Quotes from Our Lady of the Flowers

“My heart's in my hand, and my hand is pierced, and my hand's in the bag, and the bag is shut, and my heart is caught.”
― Jean Genet, quote from Our Lady of the Flowers

“I wanted to swallow myself by opening my mouth very wide and turning it over my head so that it would take in my whole body, and then the Universe, until all that would remain of me would be a ball of eaten thing which little by little would be annihilated: that is how I see the end of the world.”
― Jean Genet, quote from Our Lady of the Flowers

“They spent their time doing nothing... they let intimacy fuse them.”
― Jean Genet, quote from Our Lady of the Flowers

“Slowly but surly I want to strip her of every kind of happiness as to make a saint of her.”
― Jean Genet, quote from Our Lady of the Flowers

“on him, under him, with his mouth pressed to hers, he sang to her uncouth songs that moved through her body.”
― Jean Genet, quote from Our Lady of the Flowers

“The despondency that follows makes me feel somewhat like a shipwrecked man who spies a sail, sees himself saved, and suddenly remembers that the lens of his spyglass has a flaw, a blurred spot -- the sail he has seen.”
― Jean Genet, quote from Our Lady of the Flowers

“My heart to my mother, my cock to the whores, my head to the hangman.”
― Jean Genet, quote from Our Lady of the Flowers

“Those eyes, seemingly without mystery, are like certain closed cities, such as Lyons and Zurich, and they hypnotize me as do empty theaters, deserted prisons, machinery at rest, deserts, for deserts are closed and do not communicate with the infinite.”
― Jean Genet, quote from Our Lady of the Flowers

“The Archangel took his role of fucker seriously. It made him sing the Marseillaise, for now he was proud of being a Frenchman and a Gallic cock, of which only males are proud. Then he died in the war.”
― Jean Genet, quote from Our Lady of the Flowers

“Ariadne in the labyrinth. The most alive of worlds, human beings with the tenderest flesh, are made of marble. I strew devastation as I pass. I wander dead-eyed through cities and petrified populations.”
― Jean Genet, quote from Our Lady of the Flowers

“They made comments about the women's legs, but, as they were not witty, their remarks had no finesse. Since their emotion was not torn by any point, they quite naturally skidded along on a stagnent ground of poetry.”
― Jean Genet, quote from Our Lady of the Flowers

“Even there, intimacy evolved its alchemy. A solemn marble stairway led to corridors covered with red carpets, upon which one moved noiselessly.”
― Jean Genet, quote from Our Lady of the Flowers

“When the name was in the room, it came to pass that the murderer, abashed, opened up, and there sprang forth, like a Glory, from his pitiable fragments, an altar on which there lay, in the roses, a woman of light and flesh.

The alter undulated on a foul mud into which it sank: the murderer.”
― Jean Genet, quote from Our Lady of the Flowers

“By dint of saying that I'm not alive, I accept the fact that people cease to regard me.”
― Jean Genet, quote from Our Lady of the Flowers

“But," she said to the priest, "I'm not dead yet. I've heard the angels farting on the ceiling.”
― Jean Genet, quote from Our Lady of the Flowers

“Divine departed as she would have desired, in a mixture of fantasy and sordidness.”
― Jean Genet, quote from Our Lady of the Flowers

“Nasze życie rodzinne,prawo naszych domów,nie przypomina ani trochę waszych domów.Kochamy się,ale jest to miłość bez miłości”
― Jean Genet, quote from Our Lady of the Flowers

“when Divine seeks out the lost Alberto, she tries to portray him on herself and invents his smile with her own mouth. She puckers her muscles in what she thinks is the right way, the way–so she thinks when she feels her mouth twisting–that makes her resemble Alberto, until the day it occurs to her to do it in front of a mirror, and she realizes that her grimaces in no way resemble the smile we have already called starlike.)”
― Jean Genet, quote from Our Lady of the Flowers

“The coldness surprised him. It entered his vein, and the initiation proceeded. Veils were falling from large and solemn tableaux that Culafroy's eyes could not make out. Alberto took another snake and placed it on Culafroy's bare arm, about which it coiled just as the first had done. “You see, she's harmless.” (Alberto always referred to snakes in the feminine.) Just as he felt his penis swelling between his fingers, so the sensitive Alberto felt in the child the mounting emotion that stiffened him and made him shudder. And the insidious friendship for snakes was born.”
― Jean Genet, quote from Our Lady of the Flowers

“Divine was metamorphosed into one of those monsters that are painted on walls, for a customer murmured a magic word: 'homoseckshual”
― Jean Genet, quote from Our Lady of the Flowers

“Alberto taught him culling. You must wait until noon, when the snakes are asleep on the rocks, in the sun. You sneak up on them and then, crooking the index and middle finger, you grab them by the neck, close to the head, so that they can't slip away or bite; then, while the snake is hissing with despair, you quickly slip the hood over its head, tighten the noose, and put it into the box. Alberto wore a pair of corduroy trousers, leggings, and a gray shirt, the sleeves of which were rolled up to the elbows. He was good-looking–as are all the males in this book, powerful and lithe, and unaware of their grace. His hard, stubborn hair, which fell down over his eyes to his mouth, would have been enough to endow him with the glamor of a crown in the eyes of the frail, curly-haired child. They”
― Jean Genet, quote from Our Lady of the Flowers

“She went to get the revolver, which had long since been loaded by a most considerate Providence, and when she held it in her hand, weighty as a phallus in action, she realised she was big with murder, pregnant with a corpse.”
― Jean Genet, quote from Our Lady of the Flowers

“I have already spoken of my fondness for odors, the strong odors of the earth, of latrines, of the loins of Arabs and, above all, the odor of my farts, which is not the odor of my shit, a loathsome odor, so much so that here again I bury myself beneath the covers and gather in my cupped hands my crushed farts, which I carry to my nose. They open to me hidden treasures of happiness. I inhale, I suck in. I feel them, almost solid, going down through my nostrils. But only the odor of my own farts delights me, and those of the handsomest boy repel me. Even the faintest doubt as to whether an odor comes from me or someone else is enough for me to stop relishing it.”
― Jean Genet, quote from Our Lady of the Flowers

“In space, she kept devising new and barbaric forms for herself, for she sensed intuitively that immobility makes it too easy for God to get you in a good wrestling hold and carry you off. So she danced. While walking. Everywhere.”
― Jean Genet, quote from Our Lady of the Flowers

“If he says, “I'm dropping a pearl,” or “A pearl slipped,” he means that he has farted in a certain way, very softly, that the fart has flowed out very quietly. Let us wonder at the fact that it does suggest a pearl of dull sheen: the flowing, the muted leak, seems to us as milky as the paleness of a pearl, that is, slightly cloudy. It makes Darling seem to us a kind of precious gigolo, a Hindu, a princess, a drinker of pearls. The odor he has silently spread in the prison has the dullness of the pearl, coils about him, haloes him from head to foot, isolates him, but isolates him much less than does the remark that his beauty does not fear to utter. “I'm dropping a pearl” means that the fart is noiseless. If it rumbles, then it is coarse, and if it's some jerk who drops it, Darling says, “My cock's house is falling down!”
― Jean Genet, quote from Our Lady of the Flowers

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