Quotes from An Anthropologist on Mars: Seven Paradoxical Tales

“Color is not a trivial subject but one that has compelled, for hundreds of years, a passionate curiosity in the greatest artists, philosophers, and natural scientists. The young Spinoza wrote his first treatise on the rainbow; the young Newton’s most joyous discovery was the composition of white light; Goethe’s great color work, like Newton’s, started with a prism; Schopenhauer, Young, Helmholtz, and Maxwell, in the last century, were all tantalized by the problem of color; and Wittgenstein’s last work was his Remarks on Colour. And yet most of us, most of the time, overlook its great mystery.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“This is what I get very upset at...' Temple, who was driving suddenly faltered and wept. 'I've read that libraries are where immortality lies... I don't want my thoughts to die with me... I want to have done something... I'm not interested in power, or piles of money. I want to leave something behind. I want to make a positive contribution—know that my life has meaning, Right now, I'm talking about things at the very core of my experience.' I was stunned. As I stepped out of the car to say goodbye, I said, 'I'm going to hug you. I hope you don't mind.' I hugged her—and (I think) she hugged me back.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“Some people with Tourette's have flinging tics- sudden, seemingly motiveless urges or compulsions to throw objects..... (I see somewhat similar flinging behaviors- though not tics- in my two year old godson, now in a stage of primal antinomianism and anarchy)”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“These then are tales of metamorphosis, brought about by neurological chance, but metamorphosis into alternative states of being, other forms of life, no less human for being so different.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“This sense of the brain’s remarkable plasticity, its capacity for the most striking adaptations, not least in the special (and often desperate) circumstances of neural or sensory mishap, has come to dominate my own perception of my patients and their lives. So much so, indeed, that I am sometimes moved to wonder whether it may not be necessary to redefine the very concepts of “health” and “disease,” to see these in terms of the ability of the organism to create a new organization and order, one that fits its special, altered disposition and needs, rather than in the terms of a rigidly defined “norm.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“This, indeed, is the problem, the ultimate question, in neuroscience—and it cannot be answered, even in principle, without a global theory of brain function, one capable of showing the interactions of every level, from the micropatterns of individual neuronal responses to the grand macropatterns of an actual lived life. Such a theory, a neural theory of personal identity, has been proposed in the last few years by Gerald M. Edelman, in his theory of neuronal group selection, or “neural Darwinism.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“There was an irony and a paradox here: Franco thought of Pontito constantly, saw it in fantasy, depicted it, as infinitely desirable – and yet he had a profound reluctance to return. But it is precisely such a paradox that lies at the heart of nostalgia – for nostalgia is about a fantasy that never takes place, one that maintains itself by not being fulfilled. And yet such fantasies are not just idle daydreams or fancies; they press toward some fulfillment, but an indirect one - the fulfillment of art. These, at least, are the terms that D. Geahchan, the French psychoanalyst, has used. With reference in particular to the greatest of nostalgies, Proust, the psychoanalyst David Werman speaks of an 'aesthetic crystallization of nostalgia' - nostalgia raised to the level of art and myth.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“There are no files in my memory that are repressed,' she asserted. 'You have files that are blocked. I have none so painful that they’re blocked. There are no secrets, no locked doors—nothing is hidden. I can infer that there are hidden areas in other people, so that they can’t bear to talk of certain things. The amygdala locks the files of the hippocampus. In me, the amygdala doesn’t generate enough emotion to lock the files of the hippocampus.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“Science is a grand thing when you can get it; in its real sense one of the grandest words in the world. But what do these men mean, nine times out of ten, when they use it nowadays? When they say detection is a science? When they say criminology is a science? They mean getting outside a man and studying him as if he were a gigantic insect; in what they would call a dry impartial light; in what I should call a dead and dehumanized light. They mean getting a long way off him, as if he were a distant prehistoric monster; staring at the shape of his “criminal skull” as if it were a sort of eerie growth, like the horn on a rhinoceros’s nose. When the scientist talks about a type, he never means himself, but always his neighbour; probably his poorer neighbour. I don’t deny the dry light may sometimes do good; though in one sense it’s the very reverse of science. So far from being knowledge, it’s actually suppression of what we know. It’s treating a friend as a stranger, and pretending that something familiar is really remote and mysterious. It’s like saying that a man has a proboscis between the eyes, or that he falls down in a fit of insensibility once every twenty-four hours. Well, what you call “the secret” is exactly the opposite. I don’t try to get outside the man. I try to get inside.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“Speaking of these attitudes turned Temple’s mind to a parallel: “I find a very high correlation,” she said, “between the way animals are treated and the handicapped.… Georgia is a snake pit—they treat [handicapped people] worse than animals.… Capital-punishment states are the worst animal states and the worst for the handicapped.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“The sense of personal space, of the self in relation to other objects and other people, tends to be markedly altered in Tourette’s syndrome.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“Temple started to become excited. ‘I want to get this out before you get to the airport,’ she said, with a sort of urgency. She had been brought up an Episcopalian, she told me, but had rather early ‘given up orthodox belief’ – belief in any personal deity or intention – in favour of a more ‘scientific’ notion of God. ‘I believe there is some ultimate ordering force for good in the universe – not a personal thing, not Buddha or Jesus, maybe something like order out of disorder. I like to hope that even if there’s no personal afterlife, some energy impression is left in the universe. . . . Most people can pass on genes – I can pass on thoughts or what I write. ‘This is what I get very upset at. . . .’ Temple, who was driving, suddenly faltered and wept. ‘I’ve read that libraries are where immortality lies. . . . I don’t want my thoughts to die with me. . . . I want to have done something. . . . I’m not interested in power, or piles of money. I want to leave something behind. I want to make a positive contribution – know that my life has meaning. Right now, I’m talking about things at the very core of my existence.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“Cualquier enfermedad introduce una duplicidad en la vida: un "ello", con sus propias necesidades, exigencias y limitaciones.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“Some sense of ongoing, of “next,” is always with us. But this sense of movement, of happening, Greg lacked; he seemed immured, without knowing it, in a motionless, timeless moment. And whereas for the rest of us the present is given its meaning and depth by the past (hence it becomes the “remembered present,” in Gerald Edelman’s term), as well as being given potential and tension by the future, for Greg it was flat and (in its meager way) complete. This living-in-the-moment, which was so manifestly pathological, had been perceived in the temple as an achievement of higher consciousness. G”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“Thus higher-order memorization is a multistage process, involving the transfer of perceptions, or perceptual syntheses, from short-term to long-term memory. It is just such a transfer that fails to occur in people with temporal lobe damage.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“Tourette’s syndrome is seen in every race, every culture, every stratum of society; it can be recognized at a glance once one is attuned to it; and cases of barking and twitching, of grimacing, of strange gesturing, of involuntary cursing and blaspheming, were recorded by Aretaeus of Cappadocia almost two thousand years ago. Yet it was not clinically delineated until 1885, when Georges Gilles de la Tourette, a young French neurologist—a pupil of Charcot’s and a friend of Freud’s—put together these historical accounts with observations of some of his own patients. The syndrome as he described it was characterized, above all, by convulsive tics,”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“In the newly sighted, learning to see demands a radical change in neurological functioning and, with it, a radical change in psychological functioning, in self, in identity. The change may be experienced in literally life-and-death terms. Valvo quotes a patient of his as saying, 'One must die as a sighted person to be bom again as a blind person,' and the opposite is equally true: one must die as a blind person to be born again as a seeing person.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

