“Are you kidding? Aren’t you worried I’ll become that hung up on you?”
“I’m hoping you become that hung up on me.”
“Just don’t give up on us. Please, don’t give up. I’m a shell without you, Alayna. I can barely breathe when you aren’t near me, when I’m not touching you. Right now, it’s all I can do to hold myself back from taking you in my arms.”
“Because I love you. I love you too much, like I always do, but this time I don’t regret it and I don’t wish I could take it back because you need it. So take it from me, H. Take it all from me.”
“Alayna” I adored how he said my name, how it always felt like he was saying so much more with only those three syllables. Like a prayer, like a touchstone. It made me feel beautiful.”
“I’ve never been your boss, Alayna. If anything, you’re the one who owns me.”
“The only mingling that interests me at the moment is the mingling of our genitalia.”
“You want to ignore it and leave things in the past. But you're always going to be scared that I can't love you through anything if you don't give me the chance to prove that I will.”
“You think we 're both fifty shades of fucked up, don't you?"
- "Nah, not that bad. Maybe twenty-five shades.”
“Just don’t give up on us. Please, don’t give up. I’m a shell without you, Alayna. I can barely breathe when you aren’t near me, when I’m not touching you.”
“I need you, Hudson. I need you to touch me and bring me back into sync. I’m so far out of tune with you and it hurts—like part of me is missing.”
“This plan is the one I should have pursued to begin with. It’s the better plan.”
“I'm not giving up on you. Why would I do that? I love you, Hudson. So much.”
“Even when you're petulant and contrary, I still want you. Always, I want you. I want to give you everything. All of me. Why can't you take it? Take it.”
“But because you're mind. And I'm yours. And that means I'm tied to you in every way. Good and bad.”
“Awesome. Give me a call in the morning then.” She paused. “Oh, and if I don’t answer, keep calling. I have a nasty habit of leaving my phone in random places and if you call over and over then I will get to you. And I’ll find my phone! It’s a total win-win.”
“I need you, Hudson. I need you to touch me and bring me back into sync. I'm so far out of tune with you and it hurts - like part of me is missing.”
“It was a good thing I was a pacifist, because otherwise I'd have started planning her murder.”
“Fine. Be mad. Take it out on me. I'm planning to take out my emotions on you.”
“Sure, I can talk like you, but I choose not to, It's like an art, you know? Picasso had to prove to the world he could paint the right way, before he goes putting both eyes on the side of a face... See if you paint wrong because that's the best you can do, you just a chump. But you do it because you want to? Then you're an artist...You can take that to the grave and dig it up when you need it.”
“You, have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit.
And you, have that whole blonde cool and collected perfect smart thing going on.
You're the boy all the girls want to rebel with.
You, are the unattainable girl in homeroom who never gives a guy the time of day.”
“The brick walls are there for a reason. The brick walls are not there to keep us out. The brick walls are there to give us a chance to show how badly we want something. Because the brick walls are there to stop the people who don’t want it badly enough. They’re there to stop the other people.”
“Zakhor, Al Tichkah.' Souviens-toi. N'oublie jamais.”
“Die Wiederholung des Möglichen ist weder ein Wiederbringen des "Vergangenen" noch ein Zurückbinden der "Gegenwart" an das "Überholte". Die Wiederholung lässt sich, einem entschlossenen Sichentwerfen entspringend, nicht vom "Vergangenen" überreden, um es als das vormals Wirkliche nur wiederkehren zu lassen. Die Wiederholung erwidert viel mehr die Möglichkeit der dagewesenen Existenz.”
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