Quotes from Pilgrim

Timothy Findley ·  538 pages

Rating: (2.9K votes)


“I have dreamt of a life you will never know; the life of a loving and caring companion. I simply thought you should know. I see that you are in trouble. I watch and listen to you. I want to help, but you won't let me. So be it. I love you still. Do what you will, I shall watch over you.”
― Timothy Findley, quote from Pilgrim


“Има хора, чието преживяване на живота е толкова различно от нашето собствено, че ги наричаме луди. За чисто удобство. Наричаме ги така, за да се освободим от поемането на отговорност за тяхното място в човешката общност. И затова ги изпращаме в приюти, затваряме ги, за да не се виждат и чуват, зад заключени врати. Но за тях няма разлика между това, което ние смятаме за сънища и кошмари, и света, в който протича всекидневният им живот... Според тях може да има святост в дървета и жаби, живи богове в огъня и водата и глас във вихрушката, към който, ако само се вслушаме, те ще насочат вниманието ни... Те не живеят в “други светове”, а в едно измерение на този свят, което ние от страх отказваме да приемем.”
― Timothy Findley, quote from Pilgrim


“Има степени на лудост, разбира се. Аз открих следи в самия себе си, признавам. – Той махна с ръка. – Но лудостта е силен звяр и не може да бъде уловена в теории. С времето се научих не само да не вярвам на теории, но и активно да им се противопоставям. Фактите са важни. И ние разполагаме само с фактите за всяка индивидуална лудост. Общите теории за лудостта се разкриват като се разкрива истинската ѝ природа във всеки пациент, един по един по един. Моята собствена лудост се измерва в скоби – както всяка лудост. И поради това, аз се научих не само да се справям с нея, но и да живея с нея. И което е най-важно, да функционирам въпреки нейното наличие.”
― Timothy Findley, quote from Pilgrim


“music is the worst of them - roiling and boiling - overly emotionalized on the one hand, overly intellectuallized on the other. Bach and Mozart indeed! Bach inevitably makes me think of fish in a barrel! round and round and round they go and nothing ever happens. Nothing ! Tum -de-dum-dum. Tum -de-dum-dum and that's all! Tum -de-dum-de-bloody-dum-dum! As for Mozart, his emotions did not mature beyond the age of twelve. never achieved adolescence, let alone puberty. his music merely combines a popular talent for slapstick and a commercial talent for tears. No - not tears. For sobs. Beethoven, pompous. Chopin - sickly sweet and given to tantrums - Tum -de-dum-dum- Bang! and Wagner - a self -centred bore. and Stravinsky - discordant, rude and blows his music through his nose”
― Timothy Findley, quote from Pilgrim


“Happiness is not our goal. The achievement of happiness deflects us from our true destiny which is the utter realization of self.”
― Timothy Findley, quote from Pilgrim



“Светът, каза той, свършва всеки ден – и започва на следващия”
― Timothy Findley, quote from Pilgrim


“Животът изисква да го живеем до непоносимост.”
― Timothy Findley, quote from Pilgrim


“Ако оцеляването ѝ зависи от вярата ѝ, че живее на Луната, тогава ние трябва да приемем нейната реалност, а не тя нашата.”
― Timothy Findley, quote from Pilgrim


“...only one deaf God, who cannot see, remains—claiming all of creation as His own. If people would invest one hundredth of their devotion to this God in the living brothers and sisters amongst whom they stand, we might have a chance of surviving one another. As it is...”
― Timothy Findley, quote from Pilgrim


“The art of presenting oneself, he had once told Sybil, lies in creating an immediate shock which is countered by a slow retreat into custom. People never quite recover from my cravats, but they will never find the equal of my tailor. To be memorable is all, when it comes to dress.”
― Timothy Findley, quote from Pilgrim



About the author

Timothy Findley
Born place: in Toronto, Ontario, Canada
Born date October 30, 1930
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Popular quotes

“Time

You were the one
I wanted most
to stay.

But time could not
be kept at bay.

The more it goes,
the more it's gone—
the more it takes away.”
― Lang Leav, quote from Lullabies


“Great stems rose about me, uplifting a thick multitudinous roof above me of branches, and twigs, and leaves-- the bird and insect world uplifted over mine, with its own landscapes, its own thickets, and paths, and glades, and dwellings; its own bird-ways and insect-delights. Great boughs crossed my path; great roots based the tree-columns, and mightily clasped the earth, strong to lift and strong to uphold. It seemed an old, old forest, perfect in forest ways and pleasure. And when, in the midst of this ectasy, I remembered that under some close canopy of leaves, by some giant stem, or in some mossy cave, or beside some leafy well, sat the lady of marble, whom my songs had called forth into the outer world, waiting (might it not be?) to meet and thank her deliverer in a twilight which would veil her confusion, the whole night became one dream-realm of joy, the central form of which was everywhere present, although unbeheld. Then, remembering how my songs seemed to have called her form the marble, piercing through the pearly shroud of alabaster -- "Why," thought I, "should not my voice reach her now, through the ebon night that inwraps her." My voice burst into song so spontaneously that it seemed involuntarily:”
― George MacDonald, quote from Phantastes


“They’re a jolly lot, the lepers,” said Father Liam. “People who’ve suffered don’t have time to grumble.”
― Eva Ibbotson, quote from Journey to the River Sea


“I would have loved to know how it felt, just once, to have something fall apart and see options instead of endings.”
― Sarah Dessen, quote from Saint Anything


“Beyond all of that, I could see the wall I had seen from inside the train, the wall that runs along the train line. I assumed that there, behind it, was the west, and I was right. I could have been wrong, but I was right.' If she had any future it was over there, and she needed to get to it.
I sit in the chair exploring the meaning of dumbstruck, rolling the word around in my mind. I laugh with Miriam as she laughs at herself, and at the boldness of being sixteen. At sixteen you are invulnerable. I laugh with her about rummaging around for a ladder in other people's sheds, and I laugh harder when she finds one. We laugh at the improbability of it, of someone barely more than a child poking around in Beatrix Potter's garden by the Wall, watching out for Mr McGregor and his blunderbuss, and looking for a step-ladder to scale one of the most fortified barriers on earth. We both like the girl she was, and I like the woman she has become.
She says suddenly, 'I still have the scars on my hands from climbing the barbed wire, but you can't see them so well now.' She holds out her hands. The soft parts of her palms are crazed with definite white scares, each about a centimeter long.
The first fence was wire mesh with a roll of barbed wire along the top.”
― Anna Funder, quote from Stasiland: Stories from Behind the Berlin Wall


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