Philip K. Dick · 256 pages
Rating: (3.8K votes)
“The household was pervaded by this atmosphere of a calm adult woman and a man who gave into animal impulses. She reported to him in great detail what her analyst ... said about his binges and his hostility; she used Charley's money to pay Dr. Andrews to catalog his abnormalities. And of course Charley never heard anything directly from the doctor; he had no way of keeping her from reporting what served her and holding back what did not. The doctor, too, had no way of getting to the truth of what she told him; no doubt she only gave him the facts that suited her picture, so that the doctor's picture of Charley was based on what she wanted him to know. By the time she had edited both going and coming there was little of it outside her control.”
― Philip K. Dick, quote from Confessions of a Crap Artist
“She makes life over, he realized. She controls life, whereas I just sit on my can and let it happen to me.”
― Philip K. Dick, quote from Confessions of a Crap Artist
“On one hand she seems so agile, so athletic, and yet I've seen her appear so awkward that it embarrassed me. She gives the impression of a hard, worldly adroitness, and in some situations she's like an adolescent: rigid with ancient, middle class attitudes, unable to think for herself, falling back on old verities...victim of her family teaching, shocked by what shocks people, wanting what people usually want. She wants a home, a husband, and her idea of a husband is a man who earns a certain amount of money, helps around the garden, does the dishes...the idea of a good husband that's found in This Week magazine; a viewpoint from the most ordinary stratum, that great ubiquitous world of family life, transmitted from generation to generation. Despite her wild language.”
― Philip K. Dick, quote from Confessions of a Crap Artist
“There is certainly no hope left of getting away. And it isn't even terrible; it's possibly funny, if even that. It's embarrassing. That's all. A little embarrassing to realize that I no longer control my life, that the major decisions have already been made, long before I was conscious that any change was occurring.”
― Philip K. Dick, quote from Confessions of a Crap Artist
“But in the end I decided against it. The hell with the newspapers. Nobody reads the letters to the editor column except more nuts. The whole world is full of nuts. It's enough to get you down.”
― Philip K. Dick, quote from Confessions of a Crap Artist
“– Зачем ты приехал сюда? спросила миссис Хэмбро. Тебе известна причина твеого переезда в Дрейкз-Лендинг?
Я покачал головой.
– Сила свела нас вместе, сказала она. Сейчас во всем мире формируются группы. Они получают одно и то же сообщение: страдайте и через боль спасайте мир. Христос не только страдал за наши грехи, но и показал нам путь. Мы должны последовать его примеру. Нас поднимут на крест, и мы получим вечную жизнь.
Она выпустила дым через ноздри.
– Христос родился на другой планете. Он был более развитой расы. Земля самая отсталая планета во Вселенной. Ночью, когда я лежу без сна, мне транслируют сообщения. Иногда они пугают меня. Как-то раз наши братья по разуму начали открывать мне клапаны в голове вот тут и вот тут.
Она показала эти места.
– Я услышала ужасный шум, самый громки шум, который я когда-либо слышала. Он оглушил меня. Ты знаешь, что это было? Спуск космического посоха Аарона! Он возник передо мной прямо в воздухе. После этого я не могу смотреть на солнце без очков. Интенсивность космических лучей слишком велика. Она сжигает наши умы. К концу мая интенсивность достигнет максимальной величины. Затем, по мнению ученых, наступит конец света. Полюса планеты поменяются местами. Ты знаешь, что случится? Сан-Франциско совместится с Лос-Анджелесом.
– Да, я знаю.
Мне доводилось читать об этом в газете.
– Самые развитые существа живут на солнце, продолжила миссис Хэмбро. Они контактируют с моим мозгом каждую ночь. Меня посвящают в знания. Скоро я узнаю тайну Вселенной. Головокружительная перспектива.”
― Philip K. Dick, quote from Confessions of a Crap Artist
“Llegué a la conclusión de que no había tenido conciencia (...), que sólo sabía que cuando regresara a casa (...) habría cambios importantes que él mismo se encargaría de provocar. Y dichos cambios afectarían a toda criatura viviente de la casa. Mató a los animales para demostrar que lo que hacía era importante. Que era capaz de hacer algo irreparable.”
― Philip K. Dick, quote from Confessions of a Crap Artist
“Siempre que hablaba de ti, en realidad, no describía nada. Como si nunca te viera realmente. Como si nadie fuera real de verdad para mí.”
― Philip K. Dick, quote from Confessions of a Crap Artist
“Posiblemente quiero que muera porque ya no lo quiero; ya no le necesito más. De forma deliberada me involucré contigo (...) sin mostrar ninguna preocupación por terceros, ni siquiera por ti, para conseguirte, porque eres un buen material como marido y yo necesito un marido nuevo ahora que he agotado al anterior. Y si te quedas conmigo, te trataré igual que lo traté a él. Volverá a ser lo mismo otra vez.”
― Philip K. Dick, quote from Confessions of a Crap Artist
“La diferencia entre nosotros y los animales es que nosotros podemos emplear palabras. ¿Correcto? Nosotros expandimos nuestro entorno. Aprendemos a través de la palabra escrita. Jamás llegaríamos a saber nada sobre lugares lejanos como Siam si no pudiéramos leer.”
― Philip K. Dick, quote from Confessions of a Crap Artist
“Apuesto a que te dijo que fue "el destino el que te trajo aquí", ¿verdad? Creen que son peones en manos de seres superiores, cuando en realidad son peones en manos de sus propias subconscientes, que se han desbocado.”
― Philip K. Dick, quote from Confessions of a Crap Artist
“Hope attacking doubt. It seemed crazy.”
― James Patterson, quote from 1st to Die
“I am always amazed that so many people are concerned with wanting to be what they are not;What is the point of making yourself look ridiculous?
You don't always have to pretend to be strong,there is no need to prove all the time that everything is going well,you shouldn't be concerned about what other people are thinking.
Cry if you need to,it's good to cry out all your tears,because only then you will be able to smile again...”
― Paulo Coelho, quote from Like the Flowing River
“FIFTEENTH AND SIXTEENTH centuries were decisive for all the people of God. It was a particularly crucial period for the Christian West, which had not only succeeded in catching up with the other cultures of the Oikumene but was about to overtake them.”
― Karen Armstrong, quote from A History of God: The 4,000-Year Quest of Judaism, Christianity, and Islam
“Every pellet has a story all its own.
Every pellet has a story all its own.
With its fur and teeth and bones
And one or two stones,
Every pellet has a story all its own.
We shall dissect every pellet with glee.
Perhaps we'll find a rodents knee.
And never shall we tire
In the sacred task that we conspire,
No do our work less perfectly
And those bright flecks at the core,
Which makes our hearts soar,
Shall forever remain the deepest mystery.
- The owlets in the Pelletorium at St. Aegolius”
― Kathryn Lasky, quote from The Capture
“He had gathered about him what was considered by many to be the intellectual and artistic elite . . . actually, a group of bored men and libertines who were glib-tongued, talking much of art, literature, and music but without any deep-seated convictions upon any subject aside from their own prejudices. Mainly concerned with their own posturing, they were creatures of fad and whim, seizing upon this writer or that composer and exalting him to the skies until he bored them, then shifting to some other. Occasionally, the artist upon whom they lavished attention were of genuine ability, but more often they possessed some obscurity that gave the dilettantes an illusion of depth and quality. In the majority of cases what was fancied to be profound was simply bad writing, bad painting, or deliberately affected obscurity.”
― Louis L'Amour, quote from The Walking Drum
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