“Anyway, there's something wrong with everybody and it's up to you to know what you can handle.”
― Annie Proulx, quote from Close Range
“You stand there, braced. Cloud shadows race over the buff rock stacks as a projected film, casting a queasy, mottled ground rash. The air hisses and it is no local breeze but the great harsh sweep of wind from the turning of the earth. The wild country--indigo jags of mountain, grassy plain everlasting, tumbled stones like fallen cities, the flaring roll of sky--provokes a spiritual shudder. It is like a deep note that cannot be heard but is felt, it is like a claw in the gut...
...Other cultures have camped here a while and disappeared. Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that.”
― Annie Proulx, quote from Close Range
“A kind of joyous hysteria moved into the room, everything flying before the wind, vehicles outside getting dented to hell, the crowd sweaty and the smells of aftershave, manure, clothes dried on the line, your money’s worth of perfume, smoke, booze; the music subdued by the shout and babble through the bass hammer could be felt through the soles of the feet, shooting up the channels of legs to the body fork, center of everything. It is the kind of Saturday night that torches your life for a few hours, makes it seem like something is happening.”
― Annie Proulx, quote from Close Range
“There's a feeling you get driving down to Casper at night from the north, and not only there, other places where you come through hours of darkness unrelieved by any lights except the crawling wink of some faraway ranch truck. You come down a grade and all at once the shining town lies below you, slung out like all western towns, and with the curved bulk of mountain behind it. The lights trail away to the east in a brief and stubby cluster of yellow that butts hard up against the dark. And if you've ever been to the lonely coast you've seen how the shore rock drops off into the black water and how the light on the point is final. Beyond are the old rollers coming on for millions of years. It is like that here at night but instead of the rollers it's the wind. But the water was here once. You think about the sea that covered this place hundreds of millions of years ago, the slow evaporation, mud turned to stone. There's nothing calm in those thoughts. It isn't finished, it can still tear apart. Nothing is finished. You take your chances.”
― Annie Proulx, quote from Close Range
“Are you like an enchanted thing? A damn story where some girl lets a warty old toad sleep in her shoe and in the mornin the toad's a good-lookin dude makin omelettes?”
― Annie Proulx, quote from Close Range
“Big and little they went on together to Molalla, to Tuska, to Roswell, Guthrie, Kaycee, to Baker and Bend. After a few weeks Pake said that if Diamond wanted a permanent traveling partner he was up for it. Diamond said yeah, although only a few states still allowed steer roping and Pake had to cover long, empty ground, his main territory in the livestock country of Oklahoma, Wyoming, Oregon and New Mexico. Their schedules did not fit into the same box without patient adjustment. But Pake knew a hundred dirt road shortcuts, steering them through scabland and slope country, in and out of the tiger shits, over the tawny plain still grooved with pilgrim wagon ruts, into early darkness and the first storm laying down black ice, hard orange-dawn, the world smoking, snaking dust devils on bare dirt, heat boiling out of the sun until the paint on the truck hood curled, ragged webs of dry rain that never hit the ground, through small-town traffic and stock on the road, band of horses in morning fog, two redheaded cowboys moving a house that filled the roadway and Pake busting around and into the ditch to get past, leaving junkyards and Mexican cafes behind, turning into midnight motel entrances with RING OFFICE BELL signs or steering onto the black prairie for a stunned hour of sleep.”
― Annie Proulx, quote from Close Range
“You are a knowledgeable girl,” he said, “and a damn good-lookin one, though upholstered. Care for a beer?”
― Annie Proulx, quote from Close Range
“Here’s Doc Osborne, first Democratic governor. A lynch mob hung Big Nose George Parrott back in the 1870s. Doc got the body, skinned it, tanned the hide, made himself a medical bag and a pair a shoes. Wore the shoes to his inauguration. They don’t make Democrats like that anymore.”
― Annie Proulx, quote from Close Range
“The stale coffee is boiling up but he catches it before it goes over the side, pours it into a stained cup and blows on the black liquid, lets a panel of the dream slide forward. If he does not force his attention on it, it might stoke the day, rewarm that old, cold time on the mountain when they owned the world and nothing seemed wrong.”
― Annie Proulx, quote from Close Range
“Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives.”
― Annie Proulx, quote from Close Range
“He is holding a book.
Inside the book is the Universe.”
― Neil Gaiman, quote from The Sandman: Endless Nights
“There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut.
There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness.
The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine.
On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy.
Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair.
The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?”
― Charlotte Brontë, quote from Shirley
“Love’s not some amorphous concept created for books and poetry and not attainable. It’s real and vital, and it’s necessary. Damn it.”
― Nora Roberts, quote from Vision in White
“Beck, we gotta go.”
“Ok.” She made smooch lips to the mirror and then smiled at me. “It's shameful to look this fabulous isn't it?” she said, making me laugh.
“Absolutely, just shameful.”
― Shelly Crane, quote from Accordance
“ ""You don't think that I'd say this to your face? I will. You're a self-centered jerk, Rafe Martinez. You've got everyone convinced that you sacrificed yourself for Maya and Daniel, but that's crap. You didn't let go. You slipped. Maya wanted to believe there was more to it, so she convinced Daniel—"
"She didn't convince me of anything," Daniel said, his voice low. "I was there, too, Sam. He let go."
"So? He's not actually dead, is he?"
Rafe sputtered a laugh. She glowered at him, then at Corey, who'd joined them, grinning as he heard. Even Daniel had to wipe away a smile.
"What?" she said. "He isn't."
"The, uh, fact that he survived his heroic sacrifice really shouldn't be held against him," Daniel said. "Look, I'm fine with Rafe—"
"No, you're not. Heroic sacrifice or not, he's still a jerk. He waltzed into Salmon Creek and stole Maya."
"Stole?" I said.
"It's not your fault. You two are both skin-walkers. It's animal magnetism. You can't help yourself." She glared at Corey, who was cracking up behind Rafe. "Stop that. You know it's true. Maya's too smart to fall for an arrogant, self-centered—"
"Enough," Derek said.
Sam sighed. "I know you're trying to be fair, Daniel, but you need to stand up for yourself, not let this smirking bad boy wannabe waltz in and—"
"Enough!" Daniel's roar made everyone stumble back. He climbed the steps and stopped in front of Sam. "I don't know what your problem is, Sam, but you've now insulted everyone here except Corey."
"Oh, she already zinged me," Corey said. "I started rubbing my temples and she suggested I don't really get headaches. It just hurts me to think." ”
― Kelley Armstrong, quote from The Calling
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