“Conall checked his watch. Again. Soon his personal wet fantasy would be here. He wondered if it would be inappropriate to tackle her in the hallway as soon as she arrived and drag her up to his bedroom. Probably. Damn human etiquette.”
― quote from Go Fetch!
“Im not looking for marriage here, Zach. I just want to fuck her until one of us dies.”
― quote from Go Fetch!
“Miki held up a tennis ball, looked at Sara’s new Pack, and tossed it out into the forest away from the ongoing rave. They all watched it go, then they turned back to Miki.
“Okay. Go…”
Sara and Angelina slapped their hands over their friend’s mouth before the word “fetch” could come out of it.
They pulled her over to one of the food tables.
“Are you out of your ever-loving mind?! Everyone here but us is like Sara.” Angelina snapped.
“And after seeing them in action I’d rather not fuck with them!”
Miki gave that innocent smile. “It was just a little experiment.”
― quote from Go Fetch!
“Well, so you don't get too cocky, I myself often complete the TV Guide crossword puzzle." He puffed out his chest. "In pen.”
― quote from Go Fetch!
“I think we're avoiding the most important question here. What matters most. What means the most to men like us."
Conall growled at Billy Dunwich's sincere face. "I am not telling you if she swallows."
Dunwich smiled. "Just tell me if she's a good girl...or if she's a very good girl?”
― quote from Go Fetch!
“Deny everything. Admit nothing. Demand proof”
― quote from Go Fetch!
“Then it sounds to me like you love her. And if you love her, then tell her she belongs to you and she needs to get over it. Show her who's in charge. That's what I did with Sara."
Zach seemed less than pleased when they all laughed so hard Conall actually fell off the bed.”
― quote from Go Fetch!
“She needed to say something sexy and romantic with a mere hint of her vast intelligence. Something that would entice him into bed.
But what came out was, "I wanna fuck."
-Miki Kendrick”
― quote from Go Fetch!
“Okay. Fine.” Angelina was silent. For about fifteen seconds. “But you do know that a vibrator can’t really be your boyfriend.”
Miki dropped her head into her hands. “I will not discuss Mr. Happy with the likes of you.”
Angelina sighed. “I find the fact that you named your vibrator disturbing on so many levels.”
“Best relationship I’ve ever had.”
― quote from Go Fetch!
“Allen was perhaps a similar case, and may have persuaded the youth into accepting him as an avatar of the long-dead Curwen.”
― H.P. Lovecraft, quote from The Case of Charles Dexter Ward
“Dear Habicht, / Such a solemn air of silence has descended between us that I almost feel as if I am committing a sacrilege when I break it now with some inconsequential babble... / What are you up to, you frozen whale, you smoked, dried, canned piece of soul...?”
― Albert Einstein, quote from Relativity: The Special and the General Theory
“My anxieties as to behavior are futile, ever more so, to infinity. If the other, incidentally or negligently, gives the telephone number of a place where he or she can be reached at certain times, I immediately grow baffled: should I telephone or shouldn't I? (It would do no good to tell me that I can telephone - that is the objective, reasonable meaning of the message - for it is precisely this permission I don't know how to handle.) What is futile is what apparently has and will have no consequence. But for me, an amorous subject, everything which is new, everything which disturbs, is received not as a fact but in the aspect of a sign which must be interpreted. From the lover's point of view, the fact becomes consequential because it is immediately transformed into a sign: it is the sign, not the fact, which is consequential (by its aura). If the other has given me this new telephone number, what was that the sign of? Was it an invitation to telephone right away, for the pleasure of the call, or only should the occasion arise, out of necessity? My answer itself will be a sign, which the other will inevitably interpret, thereby releasing, between us, a tumultuous maneuvering of images. Everything signifies: by this proposition, I entrap myself, I bind myself in calculations, I keep myself from enjoyment.
Sometimes, by dint of deliberating about "nothing" (as the world sees it), I exhaust myself; then I try, in reaction, to return -- like a drowning man who stamps on the floor of the sea -- to a spontaneous decision (spontaneity: the great dream: paradise, power, delight): go on, telephone, since you want to! But such recourse is futile: amorous time does not permit the subject to align impulse and action, to make them coincide: I am not the man of mere "acting out" -- my madness is tempered, it is not seen; it is right away that I fear consequences, any consequence: it is my fear -- my deliberation -- which is "spontaneous.”
― Roland Barthes, quote from A Lover's Discourse: Fragments
“Somehow dying was like that. A sense of nervousness and finality and sorrow because for a season, they wouldn’t be together.”
― Karen Kingsbury, quote from Reunion
“Victorian rigidities were such that ladies were not even allowed to blow out candles in mixed company, as that required them to pucker their lips suggestively. They could not say that they were going "to bed"--that planted too stimulating an image--but merely that they were "retiring." It became effectively impossible to discuss clothing in even a clinical sense without resort to euphemisms. Trousers became "nether integuments" or simply "inexpressibles" and underwear was "linen." Women could refer among themselves to petticoats or, in hushed tones, stockings, but could mention almost nothing else that brushed bare flesh.”
― Bill Bryson, quote from At Home: A Short History of Private Life
The Story of B: An A...
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