“Anyway, there's something wrong with everybody and it's up to you to know what you can handle.”
― Annie Proulx, quote from Close Range
“You stand there, braced. Cloud shadows race over the buff rock stacks as a projected film, casting a queasy, mottled ground rash. The air hisses and it is no local breeze but the great harsh sweep of wind from the turning of the earth. The wild country--indigo jags of mountain, grassy plain everlasting, tumbled stones like fallen cities, the flaring roll of sky--provokes a spiritual shudder. It is like a deep note that cannot be heard but is felt, it is like a claw in the gut...
...Other cultures have camped here a while and disappeared. Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that.”
― Annie Proulx, quote from Close Range
“A kind of joyous hysteria moved into the room, everything flying before the wind, vehicles outside getting dented to hell, the crowd sweaty and the smells of aftershave, manure, clothes dried on the line, your money’s worth of perfume, smoke, booze; the music subdued by the shout and babble through the bass hammer could be felt through the soles of the feet, shooting up the channels of legs to the body fork, center of everything. It is the kind of Saturday night that torches your life for a few hours, makes it seem like something is happening.”
― Annie Proulx, quote from Close Range
“There's a feeling you get driving down to Casper at night from the north, and not only there, other places where you come through hours of darkness unrelieved by any lights except the crawling wink of some faraway ranch truck. You come down a grade and all at once the shining town lies below you, slung out like all western towns, and with the curved bulk of mountain behind it. The lights trail away to the east in a brief and stubby cluster of yellow that butts hard up against the dark. And if you've ever been to the lonely coast you've seen how the shore rock drops off into the black water and how the light on the point is final. Beyond are the old rollers coming on for millions of years. It is like that here at night but instead of the rollers it's the wind. But the water was here once. You think about the sea that covered this place hundreds of millions of years ago, the slow evaporation, mud turned to stone. There's nothing calm in those thoughts. It isn't finished, it can still tear apart. Nothing is finished. You take your chances.”
― Annie Proulx, quote from Close Range
“Are you like an enchanted thing? A damn story where some girl lets a warty old toad sleep in her shoe and in the mornin the toad's a good-lookin dude makin omelettes?”
― Annie Proulx, quote from Close Range
“Big and little they went on together to Molalla, to Tuska, to Roswell, Guthrie, Kaycee, to Baker and Bend. After a few weeks Pake said that if Diamond wanted a permanent traveling partner he was up for it. Diamond said yeah, although only a few states still allowed steer roping and Pake had to cover long, empty ground, his main territory in the livestock country of Oklahoma, Wyoming, Oregon and New Mexico. Their schedules did not fit into the same box without patient adjustment. But Pake knew a hundred dirt road shortcuts, steering them through scabland and slope country, in and out of the tiger shits, over the tawny plain still grooved with pilgrim wagon ruts, into early darkness and the first storm laying down black ice, hard orange-dawn, the world smoking, snaking dust devils on bare dirt, heat boiling out of the sun until the paint on the truck hood curled, ragged webs of dry rain that never hit the ground, through small-town traffic and stock on the road, band of horses in morning fog, two redheaded cowboys moving a house that filled the roadway and Pake busting around and into the ditch to get past, leaving junkyards and Mexican cafes behind, turning into midnight motel entrances with RING OFFICE BELL signs or steering onto the black prairie for a stunned hour of sleep.”
― Annie Proulx, quote from Close Range
“You are a knowledgeable girl,” he said, “and a damn good-lookin one, though upholstered. Care for a beer?”
― Annie Proulx, quote from Close Range
“Here’s Doc Osborne, first Democratic governor. A lynch mob hung Big Nose George Parrott back in the 1870s. Doc got the body, skinned it, tanned the hide, made himself a medical bag and a pair a shoes. Wore the shoes to his inauguration. They don’t make Democrats like that anymore.”
― Annie Proulx, quote from Close Range
“The stale coffee is boiling up but he catches it before it goes over the side, pours it into a stained cup and blows on the black liquid, lets a panel of the dream slide forward. If he does not force his attention on it, it might stoke the day, rewarm that old, cold time on the mountain when they owned the world and nothing seemed wrong.”
― Annie Proulx, quote from Close Range
“Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives.”
― Annie Proulx, quote from Close Range
Annie Proulx
Born place: in Norwich, Connecticut, The United States
Born date August 22, 1935
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“So why was the goddess of Memory linked with artistic creation,you may well ask"
"Because for the Greeks creativity wasn't associated with the idea of producing something new-as it is today.The artist built upon, or reworked, the great intellectual and cultural achievements of the past.
So a great memory,you see, was considered a key part of creative activity- it gave the artist more material to draw upon, as well as a richer, more complex intellect. When James Joyce said ' I invented nothing, but I forgot nothing either," I think he was referring to exactly this sort of thing. ”
― Jeffrey Moore, quote from The Memory Artists
“At dinner one night at Osborne House, the Queen entertained a famous admiral whose hearing was impaired. Politely, Victoria had asked about his fleet and its activities; then, shifting the subject, she asked about the admiral’s sister, an elderly dowager of awesome dignity. The admiral thought she was inquiring about his flagship, which was in need of overhaul. “Well, ma’am,” he said, “as soon as I get back I’m going to have her hauled out, roll her on her side and have the barnacles scraped off her bottom.” Victoria stared at him for a second and then, for minutes afterward, the dining room shook with her unstoppable peals of laughter.”
― Robert K. Massie, quote from Dreadnought
“So I wait for him because I always have, because out of all the moments that went wrong, I think there were just as many that went right, just as much love and heat and want as hurt, disappointment, and cruelty. I want to believe there's a balance here, that out of this tragedy will come some good, and there will be a happy ending.”
― Laura Wiess, quote from How It Ends
“Circumstances can have a motive force by which they bring about events without aid of human imagination or apprehension. On such occasions you yourself keep in touch with what is going on by attentively following it from moment to moment, like a blind person who is being led, and who places one foot in front of the other cautiously but unwittingly. Things are happening to you, and you feel them happening, but except for this one fact, you have no connection with them, and no key to the cause or meaning of them. [...] - a passage outside the range of imagination, but within the range of experience.”
― Isak Dinesen, quote from Out of Africa / Shadows on the Grass
“Life is not a journey to the grave with the intention of arriving safely in a pretty and preserved body, but rather to skid in broadside, thoroughly used up, totally worn out, and loudly proclaiming, ‘Wow … what a ride.’ ”
― Eric Blehm, quote from Fearless: The Heroic Story of One Navy SEAL's Sacrifice in the Hunt for Osama Bin Laden and the Unwavering Devotion of the Woman Who Loved Him
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Broken
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