“Trev, all you had to do was breathe to make me want you. ”
― Cindy C. Bennett, quote from Geek Girl
“No, I don't party; no, I don't dress in black leather and chains; that's not my style. That's how I was raised. I worry about getting good grades and I go to church and I watch sci-fi movies and I generally follow the rules. Most people would call me a geek or a nerd. You've called me that many times. But that isn't everything that defines me. I mean, look at me, sitting here in a rainstorm under a tree that's probably going to kill us when the lightning hits it, holding the hand of a pretty cool girl who really is the opposite of me, a girl that I happen to be in love with. A girl I couldn't have imagined would want to be with me. But here she is, letting me hold her hand, trying to tell me why she isn't good enough for me. That's crazy.”
― Cindy C. Bennett, quote from Geek Girl
“Trev--"I heard you were going to go out with him and I burned with jealousy. No, burning isn't the right word. I was more like an inferno. So I followed you....."
"You're as pathetic as I am," I gasped out.
"Worse," he qualifies. "I'm a pathetic geek."
I snuggle back in to him "Yeah, well so am I.”
― Cindy C. Bennett, quote from Geek Girl
“Who knew that you would be The One," I smile, "which I guess makes me your Trinity."
"My Amidala."
"Your Zira."
"My Sylvia."
"Your..." I scour my brain, trying to remember some other great sci-fi love interest.
"Ha! I'm your Saphira," I settle back smugly, only for Trevor to start laughing.
"Saphira is a dragon.”
― Cindy C. Bennett, quote from Geek Girl
“Jen--"I am sorry that I hurt you. I don't have the words to tell you how sorry I am about that."..."I would do anything to take that part away. I would do anything to change the hurt I know I caused you. But I can't be sorry about making the bet with Ella and Beth because if I hadn't done that, I would never have gotten to know you.”
― Cindy C. Bennett, quote from Geek Girl
“Yeah, I guess I do.” My heart plummets again. “Or I did. Maybe I still do. I don’t know. But I didn’t bring her to the dance. I brought you. It seems I spend all my time with you.”
“Why is that?” I’m genuinely curious but aware that I could be opening a door I don’t want opened. I quickly rephrase. “I mean, why do you want to?”
He looks thoughtful.
“You’re funny,” he finally says. “I laugh a lot when I’m with you. I always have fun when I’m with you. And you try to hide it, but you’re actually pretty sweet.”
“That’s a horrible thing to say,” I say petulantly, crossing my arms tightly again. He chuckles.
“And you’re really smart.”
“Now I know you’re lying.”
“You are. But you try to hide that as well. And you’re pretty.”
“Worse and worse,” I moan. He grins.
“And when I’m with you, I don’t want to be anywhere else or with anyone else.”
― Cindy C. Bennett, quote from Geek Girl
“He grins as he straightens and walks toward me, the grin that brings out the dimples and nearly takes my knees out. I'm such a marshmallow.”
― Cindy C. Bennett, quote from Geek Girl
“Trevor : “Who says that you’re not good?” He sounds a little angry.
“Who says that, Jen? Kyle? Beth? Ella? Your mother? You? Who
gave any of you the right to decide who’s good and who’s not?”
― Cindy C. Bennett, quote from Geek Girl
“Grab my hands and stop me, because if you don’t, you’re mine. And I’m yours, and whatever else happens, we’ll have something beautiful and perfect, and it’ll mean something, for as long as it lasts.”
― Jasinda Wilder, quote from Falling Under
“I had met death before, in different forms--I knew quite well the pattern of my grieving. First came shock, and then tears, and then a bitter anger, followed by a softer grief that time would wear away.”
― Susanna Kearsley, quote from The Splendour Falls
“Con los países pobres ocurre lo mismo que ocurre con los pobres de cada país: los medios masivos de comunicación sólo se dignan echarles una ojeada cuando ofrecen alguna desgracia espectacular que puede tener éxito en el mercado. ¿Cuántas personas deben ser destripadas por guerra o terremoto, o ahogadas por inundación, para que algunos países sean noticia y aparezcan por una vez en el mapa del mundo? ¿Cuántos espantos debe acumular un muerto de hambre para que las cámaras lo enfoquen por una vez en la vida? El mundo tiende a convertirse en el escenario de un gigantesco reality show. Los pobres, los desaparecidos de siempre, sólo aparecen en la tele como objeto de burla de la cámara oculta o como actores de sus propias truculencias. El desconocido necesita ser reconocido, el invisible quiere hacerse visible, busca raíz el desarraigado. Lo que no existe en la televisión, ¿existe en la realidad? Sueña el paria con la gloria de la pantalla chica, donde cualquier espantapájaros se transfigura en galán irresistible. Con tal de entrar en el olimpo donde los teledioses moran, algún infeliz ha sido capaz de pegarse un tiro ante las cámaras de un programa de entretenimientos. Últimamente, la llamada telebasura está teniendo, en unos cuantos países de América latina, tanto o más éxito que las telenovelas: la niña violada llora ante el periodista que la interroga como si la violara otra vez; este monstruo es el nuevo hombre elefante, miren, señoras y señores, no se pierdan este fenómeno increíble: la mujer barbuda busca novio; un señor gordo dice estar embarazado. Hace treinta y poco años, en Brasil, ya los concursos del horror convocaban multitudes de candidatos y ganaban enormes teleaudiencias: ¿Quién es el enano más bajito del país? ¿Quién es el narigón de nariz más larga, que la ducha no le moja los pies? ¿Quién es el desgraciado más desgraciado de todos? En los concursos de desgraciados, desfilaba por los estudios la corte de los milagros: la niña sin orejas, comidas por las ratas; el débil mental que había pasado treinta años encadenado a la pata de una cama; la mujer que era hija, cuñada, suegra y esposa del marido borracho que la había dejado inválida. Y cada desgraciado tenía su hinchada, que desde la platea gritaba, a coro:
-¡Ya ganó! ¡Ya ganó!”
― Eduardo Galeano, quote from Upside Down: A Primer for the Looking-Glass World
“Sometimes in life there are these random moments when everything just clicks. When all the fragments of your fractured past fall together, merging in your mind to form a lucid image of your future. Each mistake made becomes a vital piece as it serves whatever purpose necessary to complete the picture as a whole and suddenly everything becomes so clear.”
― L.B. Simmons, quote from The Resurrection of Aubrey Miller
“Sieh sie dir an", sagte Vincent. "Alle finden einfach zueinander. Sie kommen so mühelos zusammen. Warum passiert mir das nicht?”
― quote from Torture the Artist
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