“Hope is not a sin, neither is fidelity.”
― Nomi Eve, quote from Henna House
“Hope is not a sin, and neither is fidelity.”
― Nomi Eve, quote from Henna House
“Thank you, but I take no joy in my wedding.” “Of course you don’t, but still, you must act the part. I often take no joy in my spinsterhood; I have no babes to fill my arms, and yet by acting the part of it, I convince myself that I am not lonely. And sometimes it works.”
― Nomi Eve, quote from Henna House
“My family had been in a refugee camp for a year and I was thirty-one years old when the government of Israel arranged through secret channels to fly all the Jews of Yemen to Israel. It was unofficially called Operation Magic Carpet, and officially called Operation On Wings of Eagles. When our people refused to enter the airplanes out of fear—for especially our brethren from the North had no experience with modernity—our rabbis reminded them of divine passages. “This is the fulfillment of ancient prophecy,” they said. “The eagles that fly us to the Promised Land may be made of metal, but their wings are buoyed aloft by the breath of God.” Between June 1949 and September 1950 almost fifty thousand Yemenite Jews boarded transport planes and made some 380 flights from Aden to Israel in this secret operation.”
― Nomi Eve, quote from Henna House
“The great Tolstoy wrote of families. He said that every unhappy family is unhappy in its own way.”
― Nomi Eve, quote from Henna House
“From the late 1940s through the early ’60s, the Arab world had disgorged its Jews. Just as it had rescued us Yemenites, Israel rescued whole communities, flying myriad secret and perilous missions into the heart of Arabia.”
― Nomi Eve, quote from Henna House
“Who hears the wishes and goodbyes? The speaker does.... And you hope that what you say from the heart has power. Power to protect, power to reach the ears of the dead. A spoken thing or a whished-hard thing takes a shape within the heart, man. Takes shape. Becomes real.”
― Adrian Phoenix, quote from In the Blood
“He’d spent the night in the boat. Next to the spaghetti queen.
William glanced at the hobo girl. She sat across from him, huddled in a clump. Her stench had gotten worse overnight, probably from the dampness. Another night like the last one, and he might snap and dunk her into that river just to clear the air.
She saw him looking. Dark eyes regarded him with slight scorn.
William leaned forward and pointed at the river. “I don’t know why you rolled in spaghetti sauce,” he said in a confidential voice. “I don’t really care. But that water over there won’t hurt you. Try washing it off.”
She stuck her tongue out.
“Maybe after you’re clean,” he said.
Her eyes widened. She stared at him for a long moment. A little crazy spark lit up in her dark irises. She raised her finger, licked it, and rubbed some dirt off her forehead.
Now what?
The girl showed him her stained finger and reached toward him slowly, aiming for his face.
“No,” William said. “Bad hobo.”
The finger kept coming closer.”
― Ilona Andrews, quote from Bayou Moon
“Put you weapon away. (Rowena)
Why should I when I have half a mind to make good use of it on you? (Stryder)
So you admit to having only half a mind, then? (Rowena)”
― Kinley MacGregor, quote from A Dark Champion
“There are pieces to the puzzle missing,' Camas said. He was tugging his hair; his eyes glowed eerily in the red light from a stained-glass lamp. 'And pieces that don't yet fit. What, for instance, precipitates the shift from city to shadow city? Is it sorcery? Has it to do with the precarious state of affairs in the House of Greve? The powerless heir, the bastard who cannot act? What secrets are hidden within the secret palace? What is there to gain by anticipating and surviving the shift? Domina Pearl believes that it is possible, if one can remain aware during the transformation, to amass enormous knowledge and power. To rule the shadow city when it emerges, since no one else will remember the previous city, and who ruled then. All will be accepted as it is revealed. All of which is why I am so eager to speak with you. You live in Ombria's past, its ghosts and memories. How far back do you remember? Were you alive before the previous shift? How many transformations have there been? Many? One? None at all? How old are you?'
The illusion of Faey inclined her head gracefully; Camas continued without listening for answers. Faey spoke then, her voice sliding within, beneath his words. 'What do you expect to gain form what you call the transformation?'
Camas interrupted his own sentence with a word. 'Enlightenment. And the power that comes with an unbroken memory of the history of the city. Domina Pearl's knowledge of sorcery may not survive the transformation if she herself is not aware of the shift. I want to stay alive, be aware of the shift form city to shadow, and I will ally myself and my abilities to anyone powerful enough to maintain the integrity of existence, knowledge, memory and experience through the transformation.'
'Such as Domina Pearl?' the sorceress suggested. She kept her voice light, careless, but her eyes were very dark.
'Domina Pearl,' Camas agreed. 'Or you. Or perhaps even Ducon. He is another puzzle piece, I think. He is drawn to the hidden palace, and to the odd, unnoticed places in Ombria where the boundaries are visible between the city and its shadow. He draws them constantly.'
'So you would pledge your loyalty to him or betray him, depending on the moment?'
'Or her. Or you,' Camas answered, nodding briskly. Mag stared at him with wonder. 'Exactly. Depending on the moment.”
― Patricia A. McKillip, quote from Ombria in Shadow
“Oh my God.” I fell into my usual chair, stunned—but also not—that the news had made the rounds so quickly. “You mean it didn’t even take an hour for it to get back here?”
― Rosemary Clement-Moore, quote from The Splendor Falls
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