“You've got to work with your mistakes until they look intended. Understand?”
“There is no answer. It's okay. But even if it wasn't okay, what am I supposed to do?”
“I'm always learning something. Learning never ends.”
“She won't give him back his look.”
“They talked on into the early morning, the high, pale cast of light in the windows, and they did not think of leaving.”
“In short, everything about his life was different for him at the bottom of that well.”
“Close your eyes now,' the blind man said to me. I did it. I closed them just like he said.
'Are they closed?' he said. 'Don't fudge.'
'They're closed,' I said.
'Keep them that way,' he said. He said, 'Don't stop now. Draw.'
So we kept on with it. His fingers rode my fingers as my hand went over the paper. It was like nothing else in my life up to now.
Then he said, 'I think that's it. I think you got it,' he said. 'Take a look. What do you think?'
But I had my eyes closed. I thought I'd keep them that way for a little longer. I thought it was something I ought to do.
'Well?" he said. 'Are you looking?'
My eyes were still closed. I was in my house. I knew that. But I didn't feel like I was inside anything.
'It's really something,' I said.”
“He seemed full of some goodness she didn't understand”
“Maybe once, maybe years ago, I was a different kind of human being. I've forgotten, I don't know for sure.”
“In those olden days, when they built cathedrals, men wanted to be close to God”
“The men who began their life's work on [the cathedrals], they never lived to see the completion of their work.”
“Los sueños son eso de lo que uno se despierta.”
“Then i don't know I remembered how he was when he was nineteen, the way he looked, running across this field to where his dad sat on a tractor, hand over his eyes, watching Wes run toward him - Chef's House”
“I knocked stuff out of the medicine cabinet. Things rolled into the sink. ‘Where’s the aspirin?’ I said. I knocked down more things. I didn’t care. ‘Goddamn it,’ I said. Things kept falling.”
“He was going somewhere, he knew that. And if it was the wrong direction, sooner or later he'd find it out.”
“Then I said something. I said, Suppose, just suppose, nothing had ever happened. Suppose this was for the first time. Just suppose. It doesn’t hurt to suppose. Say none of the other had ever happened. You know what I mean? Then what? I said.
Wes fixed his eyes on me. He said, Then I suppose we’d have to be somebody else if that was the case. Somebody we’re not. I don’t have that kind of supposing left in me. We were born who we are. Don’t you see what I’m saying?
I said I hadn’t thrown away a good thing and come six hundred miles to hear him talk like this.
He said, I’m sorry, but I can’t talk like somebody I’m not.
I’m not somebody else. If I was somebody else, I sure as hell wouldn’t be here. If I was somebody else, I wouldn’t be me.
But I’m who I am. Don’t you see?”
“. . . a boy and girl in love, burning with it.”
“Something just like it happened to me once, something like what you're describing. Love. That's what it is.”
“I’m saying that at the end of the summer she let the blind man run his hands over her face, said good-bye to him, married her childhood etc., who was now a commissioned officer, and she moved away from Seattle.”
“But he understood it was over, and he felt able to let her go. He was sure their life together had happened in the way he said it had. But it was something that had passed. And that passing--though it seemed impossible and he'd fought against it--would become part of him now, too, as surely as anything else he'd left behind.”
“And they are free to choose liberty and eternal life, through the great Mediator of all men, or to choose captivity and death, according to the captivity and power of the devil; for he seeketh that all men might be miserable like unto himself.”
“Our simple daily decisions can become our best friend or our worst enemy. They can draw us towards our goals or send us orbiting into a galaxy far, far away. These are the days of our lives. We are offered choices every day; sickness or health, poverty or wealth, happiness or misery, knowledge or ignorance, to jump or to wait, to grow or to die, faith or doubt, for better or worse. Everything in your life exists because you made a series of decisions. Each decision, positive or negative, starts a behavior that over time becomes a habit. It is the little things that we put off doing that cumulatively make an enormous difference–in the end results.”
“Unë nuk jam ithtar i një arti tepër subjektiv. Poezia ime ka qenë për mua një mjet për të zotëruar vetveten. Ajo më jepte mundësinë të shikoja ku kalonte vija matanë së cilës falsiteti i tonit dëshmon falsitetin e qëndrimit dhe të bëja të gjitha përpjekjet për të mos e shkelur. Përvoja e viteve të luftës më mësoi se nuk është e udhës ta marrësh penën me qëllimin e vetëm për t’u komunikuar të tjerëve hidhërimin vetjak dhe sfilitjen e brendshme – sepse kjo është një lëndë e dobët, përftimi i së cilës kërkon aq pak mund sa që ky akt nuk të jep të drejtën e respektimit të vetvetes. Kushdo që ka parë të bëhet hi një qytet me një milion banorë dhe kilometra të tëra rrugësh të tij pa asnjë gjurmë jete, madje as edhe një mace, as edhe një qen pa zot, i kujton me ironi përshkrimet prej poetëve bashkëkohorë të ferrit të qyteteve të mëdha - në të vërtetë ferri i shpirtit të tyre. Wasteland i vërtetë është shumë më i tmerrshëm se ai imagjinari. Kush nuk ka jetuar mes tmerreve të luftës e të terrorit nuk e di sa e egër është revolta kundër vetvetes e atij që i ka parë ose ka marrë pjesë në to - ajo revoltë kundër moskokëçarjes dhe egoizmit të vet. Rrënimi dhe vuajtjet janë një shkollë ku farkëtohet sensi shoqëror,”
“If I thought Fridays were awesome when I was a full-time student, they’re downright euphoric now that I’m part of the regular workforce.”
“Seni ne için affedeceğim? Bana masumiyetin gerçek anlamını gösterdiğin için mi? İnanmaya programlandığım her kibirli nosyonu sorgulamama sebep olduğun için mi? Salak olduğumu fark etmemi sağladığın için mi?
Sana aşık olmama sebep olduğun için mi?”
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