Moab Is My Washpot

It's not all bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing—they are not all bad. Those devils have been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.

No adolescent ever wants to be understood, which is why they complain about being misunderstood all the time.

It is the useless things that make life worth living and that make life dangerous too: wine, love, art, beauty. Without them life is safe, but not worth bothering with.

People who can change and change again are so much more reliable and happier than those who can’t

And then I saw him and nothing was ever the same again. The sky was never the same colour, the moon never the same shape: the air never smelt the same, food never tasted the same. Every word I knew changed its meaning, everything that once was stable and firm became as insubstantial as a puff of wind, and every puff of wind became a solid thing I could feel and touch.

I used many times to touch my own chest and feel, under its asthmatic quiver, the engine of the heart and lungs and blood and feel amazed at what I sensed was the enormity of the power I possessed. Not magical power, but real power. The power simply to go on, the power to endure, that is power enough, but I felt I had also the power to create, to add, to delight, to amaze and to transform.

The concept that really gets the goat of the gay-hater, the idea that really spins their melon and sickens their stomachs is that most terrible and terrifying of all human notions, love. That one can love another of the same gender, that is what the homophobe really cannot stand. Love in all eight tones and all five semitones of the world's full octave. Love as Agape, Eros and Philos; love as infatuation, obsession and lust; love as torture, euphoria, ecstasy and oblivion (this is beginning to read like a Calvin Klein perfume catalogue); love as need, passion and desire.

Sex without smiling is as sickly and as base as vodka and tonic without ice.

I suppose this was the first time I had ever felt an urge not to be. Never an urge to die, far less an urge to put an end to myself - simply an urge not to be. This disgusting, hostile and unlovely world was not made for me, nor I for it.

Sticks and stones may break my bones, but words will always hurt me.

Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could ever devise".

As I go clowning my sentimental way into eternity, wrestling with all my problems of estrangement and communion, sincerity and simulation, ambition and acquiescence, I shuttle between worrying whether I matter at all and whether anything else matters but me.

None of this is important in itself, but I feel somewhere that it has a lot to do with why I have always felt separate, why I have always felt unable to join in, to let go, to become part of the tribe, why I have always sniped or joked from the sidelines, why I have never, ever, lost my overwhelmingly self-conscious self-consciousness. It's not all that bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing - they are not all bad. Those devils have also been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.

Well I don’t know about you, but when I recall childhood pain, I don’t recall the pains of toothache, a thrashed backside, broken bones, stubbed toes, gashed knees or twisted ankles – I recall the pains of loneliness, boredom, abandonment, humiliation, rejection and fear. Those are the pains on which I might and, still sometimes do, dwell, and those pains, almost without exception, were inflicted on me by other children and by myself.

Sticks and stones may break my bones, but words will always hurt me. Bones mend and become actually stronger in the very place they were broken and where they have knitted up; mental wounds can grind and ooze for decades and be re-opened by the quietest whisper.

I'm not even tone deaf, that's the arse-mothering, fuck-nosed, bugger-sucking wank of the thing.

Music was a kind of penetration. Perhaps absorption is a less freighted word. The penetration or absorption of everything into itself. I don't know if you have ever taken LSD, but when you do so the doors of perception, as Aldous Huxley, Jim Morrison and their adherents ceaselessly remind us, swing wide open. That is actually the sort of phrase, unless you are William Blake, that only makes sense when there is some LSD actually swimming about inside you. In the cold light of the cup of coffee and banana sandwich that are beside me now it appears to be nonsense, but I expect you to know what it is taken to mean. LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to everyone of these essences, but at a fraction of the social or financial cost of a drug and without the need to cry 'Wow!' all the time, which is LSD's most distressing and least endearing side effects. ...Music in the precision of its form and the mathematical tyranny of its laws, escapes into an eternity of abstraction and an absurd sublime that is everywhere and nowhere at once. The grunt of rosin-rubbed catgut, the saliva-bubble blast of a brass tube, the sweaty-fingered squeak on a guitar fret, all that physicality, all that clumsy 'music making', all that grain of human performance...transcends itself at the moment of its happening, that moment when music actually becomes, as it makes the journey from the vibrating instrument, the vibrating hi-fi speaker, as it sends those vibrations across to the human tympanum and through to the inner ear and into the brain, where the mind is set to vibrate to frequencies of its own making. The nothingness of music can be moulded by the mood of the listener into the most precise shapes or allowed to float as free as thought; music can follow the academic and theoretical pattern of its own modality or adhere to some narrative or dialectical programme imposed by a friend, a scholar or the composer himself. Music is everything and nothing. It is useless and no limit can be set to its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could ever devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.

Life is sometimes novel-shaped, mocking the efforts of those authors who, in an effort to make their novels life-shaped, spurn the easy symmetry and cheap resonance of reality.

Life, that can shower you with so much splendour, is unremittingly cruel to those who have given up.

Music is everything and nothing. It is useless and no limit can be set on its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.

There is simply no limit to the tyrannical snobbery that otherwise decent people can descend into when it comes to music.

I expected the illegible and the deeply buried in me to be read as if carved on my forehead, just as I expected the obvious and the ill-concealed to be hidden from view.

Come to think of it I don't know that love has a point, which is what makes it so glorious. Sex has a point, in terms of relief and, sometimes procreation, but love, like all art, as Oscar said, is quite useless. It is the useless things that make life worth living and that make life dangerous too: wine, love, art, beauty. Without them life is safe, but not worth bothering with.

The trouble with doing a thing for cosmetic reasons is that one always ends up with a cosmetic result, and cosmetic results, as we know from inspecting rich American women, are ludicrous, embarrassing, and horrific.

Nowadays a lot of what was wrong with me would no doubt be ascribed to Attention Deficit Disorder, tartrazine food colouring, dairy produce and air pollution. A few hundred years earlier it would have been demons, still the best analogy I think, but not much help when it comes to a cure.

We keep our insignificant blemishes so that we can blame them for our larger defects.

Life, that can shower you with so much slendour, is unremittingly cruel to those who have given up.

I’m not even tone deaf, that’s the arse-mothering, fuck-nosed, bugger-sucking wank of the thing. I’M NOT EVEN TONE FUCKING DEAF. I’m tone DUMB.

It is a little theory of mine that has much exercised my mind lately, that most of the problems of this silly and delightful world derive from our apologising for those things which we ought not to apologise for, and failing to apologise for those things for which apology is necessary.