“When I propose a candidate for a job I don't do it because the person in question is the best but because he is the one the client will employ. I provide them with a head that is good enough, placed on a body they want. [...] The world is full of people who pay serious money for bad pictures by good artists. And mediocre heads on tall bodies.”
― Jo Nesbø, quote from Headhunters
“An artist who maintains that he has been misunderstood is almost always a bad artist who, I’m afraid to say, has been understood.”
― Jo Nesbø, quote from Headhunters
“They had studied law, information technology and art history as part of their beauty treatment, they had let Norwegian taxpayers finance years at university just so that they could end up as overqualified, stay-at-home playthings and sit here exchanging confidences about how to keep their sugar daddies suitably happy, suitably jealous and suitably on their toes.”
― Jo Nesbø, quote from Headhunters
“most likely because the majority of the receptionists have gone home, to a sick partner according to statistics, in the country with the shortest working hours in the world, the biggest health budget and the highest proportion of sick leave.”
― Jo Nesbø, quote from Headhunters
“that it was impossible to get rid of it without”
― Jo Nesbø, quote from Headhunters
“We all drink according to how thirsty we are’.”
― Jo Nesbø, quote from Headhunters
Jo Nesbø
Born place: in Oslo, Norway
See more on GoodReads
“If I didn’t look too closely, I wouldn’t see that Tiras wasn’t there. If I didn’t breathe too deeply, I wouldn’t feel the hollow echo in my empty chest. If I didn’t move too quickly, I wouldn’t reach any painful conclusions. And if I didn’t listen, I wouldn’t hear the silence he always left behind.”
― Amy Harmon, quote from The Bird and the Sword
“Yatima found verself gazing at a red-tinged cluster of pulsing organic parts, a translucent confusion of fluids and tissue. Sections divided, dissolved, reorganised. It looked like a flesher embryo – though not quite a realist portrait. The imaging technique kept changing, revealing different structures: Yatima saw hints of delicate limbs and organs caught in slices of transmitted dark; a stark silhouette of bones in an X-ray flash; the finely branched network of the nervous system bursting into view as a filigreed shadow, shrinking from myelin to lipids to a scatter of vesicled neurotransmitters against a radio-frequency MRI chirp.
There were two bodies now. Twins? One was larger, though – sometimes much larger. The two kept changing places, twisting around each other, shrinking or growing in stroboscopic leaps while the wavelengths of the image stuttered across the spectrum.
One flesher child was turning into a creature of glass, nerves and blood vessels vitrifying into optical fibres. A sudden, startling white-light image showed living, breathing Siamese twins, impossibly transected to expose raw pink and grey muscles working side by side with shape-memory alloys and piezoelectric actuators, flesher and gleisner anatomies interpenetrating. The scene spun and morphed into a lone robot child in a flesher's womb; spun again to show a luminous map of a citizen's mind embedded in the same woman's brain; zoomed out to place her, curled, in a cocoon of optical and electronic cables. Then a swarm of nanomachines burst through her skin, and everything scattered into a cloud of grey dust.
Two flesher children walked side by side, hand in hand. Or father and son, gleisner and flesher, citizen and gleisner... Yatima gave up trying to pin them down, and let the impressions flow through ver. The figures strode calmly along a city's main street, while towers rose and crumbled around them, jungle and desert advanced and retreated.
The artwork, unbidden, sent Yatima's viewpoint wheeling around the figures. Ve saw them exchanging glances, touches, kisses – and blows, awkwardly, their right arms fused at the wrists. Making peace and melting together. The smaller lifting the larger on to vis shoulders – then the passenger's height flowing down to the bearer like an hourglass's sand.”
― Greg Egan, quote from Diaspora
“So all you want is a kiss?" I asked. A little voice in my head said I was heading for one of those slippery slopes. I told the little voice to shut up.
"Well, maybe more than one. But basically, yeah.”
― Jenna Black, quote from Glimmerglass
“Still, they were two thorns from the same thistle. Their tactics in terrorizing innocent ladies were identical. Their behavior was downright sinful, but what made it even worse was the fact that neither warrior seemed to realize the effect he had on others.”
― Julie Garwood, quote from The Wedding
“The physical side of the universe is as a speck of dust compared to the invisible and spiritual part.”
― Eben Alexander, quote from Proof of Heaven: A Neurosurgeon's Journey into the Afterlife
Shattered Glass
Metamorphosis
Women of the Silk
Killer Spirit
Hood
The Atonement ChildBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.
