“What was that?" Belgarath asked, coming back around the corner.
"Brill," Silk replied blandly, pulling his Murgo robe back on.
"Again?" Belgarath demanded with exasperation. "What was he doing this time?"
"Trying to fly, last time I saw him." Silk smirked.
The old man looked puzzled.
"He wasn't doing it very well," Silk added.
Belgarath shrugged. "Maybe it'll come to him in time."
"He doesn't really have all that much time." Silk glanced out over the edge.
"From far below - terribly far below - there came a faint, muffled crash; then, after several seconds, another. "Does bouncing count?" Silk asked.
Belgarath made a wry face. "Not really."
"Then I'd say he didn't learn in time." Silk said blithely.”
― David Eddings, quote from Magician's Gambit
“As soon as a friendship passed a certain point - some obscure and secret boundary - a woman quite automatically became overwhelmed by a raging compulsion to complicate things.”
― David Eddings, quote from Magician's Gambit
“Ordinary men live in fear all the time. Didn't you know that? We're afraid of the weather, we're afraid of powerful men, we're afraid of the night and the monsters that lurk in the dark, we're afraid of growing old and of dying. Sometimes we're even afraid of living. Ordinary men are afraid almost every minute of their lives.”
― David Eddings, quote from Magician's Gambit
“just because you can do something doesn't necessarily mean that you should.”
― David Eddings, quote from Magician's Gambit
“Does bouncing count? -- Silk, The Belgariad”
― David Eddings, quote from Magician's Gambit
“Actually it’s very simple, but simple things are always the hardest to explain.”
― David Eddings, quote from Magician's Gambit
“Over the months since she had joined them, he had seen her attitude toward him change until they had shared a rather specialized kind of friendship. He liked her; she liked him. Everything had been fine up to that point. Why couldn't she just leave it alone? Garion surmised that it probably had something to do with the inner workings of the female mind. As soon as a friendship passed a certain point - some obscure and secret boundary - a woman quite automatically became overwhelmed by a raging compulsion to complicate things.”
― David Eddings, quote from Magician's Gambit
“It’s the easiest thing in the world to judge things by appearances, Ce’Nedra,” she said, “and it’s usually wrong.”
― David Eddings, quote from Magician's Gambit
“Love can show itself in many strange ways,”
― David Eddings, quote from Magician's Gambit
“Fear’s a part of life, Mandorallen, and it’s the only life we have.”
― David Eddings, quote from Magician's Gambit
“Kroldor’s men are going to blame him for the way things turned out,’ Hettar observed. ‘I know. But then, that’s one of the hazards of leadership.”
― David Eddings, quote from Magician's Gambit
David Eddings
Born place: in Spokane, Washington, The United States
Born date July 7, 1931
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“Ostap Bender lay in the dvornik's room, which was warm to the point of reeking, and mentally put the finishing touches on two possible career plans.
He could become a polygamist and move peacefully from town to town, dragging behind him a new suitcase full of valuable items he'd picked up from the latest wife. Or he could go the very next day to the Stargorod Children's Commission and offer them the chance to distribute the as-yet unpainted but brilliantly conceived canvas The Bolsheviks Writing a Letter to Chamberlain, based on the artist Repin's popular painting The Zaporozhian Cossacks Writing a Letter to the Turkish Sultan. If it worked out, this option could bring in something along the line of four hundred rubles.
Ostap had thought up both options during his last stay in Moscow. The polygamy option had been born under the influence of the court report from the evening papers, where it was clearly indicated that some polygamist had only gotten two years without strict isolation. Option number two had taken shape in Bender's mind when he was going through the AARR exhibit on a free ticket.
However, both options had their downsides. It was impossible to begin a career as a polygamist without a wondrous, dapple-gray suit. In addition, he needed at least ten rubles for hospitality expenses and seduction. Of course, he could get married in his green campaign uniform as well, because Bender's masculine power and attraction were absolutely irresistible to provincial, marriage-ready Margaritas; but that would be, as Bender liked to say, "Poor-quality goods. Not clean work." It wasn't all smooth sailing for the painting, either. Purely technical difficulties could arise. Would it be proper to paint Comrade Kalinin in a papakha and a white burka, or Comrade Chicherin naked to the waist?”
― Ilya Ilf, quote from The Twelve Chairs
“But as I grew older, it became harder and harder to access that expansive imaginary space that made my toys fun. I remember looking at them and feeling sort of frustrated and confused that things weren’t the same.”
― Allie Brosh, quote from Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened
“[Her] work taught me that you could be all the traditional feminine things -- a mother, a lover, a listener, a nurturer -- and you could also be critically astute and radical and have a minority opinion that was profoundly moral.”
― Anne Lamott, quote from Traveling Mercies: Some Thoughts on Faith
“The mirror was often used as a symbol of the vanity of woman. The moralizing, however, was mostly hypocritical.
You painted a naked woman because you enjoyed looking at her, you put a mirror in her hand and you called the painting "Vanity", thus morally condemning the woman whose nakedness you had depicted for your own pleasure.”
― John Berger, quote from Ways of Seeing
“If I cannot change what I had for lunch yesterday, I certainly cannot unmake a marriage, erase the betrayal of a friend, or board a ship that left port twenty years ago.”
― Greg Iles, quote from The Quiet Game
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