“Marginalia
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.”
― Billy Collins, quote from Picnic, Lightning
“It is time to float on the waters of the night.
Time to wrap my arms around this book
and press it to my chest, life preserver
in a sea of unremarkable men and women,
anonymous faces on the street,
a hundred thousand unalphabetized things,
a million forgotten hours.”
― Billy Collins, quote from Picnic, Lightning
“Japan
Today I pass the time reading
a favorite haiku,
saying the few words over and over.
It feels like eating
the same small, perfect grape
again and again.
I walk through the house reciting it
and leave its letters falling
through the air of every room.
I stand by the big silence of the piano and say it.
I say it in front of a painting of the sea.
I tap out its rhythm on an empty shelf.
I listen to myself saying it,
then I say it without listening,
then I hear it without saying it.
And when the dog looks up at me,
I kneel down on the floor
and whisper it into each of his long white ears.
It’s the one about the one-ton
temple bell
with the moth sleeping on its surface,
and every time I say it, I feel the excruciating
pressure of the moth
on the surface of the iron bell.
When I say it at the window,
the bell is the world
and I am the moth resting there.
When I say it into the mirror,
I am the heavy bell
and the moth is life with its papery wings.
And later, when I say it to you in the dark,
you are the bell,
and I am the tongue of the bell, ringing you,
and the moth has flown
from its line
and moves like a hinge in the air above our bed.”
― Billy Collins, quote from Picnic, Lightning
“Taking Off Emily Dickinson’s Clothes
First, her tippet made of tulle,
easily lifted off her shoulders and laid
on the back of a wooden chair.
And her bonnet,
the bow undone with a light forward pull.
Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer’s dividing water,
and slip inside.
You will want to know
that she was standing
by an open window in an upstairs bedroom,
motionless, a little wide-eyed,
looking out at the orchard below,
the white dress puddled at her feet
on the wide-board, hardwood floor.
The complexity of women’s undergarments
in nineteenth-century America
is not to be waved off,
and I proceeded like a polar explorer
through clips, clasps, and moorings,
catches, straps, and whalebone stays,
sailing toward the iceberg of her nakedness.
Later, I wrote in a notebook
it was like riding a swan into the night,
but, of course, I cannot tell you everything—
the way she closed her eyes to the orchard,
how her hair tumbled free of its pins,
how there were sudden dashes
whenever we spoke.
What I can tell you is
it was terribly quiet in Amherst
that Sabbath afternoon,
nothing but a carriage passing the house,
a fly buzzing in a windowpane.
So I could plainly hear her inhale
when I undid the very top
hook-and-eye fastener of her corset
and I could hear her sigh when finally it was unloosed,
the way some readers sigh when they realize
that Hope has feathers,
that Reason is a plank,
that Life is a loaded gun
that looks right at you with a yellow eye.”
― Billy Collins, quote from Picnic, Lightning
“¨Yet the one I think of most often_¨”
― Billy Collins, quote from Picnic, Lightning
Billy Collins
Born place: in New York City, The United States
Born date March 22, 1941
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“When we get closer, he pushes out both of the chairs across from him. He nods at them and says, “Take a seat.”
I raise an eyebrow at him. “Am I going to have to woo you before I get my slice?”
He smiles over the pizza that he’s about to bite into. “Yeah, I do believe you’re going to have to.”
With zero self-respect, Amanda takes a seat and says, “That’s no problem with me.”
Honestly. Does she not know how to avoid showing all her cards at once?
When I take a seat, he holds out his hand. “I’m Aaron.”
I take his hand and notice how rough it is. It’s a working hand, one that experiences strenuous hours on the jobsite, day in, day out. “Amelia, and this is my friend, Amanda.”
Aaron nods at Amanda. “Nice to meet you.”
“Pleasure is mine and just so you know, Amelia is single and definitely on the market. Want me to give you her number?”
“Amanda, what the hell are you—?”
“I would love it,” Aaron says, leaning back in his chair while sipping his drink.
Slowly turning toward him, a little stunned, I ask, “You would?”
He nods with all the confidence in the world. “I would.”
“But you don’t know me. I could be a shovel-wielding rabbit killer.”
He leans forward, his chest flexing under his shirt with the movement. “I’ll take my chances.”
Now feeling a little skeptical, I fold my arms over my chest and ask, “Why do you want it?”
He bites down on his straw and studies me for a second before saying, “Can’t let a girl walk out the door without getting her number who’s that passionate about Buffalo chicken pizza. It’s just not physically possible.”
“Aw, he likes you for your crazy; he’s a keeper,” Amanda chimes in with her mouth full of pizza. “It’s 607—”
“Amanda, just be quiet for a second.” Looking at Aaron, I say, “Three Buffalo chicken pizza slices in exchange for three veggie and my phone number.”
“No way.” He shakes his head. “You can’t take all my Buffalo.”
“But I thought you wanted my number.”
“I do.” He leans forward some more, his fresh scent hitting me hard in the chest. “But we both know if I give you three slices, you will have zero respect for me because no man in his right mind would give up three Buffalo slices. No matter how hot the chick is.” Eeep, he thinks I’m hot. “But I will counter you with one and a half slices and a number.”
I sit back now, watching how his smile starts to spread. God, he’s just so . . . yum. He looks like he’s quite a few years older than me. Not just because of his face, but there is something in his eyes that makes him seem older. He’s definitely not in his second year of college like me. Not wanting to fold so quickly, I counter. “Two slices, my number, and a guaranteed date this Friday.”
He sits back, his eyes widen, and that smile gets even bigger. “Fucking deal.” He holds his hand out and we shake.”
― Meghan Quinn, quote from The Other Brother
“At this point in the course, everyone in the room despised Akiko, but suddenly he admired her courage to think so differently and to suggest such a difficult truth. He felt lucky to be at a university and not in most other settings, where the person in charge was always right. Nevertheless, until he really listened to Akiko disagree with the professor, he had not thought for himself fully, and it had never occurred to him to disagree in public.”
― Min Jin Lee, quote from Pachinko
“Most girls celebrate their birthdays with friends. I spent mine with a pack of wolves.”
― Ruth Emmie Lang, quote from Beasts of Extraordinary Circumstance
“But then, liars do make the best magicians, and he happened to be exceptional.”
― Lisa Maxwell, quote from The Last Magician
“I will say that the cross of materialism is that it never quite succeeds in believing what it preaches, in thinking its own thought. This may sound complicated, but is in fact simple: the materialist says, for example, that we are not free, though he is convinced, of course, that he asserts this freely, that no one is forcing him to state this view of the matter — neither parents, not social milieu, nor biological inheritance. He says that we are wholly determined by our history, but he never stops urging us to free ourselves, to change our destiny, to revolt where possible! He says that we must love the world as it is, turning our backs on past and future so as to live in the present, but he never stops trying, like you or me, when the present weighs upon us, to change it in hope of a better world. In brief, the materialist sets forth philosophical these that are profound, but always for you and me, never for himself. Always, he reintroduces transcendence — liberty, a vision for society, the ideal — because in truth he cannot not believe himself to be free, and therefore answerable to values higher than nature and history.”
― Luc Ferry, quote from A Brief History of Thought: A Philosophical Guide to Living
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