“Most girls take one look at you and swoon. You've never had to really work for someone's affection or put effort into maintaining it. In many ways, your natural gifts have done you a disservice-- they've stunted your sensitivity and charm! You've never had to develop insight into what will make a girl laugh and come to love you for reasons that aren't handsome or heroic. That's why smees are experts on the subtle arts of courtship and seduction; nothing comes easy to us, but we do understand and live by the Lover's Maxim."
"And what on earth is the Lover's Maxim?" asked Maz, feeling very uninformed.
The smee cleared his throat. "If you can't be handsome, be rich. If you can't be rich, be strong. If you cant be strong, be witty."
"But what if you can't be witty?" Max wondered.
"Learn the guitar.”
― Henry H. Neff, quote from The Maelstrom
“The Lover's Maxim
'If you can'r be handsome, be rich. If you can't be roich, be strong. If you can't be strong, be witty'
'What if you can'r be witty?'
'Learn the guitar.”
― Henry H. Neff, quote from The Maelstrom
“You have the courage and will to overcome your fear and do what's required.”
― Henry H. Neff, quote from The Maelstrom
“In the common room, they found Emer dozing in her chair, Lila scratching at the door, and Mine stirring a large pot and peering at its contents with an anxious, irritated expression. With a groan, the Archmage strode across the room and flung open the windows.
"It just needs more basil," Mine assured him. "No, it does not," Bram declared. "It needs less garlic. Didn't I tell you to follow a recipe?"
"I did follow a recipe!" Shouted Mine, defiantly flinging the rest of the basil into the pot.
"Show it to me, then."
"I threw it in the fire!"
"What have I told you about lying, child?"
"To get better at it!”
― Henry H. Neff, quote from The Maelstrom
“Sorry, Toby," said Max, plucking up the smee by one end. "This will have to do." He unceremoniously dunked the creature into a nearby pitcher of water. "Better?"
"Invigorated," groused the smee. "And now I will ask you to kindly put me down and never to grab me by that particular part of my anatomy again."
Horrified, Max promptly dropped the smee onto its pillow.”
― Henry H. Neff, quote from The Maelstrom
Henry H. Neff
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“I'm on the toilet at the 9:30 Club and I'm wondering how mermaids pee.”
― Becky Albertalli, quote from The Upside of Unrequited
“So what’s wrong if there happens to be one guy in the world who enjoys trying to understand you?”
― Haruki Murakami, quote from Norvegų giria
“But I’m not patient, said Marvellous. I’m diligent.”
― Sarah Winman, quote from A Year of Marvellous Ways
“Today, Medina is simultaneously the archetype of Islamic democracy and the impetus for Islamic militancy. Islamic Modernists like the Egyptian writer and political philosopher Ali Abd ar-Raziq (d. 1966) pointed to Muhammad’s community in Medina as proof that Islam advocated the separation of religious and temporal power, while Muslim extremists in Afghanistan and Iran have used the same community to fashion various models of Islamic theocracy. In their struggle for equal rights, Muslim feminists have consistently drawn inspiration from the legal reforms Muhammad instituted in Medina, while at the same time, Muslim traditionalists have construed those same legal reforms as grounds for maintaining the subjugation of women in Islamic society. For some, Muhammad’s actions in Medina serve as the model for Muslim-Jewish relations; for others, they demonstrate the insurmountable conflict that has always existed, and will always exist, between the two sons of Abraham. Yet regardless of whether one is labeled a Modernist or a Traditionalist, a reformist or a fundamentalist, a feminist or a chauvinist, all Muslims regard Medina as the model of Islamic perfection. Simply put, Medina is what Islam was meant to be.”
― Reza Aslan, quote from No god but God: The Origins, Evolution and Future of Islam
“When we lose that sense of the possible we lose it fast.
One day we are absorbed by dressing well, following the news, keeping up, coping, what we might call staying alive; the next day we are not.”
― Joan Didion, quote from Blue Nights
Aspho Fields
The Son
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Railsea
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