“Though the tendency to tic is innate in Tourette's, the particular form of tics often has a personal or historical origin. Thus a name, a sound, a visual image, a gesture, perhaps seen years before and forgotten, may first be unconsciously echoed or imitated and then preserved in the stereotypic form of a tic. Such tics are like hieroglyphic, petrified residues of the past and may indeed, with the passage of time, become so hieroglyphic, so abbreviated, as to become unintelligible (as 'God be with you' was condensed, collapsed, after centuries, to the phonetically similar but meaningless 'goodbye').”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales

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“My heart slowed to its normal pace as my brain processed my friend’s face and not the face of the Scream dude or Freddy Kruger. “Not seen anyone. Just got here.” “Damn it. She ran off after another argument with the idiot, and her phone’s turned off!” Ah, the idiot. Rachel had a very on/off relationship with her boyfriend, Jack. I never understood that—if you pissed each other off 90 percent of the time, then just call it a day. “We should find her.” Why?”
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“Perfectionism is a particularly evil lure for women, who, I believe, hold themselves to an even higher standard of performance than do men. There are many reasons why women’s voices and visions are not more widely represented today in creative fields. Some of that exclusion is due to regular old misogyny, but it’s also true that—all too often—women are the ones holding themselves back from participating in the first place. Holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still seem to believe that they are not allowed to put themselves forward at all, until both they and their work are perfect and beyond criticism. Meanwhile, putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation. Just sayin’. And I don’t say this as a criticism of men, by the way. I like that feature in men—their absurd overconfidence, the way they will casually decide, “Well, I’m 41 percent qualified for this task, so give me the job!” Yes, sometimes the results are ridiculous and disastrous, but sometimes, strangely enough, it works—a man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish more women would risk these same kinds of wild leaps. But I’ve watched too many women do the opposite. I’ve watched far too many brilliant and gifted female creators say, “I am 99.8 percent qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side.” Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. (Ha ha ha! Just kidding! I can totally imagine: We got it from every single message society has ever sent us! Thanks, all of human history!) But we women must break this habit in ourselves—and we are the only ones who can break it. We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend attempting to render something flawless, somebody will always be able to find fault with it. (There are people out there who still consider Beethoven’s symphonies a little bit too, you know, loud.) At some point, you really just have to finish your work and release it as is—if only so that you can go on to make other things with a glad and determined heart. Which is the entire point. Or should be.”
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