“I like you, Dawn. I've seen a lot of humans, from far away and up close. I've never met one like you. I think you're the closest thing to a sunrise I'll ever see.”
― J.A. London, quote from Darkness Before Dawn
“The movie is all illusion. How people wish things were.”
― J.A. London, quote from Darkness Before Dawn
“Victor smiles. "I'll catch you before you even slip.”
― J.A. London, quote from Darkness Before Dawn
“In four hundred years, I’ve never dreamed. Vampires don’t. But after I saved you on the trol ey that night, you invaded my sleep. In my dreams, we’re the same. We can touch, kiss, love. And every dream ends with us … being together forever.”
― J.A. London, quote from Darkness Before Dawn
“For most vampires, it's an automatic response - scent blood, fangs drop.”
― J.A. London, quote from Darkness Before Dawn
“The vampires took everything from me, but I'm looking into the eyes of one who has the power to give me back a reason to live, who can heal my gaping hole of sorrow.”
― J.A. London, quote from Darkness Before Dawn
“I start to cross the street, stop, turn back. "You are not what I thought."
He smiles. A devastatingly beautiful smile.
I race across the street to my apartment building, to home, to safety. Because that smile scares me for reasons I can't explain. I only know that it makes me want to see him smile again.”
― J.A. London, quote from Darkness Before Dawn
“For some reason, I thought Victor could heal that wound better than anyone else. It's strange to think that this vampire, the embodiment of all my hatred, could act like a suture.”
― J.A. London, quote from Darkness Before Dawn
J.A. London
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“All sciences are vain and full of errors that are not born of Experience, the mother of all Knowledge.”
― Leonardo da Vinci, quote from Leonardo's Notebooks
“Why worry about something that isn’t? Worrying about something that might happen is not a healthy pastime. A man’s a fool to live his life under a shadow like that. Maybe that’s how an ulcer begins. I”
― quote from One Man's Wilderness: An Alaskan Odyssey
“B-but, Mr Jimson, I w-want to be an artist.'
'Of course you do,' I said, 'everybody does once. But they get over it, thank God, like the measles and the chickenpox. Go home and go to bed and take some hot lemonade and put on three blankets and sweat it out.'
'But Mr J-Jimson, there must be artists.'
'Yes, and lunatics and lepers, but why go and live in an asylum before you're sent for? If you find life a bit dull at home,' I said, 'and want to amuse yourself, put a stick of dynamite in the kitchen fire, or shoot a policeman. Volunteer for a test pilot, or dive off Tower Bridge with five bob's worth of roman candles in each pocket. You'd get twice the fun at about one-tenth of the risk.”
― Joyce Cary, quote from The Horse's Mouth
“You see, literary culture is perpetually dead and dying; and when some respected writer discovers and loudly proclaims the finality of this fact, it is a forensic marker of their own decomposition. It means that they have artistically expired within the last ten years, and that they will corporeally expire within the next twenty.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
“This tiny, white-washed Infants' room was a brief but cosy anarchy. In that short time allowed us we played and wept, broke things, fell asleep, cheeked the teacher, discovered things we could do to each other, and exhaled our last guiltless days.
My desk companions were those two blonde girls, already puppyishly pretty, whose names and bodies were to distract and haunt me for the next fifteen years of my life. Poppy and Jo were limper chums; they sat holding hands all day; and there was a female self-possession about their pink sticky faces that made me shout angrily at them.
Vera was another I studied and liked; she was lonely, fuzzy and short. I felt a curious compassion for stumpy Vera; and it was through her, and no beauty, that I got into trouble and received the first public shock of my life. How it happened was simple, and I was innocent, so it seemed. She came up to me in the playground one morning and held her face close to mine. I had a stick in my hand, so I hit her on the head with it. Her hair was springy, so I hit her again and watched her mouth open up with a yell.
To my surprise a commotion broke out around me, cries of scandal from the older girls, exclamations of horror and heavy censure mixed with Vera's sobbing wails. I was intrigued, not alarmed, that by wielding a beech stick I was able to cause such a stir. So I hit her again, without spite or passion, then walked off to try something else.”
― Laurie Lee, quote from Cider With Rosie
The Bride
The Harlequin
Son
Gregor and the Curse...
Life and Fate
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