Honoré de Balzac · 57 pages
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“Young man,' Porbus said, seeing Poussin stare open-mouthed at a picture, 'Don't look at the canvas too long, it will drive you to despair.”
― Honoré de Balzac, quote from La Obra Maestra Desconocida
“[Raphael's] great superiority is due to the instinctive sense which, in him, seems to desire to shatter form. Form is, in his figures, what it is in ourselves, an interpreter for the communication of ideas and sensations, an exhaustless source of poetic inspiration. Every figure is a world in itself, a portrait of which the original appeared in a sublime vision, in a flood of light, pointed to by an inward voice, laid bare by a divine finger which showed what the sources of expression had been in the whole past life of the subject.”
― Honoré de Balzac, quote from La Obra Maestra Desconocida
“You have wavered uncertainly between two systems, between drawing and coloring, between the painstaking phlegm, the stiff precision, of the old German masters, and the dazzling ardor, the happy fertility, of the Italian painters.”
― Honoré de Balzac, quote from La Obra Maestra Desconocida
“However," he continued, "this canvas is preferable to the paintings of that varlet Rubens, with his mountains of Flemish flesh sprinkled with vermilion, his waves of red hair and his medley of colors.”
― Honoré de Balzac, quote from La Obra Maestra Desconocida
“A line is a method of expressing the effect of light upon an object; but there are no lines in Nature, everything is solid. We draw by modeling, that is to say, that we disengage an object from its setting; the distribution of the light alone gives to a body the appearance by which we know it.”
― Honoré de Balzac, quote from La Obra Maestra Desconocida
“But, after all, too much knowledge, like ignorance, brings you to a negation.”
― Honoré de Balzac, quote from La Obra Maestra Desconocida
“[...]O que está faltando? Um nada, mas um nada que é tudo. Vocês têm a aparência da vida mas não expressam o seu excesso transbordante, esse não sei o quê que talvez seja a alma e que flutua enevoadamente sobre o invólucro[...]”
― Honoré de Balzac, quote from La Obra Maestra Desconocida
Honoré de Balzac
Born place: in Tours, France
Born date May 20, 1799
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“the way i see it, hard times aren't only about money, or drought, or dust. hard times are about losing spirit, and hope, and what happens when dreams dry up.”
― Karen Hesse, quote from Out of the Dust
“Had she ever enjoyed anything? Had every day been a struggle? Perhaps death would be a release, a rest for the weary.”
― Laurie Halse Anderson, quote from Fever 1793
“He studied the boulders, then pushed against one until it began to move.
When she gasped, he stopped. “Seems I could free you, after all.”
She gave him a tentative touch on his chest. “What would it take to get you to finish moving those?”
“What are you offering?” he asked, his voice rougher.
“Money? Would you take money to push these free?”
“I’ve plenty of my own. More than enough for both of us.”
She scowled at that. “What do you want, then?”
“I want”—he ran his hand over his face—“to . . . touch you. Not here, but tonight . . .”
“Not going to happen.” She crossed her arms over her chest, and his gaze landed on her damp cleavage. As he had that night on the coast, he looked like he was considering throwing her over his shoulder and tracing her back to his bed. “I do so wish my breasts would stop staring at your eyes.”
His head jerked up, and he had to clear his throat to rasp, “Kiss me. Kiss me, and I’ll free you.”
“The last time that happened you bit me, and you could do it again.” Kissing Sebastian always seemed to lead to more. Last time, it had led to his taking her blood.
And possibly her memories.
“I never bit you. I grazed your skin. Accidently.”
“Then tell me you haven’t contemplated doing it again.”
“I” –he exhaled heavily—“cannot. The pleasure was too intense to ignore.”
― Kresley Cole, quote from No Rest for the Wicked
“- То есть он говорил? - спросил Филипп Филиппович. - Это еще не значит быть человеком!”
― Mikhail Bulgakov, quote from Heart of a Dog
“Even if he could not see them, several lifetimes of listening to emperors, kings, princes, politicians and thieves had taught him that it was often not what people said, but what they did not say that revealed the truth.”
― Michael Scott, quote from The Sorceress
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