в едно измерение на този свят, което ние от страх отказваме да приемем.”
― Timothy Findley, quote from Pilgrim
“Има степени на лудост, разбира се. Аз открих следи в самия себе си, признавам. – Той махна с ръка. – Но лудостта е силен звяр и не може да бъде уловена в теории. С времето се научих не само да не вярвам на теории, но и активно да им се противопоставям. Фактите са важни. И ние разполагаме само с фактите за всяка индивидуална лудост. Общите теории за лудостта се разкриват като се разкрива истинската ѝ природа във всеки пациент, един по един по един. Моята собствена лудост се измерва в скоби – както всяка лудост. И поради това, аз се научих не само да се справям с нея, но и да живея с нея. И което е най-важно, да функционирам въпреки нейното наличие.”
― Timothy Findley, quote from Pilgrim
“music is the worst of them - roiling and boiling - overly emotionalized on the one hand, overly intellectuallized on the other. Bach and Mozart indeed! Bach inevitably makes me think of fish in a barrel! round and round and round they go and nothing ever happens. Nothing ! Tum -de-dum-dum. Tum -de-dum-dum and that's all! Tum -de-dum-de-bloody-dum-dum! As for Mozart, his emotions did not mature beyond the age of twelve. never achieved adolescence, let alone puberty. his music merely combines a popular talent for slapstick and a commercial talent for tears. No - not tears. For sobs. Beethoven, pompous. Chopin - sickly sweet and given to tantrums - Tum -de-dum-dum- Bang! and Wagner - a self -centred bore. and Stravinsky - discordant, rude and blows his music through his nose”
― Timothy Findley, quote from Pilgrim
“Happiness is not our goal. The achievement of happiness deflects us from our true destiny which is the utter realization of self.”
― Timothy Findley, quote from Pilgrim
“Светът, каза той, свършва всеки ден – и започва на следващия”
― Timothy Findley, quote from Pilgrim
“Животът изисква да го живеем до непоносимост.”
― Timothy Findley, quote from Pilgrim
“Ако оцеляването ѝ зависи от вярата ѝ, че живее на Луната, тогава ние трябва да приемем нейната реалност, а не тя нашата.”
― Timothy Findley, quote from Pilgrim
“...only one deaf God, who cannot see, remains—claiming all of creation as His own. If people would invest one hundredth of their devotion to this God in the living brothers and sisters amongst whom they stand, we might have a chance of surviving one another. As it is...”
― Timothy Findley, quote from Pilgrim
“The art of presenting oneself, he had once told Sybil, lies in creating an immediate shock which is countered by a slow retreat into custom. People never quite recover from my cravats, but they will never find the equal of my tailor. To be memorable is all, when it comes to dress.”
― Timothy Findley, quote from Pilgrim
Timothy Findley
Born place: in Toronto, Ontario, Canada
Born date October 30, 1930
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“Anyway, you're to have four sets- to match jewels, I suppose- white gold, pale gold, yellow gold and rose gold. Can't have your oculars clashing with your bracelets, I suppose. I'll send the 'prentice up with them later. I'm waiting for the frames to cool now."
"If the Princess is not here, you can leave them with her handmaiden, Iris," Lady Thalia put in, and came around to take a look at the Sophont's handiwork. She blinked. "Good heavens. That is 'much' more flattering!"
"Yes, it is," Balan agreed with a lopsided smile. "Now you can see what pretty eyes she has. Well, I'm off! Lady Thalia, it was a pleasure meeting you. Princess, a delight to serve you!"
As soon as he was out of the room, Andie was out of the chair. Picking up the skirt of her gown this time to keep it from tripping her, she ran to her bedroom to peer into the little mirror over her dressing table.
The difference was astounding. The old oculars had been small, vaguely rectangular, and had cut across her face like a slash mark. These were large, circular and, for the first time, did not obscure her eyes. If anything, they made her eyes look bigger, like those of a young animal, soft and giving an impression of innocence and vulnerability. The frame, of white gold, was very simple and polished, somehow less fussy than Balan's frame of twisted wire had been.
"Gracious!" Iris exclaimed. "What a difference!"
"You don't think they look-well- 'owlish'?" Lady Thalia asked, a little doubtfully.
"Not a bit!" Iris declared. "Just look how big they make her eyes look! And 'you've' heard all those daft poets, my Lady, going on about a girl's eyes supposed to be like a doe's, or big pools of water!”
― Mercedes Lackey, quote from One Good Knight
“If I had to guess, nephew, I would surmise that you are not in direct trouble as such. However, I will confess to the distinct and unsettling feeling that very large, very ponderous and most momentous wheels have been set in motion. When that happens I believe the lessons of history tend to indicate that it is best not to be in their way. Even without meaning harm, the workings and progress of such wheels are on a scale which inevitably reduces the worth of individual lives to an irrelevance at best.”
― Iain M. Banks, quote from The Algebraist
“Decades of the seniority rule had conferred influence in the Senate not on men who broke new ground but on men who were careful not to.”
― Robert A. Caro, quote from Master of the Senate
“The method he adopted in building the bridge was as follows. He took a pair of piles a foot and a half thick, slightly pointed at the lower ends and of a length adapted to the varying depth of the river, and fastened them together two feet apart. These he lowered into the river with appropriate tackle, placed them in position at right angles to the bank, and drove them home with pile-drivers, not vertically, as piles are generally fixed, but obliquely, inclined in the direction of the current. Opposite these, forty feet lower down the river, another pair of piles was planted, similarly fixed together, and inclined in the opposite direction to the current. The two pairs were then joined by a beam two feet wide, whose ends fitted exactly into the spaces between the two piles forming each pair. The upper pair was kept at the right distance from the lower pair by means of iron braces, one of which was used to fasten each pile to the end of the beam. The pairs of piles being thus held apart, and each pair individually strengthened by a diagonal tie between the two piles, the whole structure was so rigid, that, in accordance with the laws of physics, the greater the force of the current, the more tightly were the piles held in position. A series of these piles and transverse beams was carried right across the stream and connected by lengths of timber running in the direction of the bridge; on these were laid poles and bundles of sticks. In spite of the strength of the structure, additional piles were fixed obliquely to each pair of the original piles along the whole length of the downstream side of the bridge, holding them up like a buttress and opposing the force of the current. Others were fixed also a little above the bridge, so that if the natives tried to demolish it by floating down tree-trunks or beams, these buffers would break the force of the impact and preserve the bridge from injury.”
― Gaius Julius Caesar, quote from The Conquest of Gaul
“I can worry myself into a state of spiritual ennui over questions like "What good does it do to pray if God already knows everything?" Jesus silences such questions: he prayed, so should we.”
― Philip Yancey, quote from The Jesus I Never Knew
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