“She let him know how much she liked what he was doing by scoring his back with her nails and crying out with pleasure.
"Oh, God."
"Nay, lass. Connor.”
― Julie Garwood, quote from The Wedding
“I know the truth now. You've figured out I'm falling in love with you and you're trying to make me stop by hurting me this way. Well it won't work.
One way or another, I'm going to make you care about me. Yes, I am, unless your cold attitude kills me first.
It's only fair, Connor. If I'm going to be miserable, by God, so are you.
I am not a common wench and I will not be treated like one.”
― Julie Garwood, quote from The Wedding
“Your trying to take them away from me, and I can't let you do that.I'm not ready to let go."
"Exactly what am I taking away?"
"My family."
"Brenna..."
She wouldn't let him continue. "You are trying to take them away, aren't you? And if you succeed, what will I have left?"
"Me.”
― Julie Garwood, quote from The Wedding
“She surprised him by agreeing. "Yes, I was simply curious, and no, I would never criticize you in front of your followers. Do you have the patience to endure one more question, husband?"
"What is it?"
"When do you suppose you'll leave me behind?”
― Julie Garwood, quote from The Wedding
“He held her gaze steady while he summarized her promises. “She will honor me, protect me, obey me only when she believes I’m being reasonable—but I shouldn’t hold out hope that that day will ever come—try to love me before she’s an old woman, and I’d better get it straight in my mind that she will respect me until or unless I do something to prove I’m not worthy, and God save me then. Have I left anything out, Brenna?”
― Julie Garwood, quote from The Wedding
“What did you say to the messenger, mi'lady? Do you remember the exact words of your last proposal?"
She recognized Quinlan's voice behind her.
How in thunder could she possibly remember? Hadn't any of them been listening?
She couldn't turn to face Quinlan because their leader still had hold of her, and he didn't seem to be the
least bit inclined to let go.
"I probably said, 'Will you marry me?'"
Connor smiled. He pulled her toward him, lowered his head, and kissed her just
long enough to stun her.
He lifted his head then, looked into her eyes, and finally spoke to her.
"Yes, Brenna. I will marry you.”
― Julie Garwood, quote from The Wedding
“She'd been told time and again that it was rude stare, but she didn't obey her mother's rule now. The giant mesmerized her and she wanted to remember everything she could about him.
He must have felt her staring at him, though because he suddenly turned and looked directly her.
Brenna decided to make her papa proud of her and behave like a proper young lady. She grabbed a fistful of her skirt, hiked it up to her knees, and bent down to curtsy. She promptly lost her balance and almost hit her head against the floor, but she was quick enough to lean back so she could land on her
bottom.
She stood back up, remembered to let go of her skirts, and peeked up at the stranger to see what he thought about her newly acquired skill.
The giant smiled at her.
As soon as he looked away, she squeezed herself up against Rachel's backside again.
"I'm going to marry him," she whispered.”
― Julie Garwood, quote from The Wedding
“Brenna jumped to her feet the second Father Sinclair entered the chamber. "I'm so happy to see you," she cried out.
"Be happy sitting down," Jamie ordered, hovering over her patient like a mother hen.”
― Julie Garwood, quote from The Wedding
“Warriors do not speak of such feelings. I love you too, son, but I won't be telling you so.”
― Julie Garwood, quote from The Wedding
“Still, they were two thorns from the same thistle. Their tactics in terrorizing innocent ladies were identical. Their behavior was downright sinful, but what made it even worse was the fact that neither warrior seemed to realize the effect he had on others.”
― Julie Garwood, quote from The Wedding
“But, the giant wasn’t a god or a demon. He was just a man, very primitive and frightening, yet still just a man. Besides, anyone with a pinch of sense knew women were smarter than men.”
― Julie Garwood, quote from The Wedding
“Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps.
That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.”
― Toni Morrison, quote from Jazz
“Many times when I read a book, I want to savor each word, each phrase, each page, loving the prose so much, I don’t want it to end. Other times the story pulls me in, and I can hardly read fast enough, the details flying by, some of them lost because all that matters is making sure the character is all right when it’s over.”
― Lisa Schroeder, quote from The Day Before
“the Hall of Offerings. Isaac motioned to a wall relief covered in hieroglyphic writing. "Let me show you something I discovered recently," Isaac said. "This hieroglyphic register is a song to Augustus, King of Egypt, heralding him as 'Lord of the Dance,' meaning 'Lord of Life.' I will translate: "The King of Egypt "Pharaoh comes to dance "He comes to sing "See how he dances "See how he sings… "I remember Isaac looked at me to gauge my reaction. In truth I was spellbound. He went on to say, 'The song of Augustus eventually spread to Medieval England where a carol, called "Lord of the Dance," was sung at Christmas and is sung to this day.”
― Kenneth Atchity, quote from The Messiah Matrix
“Racial and ethnic segragtion is a gospel issue! Cephas' fear and wihdrawal from fellowship across ethnic lines was "not in step with the truth of the gospel." Christ had died to tear down this wall.”
― John Piper, quote from The Passion of Jesus Christ
“All sufferers can find comfort in the solidarity of the Crucified; but only those who struggle against evil by following the example of the Crucified will discover him at their side. To claim the comfort of the Crucified while rejecting his way is to advocate not only cheap grace but a deceitful ideology.”
― Miroslav Volf, quote from Exclusion & Embrace: A Theological Exploration of Identity, Otherness, and Reconciliation
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