“Is there any good news?' Tesla said.
Who ever promised that? Who ever said there'd be good news?”
― Clive Barker, quote from The Great and Secret Show
“Beautiful," Grillo said.
"Would Swift approve?"
"Fuck Swift."
"Somebody should have.”
― Clive Barker, quote from The Great and Secret Show
“Never a truer word said or thought. Anything was possible.”
― Clive Barker, quote from The Great and Secret Show
“Before she could look to find a wound he had control of the vision once again, but like a juggler attempting to hold too many balls in the air catching one meant loosing another.”
― Clive Barker, quote from The Great and Secret Show
“If (when) she got back to her typewriter she'd begin these tongue-in-cheek screenplays over from the top, telling them with faith in the tale, not because every fantasy was absolutely true but because no reality ever was.”
― Clive Barker, quote from The Great and Secret Show
“Stories had a way of doing that, in Grillo’s experience. It was his belief that nothing, but nothing, could stay secret, however powerful the forces with interests vested in silence. Conspirators might conspire and thugs attempt to gag but the truth, or an approximation of same, would show itself sooner or later, very often in the unlikeliest form. It was seldom hard facts that revealed the life behind the life. It was rumour, graffiti, strip cartoons and love songs.”
― Clive Barker, quote from The Great and Secret Show
“Nothing, I had come to believe by the end, was more illusory than the idea of ending.”
― Clive Barker, quote from The Great and Secret Show
Clive Barker
Born place: in Liverpool, The United Kingdom
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“Vaisey said, "Is it because your parents don't understand you?"
Charlie said, "No, it's because our parents understand us very well, and that is why they wanted us to go away.”
― Louise Rennison, quote from Withering Tights
“Her mother, an unshapely, chubby-cheeked creature from the rural gentry of Styria, permanently lost her hair at the age of forty after being treated for influenza by her husband, and prematurely withdrew from society. She and her husband were able to live in the Gentzgasse thanks to her mother's fortune, which derived from the family estates in Styria and then devolved upon her. She provided for everything, since her husband earned nothing as a doctor. He was a socialite, what is known as a beau, who went to all the big Viennese balls during the carnival season and throughout his life was able to conceal his stupidity behind a pleasingly slim exterior. Throughout her life Auersberger's mother-in-law had a raw deal from her husband, but was content to accept her modest social station, not that of a member of the nobility, but one that was thoroughly petit bourgeois. Her son-in-law, as I suddenly recalled, sitting in the wing chair, made a point of hiding her wig from time to time--whenever the mood took him--both in the Gentzgasse and at the Maria Zaal in Styria, so that the poor woman was unable to leave the house. It used to amuse him, after he had hidden her wig, to drive his mother-in-law up the wall, as they say. Even when he was going on forty he used to hide her wigs--by that time she has provided herself with several--which was a symptom of his sickness and infantility. I often witnessed this game of hide-and-seek at Maria Zaal and in the Gentzgasse, and I honestly have to say that I was amused by it and did not feel in the least bit ashamed of myself. His mother-in-law would be forced to stay at home because her son-in-law had hidden her wigs, and this was especially likely to happen on public holidays. In the end he would throw the wig in her face. He needed his mother-in-law's humiliation, I reflected, sitting in the wing chair and observing him in the background of the music room, just as he needed the triumph that this diabolical behavior brought him.”
― Thomas Bernhard, quote from Woodcutters
“Where is everything?’ Kendall and I chorused.”
― Jacqueline Wilson, quote from Lola Rose
“And I was reminded once again how a song really can change the world.”
― Mark Peter Hughes, quote from Lemonade Mouth
“What does our great historical hunger signify, our clutching about us of countless cultures, our consuming desire for knowledge, if not the loss of myth, of a mythic home, the mythic womb?”
― Friedrich Nietzsche, quote from The Birth of Tragedy
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