“That was the moment when he grasped that nobody wanted to use their minds. People wanted peace. They wanted to eat and sleep and have other people be nice to them. What they didn't want to do was think.”
― Daniel Kehlmann, quote from Measuring the World
“Whenever things were frightening, it was a good idea to measure them.”
― Daniel Kehlmann, quote from Measuring the World
“Inzwischen geht es ihm besser, manche Tage seien schon fieberfrei, auch die Träume, in denen er Baron Humboldt erwürge, zerhacke, erschieße, anzünde, vergifte oder unter Steinen begrabe, würden seltener.”
― Daniel Kehlmann, quote from Measuring the World
“Man hat uns früh eingeredet, dass ein Leben Publikum benötigt.”
― Daniel Kehlmann, quote from Measuring the World
“Ich habe herausgefunden, dass der Mensch bereit ist, Unbill zu erfahren, aber viel Erkenntnis entgeht ihm, weil er den Schmerz fürchtet.”
― Daniel Kehlmann, quote from Measuring the World
“Insa, cand au trecut de primele suburbii ale Berlinului si Humboldt si-a inchipuit cum Gauss a cercetat corpurile ceresti prin telescopul sau in tot acest timp - corpuri ceresti ale caror orbite pot fi descrise in formule simple -, n-a mai fost in stare sa spuna care dintre ei doi a ramas acasa si care a colindat lumea.”
― Daniel Kehlmann, quote from Measuring the World
“Den Hunde, sagte Bonpland, habe er nie leiden können.”
― Daniel Kehlmann, quote from Measuring the World
“Links, sagte Humboldt.
Wieso links, fragte Bonpland.
Also rechts, sagte Humboldt.
Aber warum rechts?
Zum Teufel, rief Humboldt, jetzt werde es ihm zu blöd.”
― Daniel Kehlmann, quote from Measuring the World
“Seltsam sei es und ungerecht, sagte Gauß, so recht ein Beispiel für die erbärmliche Zufälligkeit der Existenz, dass man in einer bestimmten Zeit geboren und ihr verhaftet sei, ob man wolle oder nicht. Es verschaffe einem einen unziemlichen Vorteil vor der Vergangenheit und mache einen zum Clown der Zukunft. [...] Sogar ein Verstand wie der seine, sagte Gauß, hätte in frühen Menschheitsaltern oder an den Ufern des Orinoko nichts zu leisten vermocht, wohingegen jeder Dummkopf in zweihundert Jahren sich über ihn lustig machen und absurden Unsinn über seine Person erfinden könne.”
― Daniel Kehlmann, quote from Measuring the World
“Gauß kam auf den Zufall zu sprechen, den Feind allen Wissens, den er immer habe besiegen wollen. Aus der Nähe betrachtet, sehe man hinter jedem Ereignis die unendliche Feinheit des Kausalgewebes. Trete man weit genug zurück, offenbarten sich die großen Muster. Freiheit und Zufall seien eine Frage der mittleren Entfernung, eine Sache des Abstands...”
― Daniel Kehlmann, quote from Measuring the World
“Aici nu există mai devreme sau mai târziu... aici există doar muncă, asta facem aici.”
― Daniel Kehlmann, quote from Measuring the World
“Seltsam sei es und ungerecht, sagte Gauß, so recht ein Beispiel für die erbärmliche Zufälligkeit der Existenz, dass man in einer bestimmten Zeit geboren und ihr verhaftet sei, ob man wolle oder nicht. Es verschaffe einem einen unziemlichen Vorteil vor der Vergangenheit und mache einen zum Clown der Zukunft.”
― Daniel Kehlmann, quote from Measuring the World
“Žena je imala tanane, prilično izvijene obrve. Haljina joj je otkrivala leđa i Gaus se pitao kako bi bilo pritisnuti usne na njih.”
― Daniel Kehlmann, quote from Measuring the World
“Man hat uns früh eingeschärft, dass ein Leben Publikum benötigt.”
― Daniel Kehlmann, quote from Measuring the World
Daniel Kehlmann
Born place: in Munich, Germany
Born date January 13, 1975
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“Imagine that you're an extremely modern car, equipped with a greater number of options and functions than most cars. You're faster and higher performance. You're very lucky. But it's not easy. Because no one knows exactly the number of options you have or what they enable you to do. Only you can know. And speed can be dangerous. Like when you're eight, you don't know how to drive. There are many things you have to learn: how to drive when it's wet, when it's snowy, to look out for other cars and respect them, to rest when you've been driving for too long. That's what it means to be a grown up.' I'm thirteen and I can see that I'm not managing to grow up in the right way: I can't understand the road signs, I'm not in control of my vehicle, I keep taking the wrong turnings and most of the time I feel like I'm stuck on the dodgems rather than on a race track.”
― Delphine de Vigan, quote from No and Me
“Heel sterk voelde ik opeens de loop van de tijd. Niet die van de wolken en de zon, de regen en de loop van de sterren die de nacht versieren, niet het verstrijken van de seizoenen, van de lente en de herfst, niet de tijd die de blaadjes aan de takken doet uitbotten en ze weer laat afrukken, die de bloemen open- en dichtvouwt en kleur geeft, maar de tijd in mijzelf, de tijd die onzichtbaar is en ons vormt. De tijd die binnen in ons hart verstrijkt en het laat kloppen en die ons verandert van binnen en van buiten en die ons geduldig maakt tot de mens die we op onze laatste dag zullen zijn.”
― Mercè Rodoreda, quote from The Time of the Doves
“And then you run. Because the only thing worse than her being gone is that you're still here.”
― Tricia Rayburn, quote from Siren
“But I believe we all fall in love for some esoteric and simple reason: the first time a man comes to your rescue, the way he holds you when you kiss, his smile that has you endlessly daydreaming. I'm not sure the reason you fall is as important as the fact that you have indeed fallen.”
― David Cristofano, quote from The Girl She Used to Be
“(kadın için) -böylece çok garip ve karışık bir varlık çıkıyor ortaya. Hayal edildiğinde çok önemli, pratikte ise tamamen önemsiz. Şiir kitaplarını baştan sona istila etmiş, tarihte ise adı geçmiyor. Kurmacalarda, kralların ve fatihlerin hayatlarına hükmediyor; gerçek hayatta ailesinin parmağına yüzüğü taktığı herhangi bir delikanlının kölesi. Dudaklarından, edebiyatın en ilham verici sözcükleri, en derin duygularından bazıları dökülüyor, gerçek hayatta okuması yazması neredeyse yok, zor heceliyor sözcükleri ve kocasının malı durumunda.”
― Virginia Woolf, quote from A Room of One's Own / Three Guineas
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