“She hadn't seen him since yesterday, and Charlotte did not understand the sensation that gripped her at the sight of him.
As if she were a lightning rod, waiting for the storm above to strike. As if she had lost all control over her life and was thrown into chaos.”
― Michelle Diener, quote from The Emperor's Conspiracy
“He was all but shouting, stalking toward her. He grabbed her arms and gave her a little shake. "This time, the bastards don't win. I win."
"What do you win?" she whispered.
He bent his head and crushed his lips to hers.”
― Michelle Diener, quote from The Emperor's Conspiracy
“I think he's quite aware , as is everyone here, that you don't need to worm your way into my bed, Miss Raven." He stepped away from her. "You need only crook your finger and I would be ripping your clothes off your body.”
― Michelle Diener, quote from The Emperor's Conspiracy
“She smiled at the idea of being a captive princess in the rookeries, or a restrained mouse in the glitter of the ton.”
― Michelle Diener, quote from The Emperor's Conspiracy
“Of anyone, I know better than most we are what we make ourselves.”
― Michelle Diener, quote from The Emperor's Conspiracy
“You're a hope-killer. 'Cause at least if you'd done it on your back, that's something we c'n understand. Something we c'n do ourselves. But kindness? Luck like that-- it's a million-to-one chance, and you already took the one chance going.”
― Michelle Diener, quote from The Emperor's Conspiracy
“I'd definitely found my equal, the woman who made my life a living hell and lived to antagonize me. A woman whose mouth I wanted to tape shut...every bit as much as I wanted to kiss it.”
― Christina Lauren, quote from Beautiful Bitch
“I have spent my spare time studying literature popular with young women of this planet. One should always study the battlefield."
Sean glanced at him. "And?"
"I suggest you give up now. According to my research, in a vampire-werewolf love triangle, the vampire always gets the girl.”
― Ilona Andrews, quote from Clean Sweep
“A verdade é algumas vezes o escolho de um romance.
Na vida real recebemo-la como ela sai dos encontrados casos ou da lógica
implacável das coisas; mas, na novela, custa-nos a sofrer que o autor, se inventa, não invente melhor; e, se copia, não minta por amor da arte.
Um romance que estriba na verdade o seu merecimento é frio, é impertinente, é uma coisa que não sacode os nervos, nem tira a gente, sequer uma
temporada, enquanto ele nos lembra, deste jogo de nora, cujos alcatruzes somos, uns a subir, outros a descer, movidos pela manivela do egoísmo.
A verdade! Se ela é feia, para que oferecê-la em painéis ao público!?
A verdade do coração humano! Se o coração humano tem filamentos de
ferro que o prendem ao barro donde saiu, ou pesam nele e o submergem no charco da culpa primitiva, para que é emergi-lo, retratá-lo e pô-lo à venda!?
Os reparos são de quem tem o juízo no seu lugar; mas, pois que eu perdi o
meu a estudar a verdade, já agora a desforra que tenho é pintá-la como ela é, feia e repugnante.
A desgraça afervora ou quebranta o amor?
Isto é que eu submeto à decisão do leitor inteligente. Fatos e não teses é o
que eu trago para aqui. O pintor retrata uns olhos, e não explica as funções ópticas do aparelho visual.”
― Camilo Castelo Branco, quote from Amor de Perdição
“Children are knives, my mother once said. They don’t mean to, but they cut. And yet we cling to them, don’t we, we clasp them until the blood flows.”
― Joanne Harris, quote from The Girl with No Shadow
“For there is a life there, and in destiny and romance there is no room for life. Painted as they are with broad brush strokes, vivid and lush, they find shape and pattern only with distance. The person who lives them is too close. He feels sweat as well as triumph. He understands what others see, but feels none of it himself”
― Ken Dryden, quote from The Game
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