“Most girls take one look at you and swoon. You've never had to really work for someone's affection or put effort into maintaining it. In many ways, your natural gifts have done you a disservice-- they've stunted your sensitivity and charm! You've never had to develop insight into what will make a girl laugh and come to love you for reasons that aren't handsome or heroic. That's why smees are experts on the subtle arts of courtship and seduction; nothing comes easy to us, but we do understand and live by the Lover's Maxim."
"And what on earth is the Lover's Maxim?" asked Maz, feeling very uninformed.
The smee cleared his throat. "If you can't be handsome, be rich. If you can't be rich, be strong. If you cant be strong, be witty."
"But what if you can't be witty?" Max wondered.
"Learn the guitar.”
― Henry H. Neff, quote from The Maelstrom
“The Lover's Maxim
'If you can'r be handsome, be rich. If you can't be roich, be strong. If you can't be strong, be witty'
'What if you can'r be witty?'
'Learn the guitar.”
― Henry H. Neff, quote from The Maelstrom
“You have the courage and will to overcome your fear and do what's required.”
― Henry H. Neff, quote from The Maelstrom
“In the common room, they found Emer dozing in her chair, Lila scratching at the door, and Mine stirring a large pot and peering at its contents with an anxious, irritated expression. With a groan, the Archmage strode across the room and flung open the windows.
"It just needs more basil," Mine assured him. "No, it does not," Bram declared. "It needs less garlic. Didn't I tell you to follow a recipe?"
"I did follow a recipe!" Shouted Mine, defiantly flinging the rest of the basil into the pot.
"Show it to me, then."
"I threw it in the fire!"
"What have I told you about lying, child?"
"To get better at it!”
― Henry H. Neff, quote from The Maelstrom
“Sorry, Toby," said Max, plucking up the smee by one end. "This will have to do." He unceremoniously dunked the creature into a nearby pitcher of water. "Better?"
"Invigorated," groused the smee. "And now I will ask you to kindly put me down and never to grab me by that particular part of my anatomy again."
Horrified, Max promptly dropped the smee onto its pillow.”
― Henry H. Neff, quote from The Maelstrom
Henry H. Neff
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“I have never forgotten, and I can't imagine you have, and I've thought of it over the years. It was so good, when it was good, I kept thinking. How could it go wrong?”
― George R.R. Martin, quote from Dying of the Light
“But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of today, or the agonies which are have their origin in the ecstasies which might have been.”
― Edgar Allan Poe, quote from Berenice
“A good river is nature's life work in song.”
― Mark Helprin, quote from Freddy and Fredericka
“The Bostonians is special because it never was ‘titivated’ for the New York edition, for its humour and its physicality, for its direct engagement with social and political issues and the way it dramatized them, and finally for the extent to which its setting and action involved the author and his sense of himself. But the passage above suggests one other source of its unique quality. It has been called a comedy and a satire – which it is. But it is also a tragedy, and a moving one at that. If its freshness, humour, physicality and political relevance all combine to make it a peculiarly accessible and enjoyable novel, it is also an upsetting and disturbing one, not simply in its treatment of Olive, but also of what she tries to stand for. (Miss Birdseye is an important figure in this respect: built up and knocked down as she is almost by fits and starts.) The book’s jaundiced view of what Verena calls ‘the Heart of humanity’ (chapter 28) – reform, progress and the liberal collectivism which seems so essential an ingredient in modern democracy – makes it contentious to this day. An aura of scepticism about the entire political process hangs about it: salutary some may say; destructive according to others. And so, more than any other novel of James’s, it reminds us of the literature of our own time. The Bostonians is one of the most brilliant novels in the English language, as F. R. Leavis remarked;27 but it is also one of the bleakest. In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old. It is a remarkably experimental modern novel, written by a man of conservative values. It is judgemental about people with whom its author identified, and lenient towards attitudes hostile to large areas of James’s own intellectual and personal inheritance. The strength of the contradictions embodied in the novel are a guarantee of the pleasure it has to give.”
― Henry James, quote from The Bostonians
“I think that where you go wrong is that you imagine that your reasons for living ought to fall on you, ready-made from heaven, whereas we have to find them for ourselves.”
― Simone de Beauvoir, quote from The Blood of Others
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