Quotes from Ecology of a Cracker Childhood

“I carry the landscape inside me like an ache. The story of who I am cannot be severed from the story of the flatwoods.”
― Janisse Ray, quote from Ecology of a Cracker Childhood

“Turning back to embrace the past has been a long, slow lesson not only in self-esteem, but in patriotism—pride in homeland, heritage. It has taken a decade to whip the shame, to mispronounce words and shun grammar when mispronunciation and misspeaking are part of my dialect, to own the bad blood. What I come from has made me who I am.”
― Janisse Ray, quote from Ecology of a Cracker Childhood

“I think of my own life, how it embraces a great quest to know every cog of nature--the names of oaks and ferns, the secret lives of birds, the taste of venison and Ogeechee lime, wax myrtle's smell and rattlesnake's, the contour of bobcat tracks, the number of barred owl cackles, the feel of Okefenokee Swamp water on my skin under a blistering sun.
I search for a vital knowledge of the land that my father could not teach me, as he was not taught, and guidance to know and honor it, as he was not guided, as if this will shield me from the errancies of the mind, or bring me back from that dark territory should I happen to wander there. I search as if there were peace to be found.”
― Janisse Ray, quote from Ecology of a Cracker Childhood

“My homeland is about as ugly as a place gets. There's nothing in south Georgia, people will tell you, except straight, lonely roads, one-horse towns, sprawling farms, and tracts of planted pines. It’s flat, monotonous, used-up, hotter than hell in summer and cold enough in winter that orange trees won’t grow. No mountains, no canyons, no rocky streams, no waterfalls. The rivers are muddy, wide and flat, like somebody’s feet. The coastal plain lacks the stark grace of the desert or the umber panache of the pampas”
― Janisse Ray, quote from Ecology of a Cracker Childhood

“The moral of the story, Son," Pun would say, "is Don't take more on your heart than you can shake off on your heels."
Of all lessons, that one I never learned and I hope I never do. My heart daily grows new foliage, always adding people, picking up new heartaches like a wool coat collects cockleburs and beggar's-lice seeds. It gets fuller and fuller as I walk slow as a sloth, carrying all the pain Pun and Frank and so many others tried to walk from. Especially the pain of the lost forest. Sometimes there is no leaving, no looking westward for another promised land. We have to nail our shoes to the kitchen floor and unload the burden of our heart. We have to set to the task of repairing the damage done by and to us.”
― Janisse Ray, quote from Ecology of a Cracker Childhood

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Popular quotes

“We read the Scriptures in vain if we fail to discover that the actions of men, evil men as well as good, are governed by the Lord God.”
― Arthur W. Pink, quote from The Sovereignty of God

“Once upon a time, this idea of having a trained, disciplined, cultivated memory was not nearly so alien as it would seem to us to be today.”
― Joshua Foer, quote from Moonwalking with Einstein: The Art and Science of Remembering Everything

“Alcohol is used by millions of people, both men and women, and I will make no friends by taking the position that alcohol culture is not politically correct. Yet how can we explain the legal toleration for alcohol, the most destructive of all intoxicants, and the almost frenzied efforts to repress nearly all other drugs? Could it not be that we are willing to pay the terrible toll that alcohol extracts because it is allowing us to continue the repressive dominator style that keeps us all infantile and irresponsible participants in a dominator world characterized by the marketing of ungratified sexual fantasy?”
― Terence McKenna, quote from Food of the Gods: The Search for the Original Tree of Knowledge

“He wanted to drown in her and shout at the top of his lungs that she was his. It was always her, only her.”
― quote from A Beautiful Lie

“Perhaps I don't know enough yet to find the right words for it, but I think I can describe it. It happened again just a moment ago. I don't know how to put it except by saying that I see things in two different ways-everything, ideas included. If I make an effort to find any difference in them, each of them is the same today as it was yesterday, but as soon as I shut my eyes they're suddenly transformed, in a different light. Perhaps I went wrong about the imaginary numbers. If I get to them by going straight along inside mathematics, so to speak, they seem quite natural. It's only if I look at them directly, in all their strangeness, that they seem impossible. But of course I may be all wrong about this, I know too little about it. But I wasn't wrong about Basini. I wasn't wrong when I couldn't turn my ear away from the faint trickling sound in the high wall or my eye from the silent, swirling dust going up in the beam of light from a lamp. No, I wasn't wrong when I talked about things having a second, secret life that nobody takes any notice of! I-I don't mean it literally-it's not that things are alive, it's not that Basini seemed to have two faces-it was more as if I had a sort of second sight and saw all this not with the eyes of reason. Just as I can feel an idea coming to life in my mind, in the same way I feel something alive in me when I look at things and stop thinking. There's something dark in me, deep under all my thoughts, something I can't measure out with thoughts, a sort of life that can't be expressed in words and which is my life, all the same.

“That silent life oppressed me, harassed me. Something kept on making me stare at it. I was tormented by the fear that our whole life might be like that and that I was only finding it out here and there, in bits and pieces. . . . Oh, I was dreadfully afraid! I was out of my mind.. .”

These words and these figures of speech, which were far beyond what was appropriate to Törless's age, flowed easily and naturally from his lips in this state of vast excitement he was in, in this moment of almost poetic inspiration. Then he lowered his voice and, as though moved by his own suffering, he added:

“Now it's all over. I know now I was wrong after all. I'm not afraid of anything any more. I know that things are just things and will probably always be so. And I shall probably go on for ever seeing them sometimes this way and sometimes that, sometimes with the eyes of reason, and sometimes with those other eyes. . . . And I shan't ever try again to compare one with the other. .”
― Robert Musil, quote from The Confusions of Young Törless

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