Quotes from Confessions of a Crap Artist

“The household was pervaded by this atmosphere of a calm adult woman and a man who gave into animal impulses. She reported to him in great detail what her analyst ... said about his binges and his hostility; she used Charley's money to pay Dr. Andrews to catalog his abnormalities. And of course Charley never heard anything directly from the doctor; he had no way of keeping her from reporting what served her and holding back what did not. The doctor, too, had no way of getting to the truth of what she told him; no doubt she only gave him the facts that suited her picture, so that the doctor's picture of Charley was based on what she wanted him to know. By the time she had edited both going and coming there was little of it outside her control.”
― Philip K. Dick, quote from Confessions of a Crap Artist

“She makes life over, he realized. She controls life, whereas I just sit on my can and let it happen to me.”
― Philip K. Dick, quote from Confessions of a Crap Artist

“On one hand she seems so agile, so athletic, and yet I've seen her appear so awkward that it embarrassed me. She gives the impression of a hard, worldly adroitness, and in some situations she's like an adolescent: rigid with ancient, middle class attitudes, unable to think for herself, falling back on old verities...victim of her family teaching, shocked by what shocks people, wanting what people usually want. She wants a home, a husband, and her idea of a husband is a man who earns a certain amount of money, helps around the garden, does the dishes...the idea of a good husband that's found in This Week magazine; a viewpoint from the most ordinary stratum, that great ubiquitous world of family life, transmitted from generation to generation. Despite her wild language.”
― Philip K. Dick, quote from Confessions of a Crap Artist

“There is certainly no hope left of getting away. And it isn't even terrible; it's possibly funny, if even that. It's embarrassing. That's all. A little embarrassing to realize that I no longer control my life, that the major decisions have already been made, long before I was conscious that any change was occurring.”
― Philip K. Dick, quote from Confessions of a Crap Artist

“But in the end I decided against it. The hell with the newspapers. Nobody reads the letters to the editor column except more nuts. The whole world is full of nuts. It's enough to get you down.”
― Philip K. Dick, quote from Confessions of a Crap Artist

“– Зачем ты приехал сюда? спросила миссис Хэмбро. Тебе известна причина твеого переезда в Дрейкз-Лендинг?
Я покачал головой.
– Сила свела нас вместе, сказала она. Сейчас во всем мире формируются группы. Они получают одно и то же сообщение: страдайте и через боль спасайте мир. Христос не только страдал за наши грехи, но и показал нам путь. Мы должны последовать его примеру. Нас поднимут на крест, и мы получим вечную жизнь.
Она выпустила дым через ноздри.
– Христос родился на другой планете. Он был более развитой расы. Земля самая отсталая планета во Вселенной. Ночью, когда я лежу без сна, мне транслируют сообщения. Иногда они пугают меня. Как-то раз наши братья по разуму начали открывать мне клапаны в голове вот тут и вот тут.
Она показала эти места.
– Я услышала ужасный шум, самый громки шум, который я когда-либо слышала. Он оглушил меня. Ты знаешь, что это было? Спуск космического посоха Аарона! Он возник передо мной прямо в воздухе. После этого я не могу смотреть на солнце без очков. Интенсивность космических лучей слишком велика. Она сжигает наши умы. К концу мая интенсивность достигнет максимальной величины. Затем, по мнению ученых, наступит конец света. Полюса планеты поменяются местами. Ты знаешь, что случится? Сан-Франциско совместится с Лос-Анджелесом.
– Да, я знаю.
Мне доводилось читать об этом в газете.
– Самые развитые существа живут на солнце, продолжила миссис Хэмбро. Они контактируют с моим мозгом каждую ночь. Меня посвящают в знания. Скоро я узнаю тайну Вселенной. Головокружительная перспектива.”
― Philip K. Dick, quote from Confessions of a Crap Artist

“Llegué a la conclusión de que no había tenido conciencia (...), que sólo sabía que cuando regresara a casa (...) habría cambios importantes que él mismo se encargaría de provocar. Y dichos cambios afectarían a toda criatura viviente de la casa. Mató a los animales para demostrar que lo que hacía era importante. Que era capaz de hacer algo irreparable.”
― Philip K. Dick, quote from Confessions of a Crap Artist

“Siempre que hablaba de ti, en realidad, no describía nada. Como si nunca te viera realmente. Como si nadie fuera real de verdad para mí.”
― Philip K. Dick, quote from Confessions of a Crap Artist

“Posiblemente quiero que muera porque ya no lo quiero; ya no le necesito más. De forma deliberada me involucré contigo (...) sin mostrar ninguna preocupación por terceros, ni siquiera por ti, para conseguirte, porque eres un buen material como marido y yo necesito un marido nuevo ahora que he agotado al anterior. Y si te quedas conmigo, te trataré igual que lo traté a él. Volverá a ser lo mismo otra vez.”
― Philip K. Dick, quote from Confessions of a Crap Artist

“La diferencia entre nosotros y los animales es que nosotros podemos emplear palabras. ¿Correcto? Nosotros expandimos nuestro entorno. Aprendemos a través de la palabra escrita. Jamás llegaríamos a saber nada sobre lugares lejanos como Siam si no pudiéramos leer.”
― Philip K. Dick, quote from Confessions of a Crap Artist

“Apuesto a que te dijo que fue "el destino el que te trajo aquí", ¿verdad? Creen que son peones en manos de seres superiores, cuando en realidad son peones en manos de sus propias subconscientes, que se han desbocado.”
― Philip K. Dick, quote from Confessions of a Crap Artist

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“we saw something swimming in the water, and pulled toward it, thinking it a coyote; but we soon recognized a large grizzly bear, swimming directly across the channel. Not having any weapon, we hurriedly pulled for the schooner, calling out, as we neared it, “A bear! a bear!” It so happened that Major Miller was on deck, washing his face and hands. He ran rapidly to the bow of the vessel, took the musket from the hands of the sentinel, and fired at the bear, as he passed but a short distance ahead of the schooner. The bear rose, made a growl or howl, but continued his course. As we scrambled up the port-aide to get our guns, the mate, with a crew, happened to have a boat on the starboard-aide, and, armed only with a hatchet, they pulled up alongside the bear, and the mate struck him in the head with the hatchet. The bear turned, tried to get into the boat, but the mate struck his claws with repeated blows, and made him let go. After several passes with him, the mate actually killed the bear, got a rope round him, and towed him alongside the schooner, where he was hoisted on deck. The carcass weighed over six hundred pounds. It was found that Major Miller’s shot had struck the bear in the lower jaw, and thus disabled him. Had it not been for this, the bear would certainly have upset the boat and drowned all in it. As it was, however, his meat served us a good turn in our trip up to Stockton.”
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