Susan Vreeland · 434 pages
Rating: (6.5K votes)
“I've come to think that if doing something simple or silly can give a person pleasure, then, by God, do it”
― Susan Vreeland, quote from Luncheon of the Boating Party
“He had a thought that amused him. "Figures, still life, landscape, AND an animal! Zola, eat your hat!" he bellowed.”
― Susan Vreeland, quote from Luncheon of the Boating Party
“At this stage of life, he'd better just lean into love, because if he fell, he feared he might break a hip.”
― Susan Vreeland, quote from Luncheon of the Boating Party
“If you want to preach, young man, you ought to wear some kind of clerical costume so people would be warned. In my mind, there are too many unpleasant things in life as it is without creating still more of them. I hate le misérabilisme. I’m in the shining business, not the darkening business.”
― Susan Vreeland, quote from Luncheon of the Boating Party
“She plucked a raspberry. Sweet juice, sweet pleasure. Within the tangle of tendrils, inside a blossom, a tiny bead was kisses and blessed by the sun, from which it took in light and warmth and heaven's rain imbued with the richness of the soil of France. All of the elements of the river world helped that bead to expand and multiply into sheer casings for sweet pulp, wedge together in a knobby globe until it released its juice in her mouth”
― Susan Vreeland, quote from Luncheon of the Boating Party
“One more thing. She wears Patchouli. Every tart in Montmartre wears it. Place Pigalle reeks of it. If she wants to carry out her pose as an aristocrat, she ought to refine her tastes.”
― Susan Vreeland, quote from Luncheon of the Boating Party
“life we can’t control, she thought. We must accept the cork we are and stay afl, and bob gaily when we can. She”
― Susan Vreeland, quote from Luncheon of the Boating Party
“How does one end a moment like this? It would kill her to feel him pull away. She had to be first. In a moment. One moment more. Yes. Now”
― Susan Vreeland, quote from Luncheon of the Boating Party
“But the voices of fear and discontent are always the loudest...”
― Amy Harmon, quote from The Bird and the Sword
“Amidst all this organic plasticity and compromise, though, the infrastructure fields could still stake out territory for a few standardized subsystems, identical from citizen to citizen. Two of these were channels for incoming data—one for gestalt, and one for linear, the two primary modalities of all Konishi citizens, distant descendants of vision and hearing. By the orphan's two-hundredth iteration, the channels themselves were fully formed, but the inner structures to which they fed their data, the networks for classifying and making sense of it, were still undeveloped, still unrehearsed.
Konishi polis itself was buried two hundred meters beneath the Siberian tundra, but via fiber and satellite links the input channels could bring in data from any forum in the Coalition of Polises, from probes orbiting every planet and moon in the solar system, from drones wandering the forests and oceans of Earth, from ten million kinds of scape or abstract sensorium. The first problem of perception was learning how to choose from this superabundance.”
― Greg Egan, quote from Diaspora
“Surprisingly, fainting sounded like a really good idea. If I fainted, I'd be unconscious, so I wouldn't have to see the impossible anymore, nor would I have to feel so dizzy and sick. Than maybe when I woke up, all of this would go away and I'd find it was all just a bad dream. The mist started to turn dark around the edges.....For the record: fainting sucks.”
― Jenna Black, quote from Glimmerglass
“Warriors do not speak of such feelings. I love you too, son, but I won't be telling you so.”
― Julie Garwood, quote from The Wedding
“My journey deep into coma, outside this lowly physical realm and into the loftiest dwelling place of the almighty Creator, revealed the indescribably immense chasm between our human knowledge and the awe-inspiring realm of God.”
― Eben Alexander, quote from Proof of Heaven: A Neurosurgeon's Journey into the Afterlife
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