“He is flawless, without a blemish. Majesic . . . muscular.”
― Gail Carson Levine, quote from Ever
“I wonder how Admat can be everywhere. Is he in my sandal? Or is he my sandal itself? Why would a god bother to be a sandal? Does he wear shoes or sandals himself, invisible ones?”
― Gail Carson Levine, quote from Ever
“The air is fresher here. Rock walls rise on either side of me. They must be the bowl of the volcano.”
― Gail Carson Levine, quote from Ever
“Admat, don’t kill me! Don’t be wrathful. Don’t exist!”
― Gail Carson Levine, quote from Ever
Gail Carson Levine
Born place: in New York, New York, The United States
Born date September 17, 1947
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“I like to dissect girls. Did you know I'm utterly insane?”
― Bret Easton Ellis, quote from American Psycho
“It’s of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. Sentiment equals naïveté on this continent...
...Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naive and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.”
― David Foster Wallace, quote from Infinite Jest
“Soap?"
"School of America in Paris" he explains. "SOAP".
Nice. My father sent me here to be cleansed.”
― Stephanie Perkins, quote from Anna and the French Kiss
“Money and titles may be hereditary," she would say, "but brains are not,"...”
― Emmuska Orczy, quote from The Scarlet Pimpernel
“A prudent man should always follow in the path trodden by great men and imitate those who are most excellent, so that if he does not attain to their greatness, at any rate he will get some tinge of it.”
― Niccolò Machiavelli, quote from The Prince
Across the Nightinga...
The Kiss of Deceptio...
The Statistical Prob...
Tortilla Flat
Magic Study
A Million SunsBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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