Elizabeth Haynes · 410 pages
Rating: (48.6K votes)
“This isn't normal. This isn't how normal people think.
Fuck off, world- what the hell is normal anyway?”
― Elizabeth Haynes, quote from Into the Darkest Corner
“That before-and-after-feel, as though this was going to be the end of one time and the beginning of another.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“But a lot of water has passed under a lot of bridges now, and I don´t know if that is something I could do.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“The strangest thing was that I felt it, I felt everything. Normally I feel nothing but itching, discomfort, tightness, soreness. The surface of my skin is dulled by scars, lots of it is numb -- nerve damage, apparently. When he touched me, I felt everything. It was like having new skin.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“You think you know now, don't you? But you have no idea what it was like.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“I might not have behaved the way I did. I might not have gotten drunk every night, slept around, done drugs, woken up in strange houses wondering where I was and what I’d done the night before.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“As my English teacher used to tell me, if you can´t think of the right thing to say, say nothing at all.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“I raised my wine glass to him and sipped a toast to the future, to what lay ahead.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“I lay back down, fitting myself into the curve of his body, pulling his arms around me, protecting me, keeping me sage.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“As my English teacher used to tell me, if you can’t think of the right thing to say, say nothing at all.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“He would let himself in whenever he felt like it, come and go as he pleased. I remembered when this was such a big deal for me, not so long ago. I’d wanted my own space, my front door that I could lock behind me and know for sure that nobody was going to be inside there without me. I remembered telling him that I wanted that space back. I remembered asking him for the key, and him walking away from me. I remembered him simply walking away and leaving, without so much as an argument.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“ MR LEWIS Mr Brightman, would you have”
― Elizabeth Haynes, quote from Into the Darkest Corner
“On the Thursday I called an emergency locksmith and had the locks changed on the front door and the back door.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“Then for some reason I’ve not done it properly one day, and that’s no good at all, because if you’re going to do something that’s for your own benefit, you’ve got to do it properly or there’s no point.”
― Elizabeth Haynes, quote from Into the Darkest Corner
“Sooner or later we're all gone, so no one bothers getting attached.”
― Erin Bowman, quote from Taken
“Sex with Stanton is exhilarating, working beside him is a privilege. But loving him…that just hurts.”
― Emma Chase, quote from Overruled
“Należymy do gatunku składającego słowa jak ryba ikrę, produkujemy więcej kultury, niż jesteśmy w stanie przetrawić. W ciągu ostatnich lat pedantycznie zwalczaliśmy graffiti na stacjach metra, a jednocześnie wydajemy miliony koron na budowę nowych bibliotek narodowych. Tymczasem zapis pamięci narodowej może przyjąć również formę graffiti. Nietzsche porównał człowieka przejedzonego kulturą do węża, który połknął zająca, a teraz drzemie w słońcu, nie będą w stanie się ruszyć. Czas epigramatów już minął. Na przystani w Bryggen w Bergen znaleziono niewielki kawałeczek drewna z takim oto napisem runicznym: Ingebjørg kochała mnie, kiedy byłem w Stavanger. Fakt ten musiał wywrzeć pewne wrażenie na autorze napisu, podobnie zresztą jak na czytelniku, żyjącym osiemset czy dziewięćset lat później. Dzisiaj oszczędny w słowach autor, chcąc uwiecznić jedną schadzkę z Ingebjørg, dorzuciłby do pamięci potomnych czerystustronicową powieść. Albo też zadręczyłby życie swoim współczesnym wpadającymi w ucho popularnymi piosenkami w stylu 'Nie ma jak z Ingebjørg, nie ma jak z Ingebjørg'. Paradoks polega na tym, że gdyby przez wszystkie osiemset lat napisano równie wiele powieści, jak w latach siedemdziesiątych, to nikt z nas nie byłby w stanie przebrnąć przez tak obfitą tradycję piśmiennictwa i nie dotarłby do prostej, lecz przyjemnej historii o Ingebjørg. (...) Namiętna historia miłośna została odarta ze wszystkiego aż do kości, lecz mimo to niesie za sobą mnóstwo konotacji. Ponadto pewnych rzeczy czytelnik może się domyślić. Dostał do ręki coś, nad czym dalej może pracować jego wyobraźnia. Po czterystustronicowej powieści trudno jest samemu coś wymyślić.”
― Jostein Gaarder, quote from The Ringmaster's Daughter
“Human curiosity. Such a very interesting thing. Think of what we owe to it throughout history. It is said to be usually associated with the cat. Curiosity killed the cat. But I should say really that the Greeks were the inventors of curiosity.”
― Agatha Christie, quote from Elephants Can Remember
“Shyness is shit. It isn’t cute or feminine or appealing. It’s torment, and it’s shit.”
― Octavia E. Butler, quote from Bloodchild and Other Stories
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