Sheri S. Tepper · 315 pages
Rating: (10.1K votes)
“HECUBA: I had a knife in my skirt, Achilles. When Talthybius bent over me, I could have killed him. I wanted to. I had the knife just for that reason. Yet, at the last minute I thought, he's some mother's son just as Hector was, and aren't we women all sisters? If I killed him, I thought, wouldn't It be like killing family?Wouldn't it be making some other mother grieve? So I didn't kill him, but if I had, I might have saved Hector's child. Dead or damned, that's the choice we make. Either you men kill us and are honored for it, or we women kill you and are damned for it. Dead or damned. Women don't have to make choices like that in Hades. There is no love there, nothing to betray.”
― Sheri S. Tepper, quote from The Gate to Women's Country
“Men like to think well of themselves, and poets help them do it.”
― Sheri S. Tepper, quote from The Gate to Women's Country
“(ghost of)ACHILLES: How can I force obedience on this? In other times I've used the fear of death to make a woman bow herself to me. If not the fear of her own death, then fear for someone else, a husband or a child. How can I bend this woman to my will?
(ghost of)POLYXENA: I think I will not bend.
IPHIGENIA: You see, it's as we've tried to tell you, Great Achilles. Women are no good to you dead.”
― Sheri S. Tepper, quote from The Gate to Women's Country
“Stavia saw herself as in a picture, from the outside, a darkly cloaked figure moving along a cobbled street, the stones sheened with a soft, early spring rain.”
― Sheri S. Tepper, quote from The Gate to Women's Country
“along a cobbled street, the stones sheened with a soft, early spring rain. On either side the gutters ran with an infant chuckle and gurgle, baby streams being amused with themselves. The”
― Sheri S. Tepper, quote from The Gate to Women's Country
“When You Return
Fallen leaves will climb back into trees.
Shards of the shattered vase will rise
and reassemble on the table.
Plastic raincoats will refold
into their flat envelopes. The egg,
bald yolk and its transparent halo,
slide back in the thin, calcium shell.
Curses will pour back into mouths,
letters un-write themselves, words
siphoned up into the pen. My gray hair
will darken and become the feathers
of a black swan. Bullets will snap
back into their chambers, the powder
tamped tight in brass casings. Borders
will disappear from maps. Rust
revert to oxygen and time. The fire
return to the log, the log to the tree,
the white root curled up
in the un-split seed. Birdsong will fly
into the lark’s lungs, answers
become questions again.
When you return, sweaters will unravel
and wool grow on the sheep.
Rock will go home to mountain, gold
to vein. Wine crushed into the grape,
oil pressed into the olive. Silk reeled in
to the spider’s belly. Night moths
tucked close into cocoons, ink drained
from the indigo tattoo. Diamonds
will be returned to coal, coal
to rotting ferns, rain to clouds, light
to stars sucked back and back
into one timeless point, the way it was
before the world was born,
that fresh, that whole, nothing
broken, nothing torn apart.”
― Ellen Bass, quote from Like a Beggar
“I was thinking - I'd like to fuck that smart mouth of yours and make you swallow my cum. ~Eric~”
― Courtney Lane, quote from The Sordid Promise
“ 9 Furthermore we have had fathers of our flesh which corrected us, and we gave them reverence: shall we not much rather be in subjection unto the Father of spirits, and live?”
― The Church of Jesus Christ of Latter-day Saints, quote from The LDS Scriptures: Unabridged Complete King James Version Holy Bible /The Book of Mormon / Doctrine and Covenants / The Pearl of Great Price
“There is power in a Lady who trusts in God-a lady who has put all her eggs in God’s basket. Women possess some gift that touches the heart of God. This gift is so powerful that Jeremiah, the weeping prophet who was known for his great compassion found himself needing the intercession of women to tap into this power. The Lord asked Him to send for the women to let them take up wailing as God knew His ears are open to the cry of distressed women”
― Mary Maina, quote from The Proverbs 31 Lady: Unveiling Her Secrets Before Saying I Do
“Unë nuk jam ithtar i një arti tepër subjektiv. Poezia ime ka qenë për mua një mjet për të zotëruar vetveten. Ajo më jepte mundësinë të shikoja ku kalonte vija matanë së cilës falsiteti i tonit dëshmon falsitetin e qëndrimit dhe të bëja të gjitha përpjekjet për të mos e shkelur. Përvoja e viteve të luftës më mësoi se nuk është e udhës ta marrësh penën me qëllimin e vetëm për t’u komunikuar të tjerëve hidhërimin vetjak dhe sfilitjen e brendshme – sepse kjo është një lëndë e dobët, përftimi i së cilës kërkon aq pak mund sa që ky akt nuk të jep të drejtën e respektimit të vetvetes. Kushdo që ka parë të bëhet hi një qytet me një milion banorë dhe kilometra të tëra rrugësh të tij pa asnjë gjurmë jete, madje as edhe një mace, as edhe një qen pa zot, i kujton me ironi përshkrimet prej poetëve bashkëkohorë të ferrit të qyteteve të mëdha - në të vërtetë ferri i shpirtit të tyre. Wasteland i vërtetë është shumë më i tmerrshëm se ai imagjinari. Kush nuk ka jetuar mes tmerreve të luftës e të terrorit nuk e di sa e egër është revolta kundër vetvetes e atij që i ka parë ose ka marrë pjesë në to - ajo revoltë kundër moskokëçarjes dhe egoizmit të vet. Rrënimi dhe vuajtjet janë një shkollë ku farkëtohet sensi shoqëror,”
― Czesław Miłosz, quote from The Captive Mind
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