“One thing is sure:the idea that each nation is racially pure is a myth, especially a nation with a history of four thousand years.”
― Anatoli Rybakov, quote from Heavy Sand
“I think a man can either believe in God or not believe, he can get faith and he can lose it but there is only one God for the true believer, and that is the one he carries in his heart.”
― Anatoli Rybakov, quote from Heavy Sand
“Friends and acquaintances in this day and age don't write at all, or if they do it's only to let you know they're still alive,which explains the craze for greeting cards of all kinds!”
― Anatoli Rybakov, quote from Heavy Sand
“Sometimes the bigger the apartment, the harder it is to find room to put up an extra person for the night.”
― Anatoli Rybakov, quote from Heavy Sand
“There was something religious in grandmother's face, not in any sanctimoniously devout or ecstatic sense,but a look full of religious feeling, serenity and resignation.”
― Anatoli Rybakov, quote from Heavy Sand
“My descendants will manage without my portrait' she smiled. Anyway they'll have plenty of photographs of me. To this our famous conductor replied that a photograph only gives the outward appearance of the person,whereas a painting reveals the inner world.”
― Anatoli Rybakov, quote from Heavy Sand
“Byelorussian songs, if you've ever heard them are slightly monotonous, even mournful yet they do have a certain melancholy charm and compassion about them.”
― Anatoli Rybakov, quote from Heavy Sand
Anatoli Rybakov
Born place: in Chernigov, Ukraine
Born date January 14, 1911
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“Ci i owi bez wątpienia pomyślą, że mój rozum, tracący równowagę pod wpływem błahostek, był poniekąd pokrewny owej skale morskiej, o której Ptolemeusz Hefestion opowiada, że opierała się niewzruszenie wszelkim napaściom ludzkim i straszliwszym jeszcze wściekłościom wałów wodnych i wichrów, a drżała jedynie pod dotykiem kwiecia zwanego asfodelą.”
― Edgar Allan Poe, quote from Berenice
“What a place to put a city, right on the front line of absolute zero. No wonder a cow burned it down.”
― Mark Helprin, quote from Freddy and Fredericka
“The Bostonians is special because it never was ‘titivated’ for the New York edition, for its humour and its physicality, for its direct engagement with social and political issues and the way it dramatized them, and finally for the extent to which its setting and action involved the author and his sense of himself. But the passage above suggests one other source of its unique quality. It has been called a comedy and a satire – which it is. But it is also a tragedy, and a moving one at that. If its freshness, humour, physicality and political relevance all combine to make it a peculiarly accessible and enjoyable novel, it is also an upsetting and disturbing one, not simply in its treatment of Olive, but also of what she tries to stand for. (Miss Birdseye is an important figure in this respect: built up and knocked down as she is almost by fits and starts.) The book’s jaundiced view of what Verena calls ‘the Heart of humanity’ (chapter 28) – reform, progress and the liberal collectivism which seems so essential an ingredient in modern democracy – makes it contentious to this day. An aura of scepticism about the entire political process hangs about it: salutary some may say; destructive according to others. And so, more than any other novel of James’s, it reminds us of the literature of our own time. The Bostonians is one of the most brilliant novels in the English language, as F. R. Leavis remarked;27 but it is also one of the bleakest. In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old. It is a remarkably experimental modern novel, written by a man of conservative values. It is judgemental about people with whom its author identified, and lenient towards attitudes hostile to large areas of James’s own intellectual and personal inheritance. The strength of the contradictions embodied in the novel are a guarantee of the pleasure it has to give.”
― Henry James, quote from The Bostonians
“Ter a porta fechada, os lábios fechados: mas o meu silêncio proclama ordens."tu não dizes nada, e eu vou" ou "não dizes nada, e eu não vou". Toda a minha presença é palavra. Avança então, avança no lodo da noite. Decide. Eu decidi a tua morte e não estamos pagos. Mais ainda. Queria pedir misericórdia: não há misericórdia.”
― Simone de Beauvoir, quote from The Blood of Others
“You could eat the air in the place, so thick with bread and warmth that it stang our cheeks.”
― Kate Manning, quote from My Notorious Life
Alvin Journeyman
The Awful Rowing Tow...
No Doubt About It
Lament for a Son
The Last Good Kiss
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