“Sometimes being a good mother gets in the way of being a good person.”
― quote from A Woman of Independent Means
“Life causes estrangement enough—why do we add to it out of misplaced pride?”
― quote from A Woman of Independent Means
“I know now one must plan one’s old age as surely as one plans any other stage of life. The tragedy of Cousin Josie’s life is that she never knew what she wanted at any age—only what she did not want. She never wanted to marry nor to pursue a career, and in life, unlike grammar, double negatives do not produce an affirmative.”
― quote from A Woman of Independent Means
“Would that we could soar forever beyond the reach of earth, away from the dangers that await us the moment we alight.”
― quote from A Woman of Independent Means
“Es irracional creer —e incluso querer, sin duda— que se puedan tener todas las experiencias de la vida con la misma persona. Somos mucho más complicados y muy capaces de ser leales de por vida a muchas personas distintas de cualquier edad y sexo. ¿Por qué se empeña la sociedad en restringir al hombre y a la mujer a una sola relación de esa clase para siempre? Espero no romper jamás una promesa que haya hecho, pero si en este momento estuviera libre y sin compromiso, nunca volvería a prometer dedicación exclusiva a nadie.”
― quote from A Woman of Independent Means
“La vejez tendría que ser la recompensa de una vida de mucho trabajo, pero no será más que un castigo si insistimos en seguir haciendo lo mismo de siempre, midiendo los logros del presente por el baremo de los del pasado y quedándonos cortos sin remedio.”
― quote from A Woman of Independent Means
“Algunas veces, ser buena madre está reñido con ser buena persona.”
― quote from A Woman of Independent Means
“Within himself Jack had not the slightest doubt of victory, but it would never do to let this conviction take the form of even unspoken words; it must remain in the state of that inward glow which had inhabited him ever since the retaking of the Africaine, and which had now increased to fill the whole of his heart - a glow that he believed to be his most private secret, although in fact it was evident to everyone aboard from Stephen Maturin to the adenoidal third-class boy who closed the muster-book.”
― Patrick O'Brian, quote from The Mauritius Command
“Goddamnit I've never been the "pretty friend..." She's the one who wears the perfect eyeliner, it never gathers like a crowd in her tear ducts to create a grapefruit-size ebony eye booger. The one who can wear a bodysuit, sit down in it, and not have rolls of fat cascading over her belt. The one who can eat a sandwich or hamburger and not wind up with lipstick on the bun or on her chin. The one who can actually eat in front of other people and not have food, like coleslaw, hanging from her lip or shooting out of her mouth, landing on the plates of other diners. She never spits when she talks. She sleeps with her mouth shut and never drools. She doesn't pick at her face. And she never, ever has to take a shit.”
― Laurie Notaro, quote from The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life
“She was still thinking of your safety p. 362”
― Jessica Grant, quote from Come, Thou Tortoise
“I began to get a feeling (...) of being the only sane man in a nut house. It doesn't make you feel superior but depressed and scared, because there is nobody you can contact.”
― William S. Burroughs, quote from And the Hippos Were Boiled in Their Tanks
“A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. What with the bear as a mascot and the droll spaghetti, our studio anthropologists will have no trouble in postulating an Orient which is exotic in form, while being in reality profoundly similar to the Occident, at least the Occident of spiritualist thought. Orientals have religions of their own? Never mind, these variations matter very little compared to the basic unity of idealism. Every rite is thus made at once specific and eternal, promoted at one stroke into a piquant spectacle and a quasi-Christian symbol.
...If we are concerned with fisherman, it is not the type of fishing which is whown; but rather, drowned in a garish sunset and eternalized, a romantic essense of the fisherman, presented not as a workman dependent by his technique and his gains on a definite society, but rather as the theme of an eternal condition, in which man is far away and exposed to the perils of the sea, and woman weeping and praying at home. The same applies to refugees, a long procession of which is shown at the beginning, coming down a mountain: to identify them is of course unnecessary: they are eternal essences of refugees, which it is in the nature of the East to produce.”
― Roland Barthes, quote from Mythologies
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Beelzebub's Tales to...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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