Pseudonymous Bosch · 385 pages
Rating: (21K votes)
“Very little in this world makes sense.”
“I ate him," said the homunculus, biting into his sausage.
The kids couldn't hide their looks of horror.
He smiled, sausage juice running down his chin. "Oh, don't worry - I cooked him first. I'm not a barbarian.”
“Oh, talking is not so bad as that," said the Jester. "True, most people say only silly things when they speak. But it's easier to ignore them if you're saying silly things yourself.”
“Veronica ran out to tell Amber the shocking news - and returned in less than a minute with another message for Yo-Yoji: "Amber says she was watching and she knows you got in detention on purpose," she said breathlessly. "Because you have a crush on Cass!"
Cass's ears instantly turned red.
Max-Ernest looked like he'd been hit by a truck.”
“When I was younger, I loved graveyards. They weren't spooky so much as mysterious. Each tombstone another story to uncover. Another life to learn about.
Now that I'm older - I won't say how old - I hate graveyards. The only life - or rather death - I see in the tombstones is my own.”
“I HAVE A SECRET I CAN’T TELL NOR INK;
THOUGH IT HAS NO SCENT, IT DOES OFTEN STINK.
THOUGH IT MAKES NO SOUND, IT CAN MAKE YOU ROAR;
WHEN IT’S TASTELESS, I LIKE IT ALL THE MORE.
THOUGH IT HAS NO SHADE, IT LACKS NOT COLOR;
THOUGH IT HAS NO SHAPE, NO CAUSE FOR DOLOR.
IF YOU THINK YOU KNOW IT, YOU’RE INCORRECT,
AND FROM YOU THE SECRET I WILL PROTECT.
THE SECRET OF LIFE IS NOT STONE NOR CENTS,
FOR THE SECRET SENSE IS BUT A NONSENSE.”
“She hadn’t visited this spot in a few years, but when she was younger it had been a frequent hideout. She called it the Barbie Graveyard because it was where, one night when she was nine years old, she’d ceremoniously buried every single doll she had. She’d marked the site with a melted Barbie toaster. “They all died in an electrical fire,” she told her mother somberly. “I couldn’t save them.”
“It's the loneliest feeling in the world-to find yourself standing up when everybody else is sitting down. To have everybody look at you and say, 'What's the matter with him?' I know. I know what it feels like. Walking down an empty street, listening to the sound of your own footsteps. Shutters closed, blinds drawn, doors locked against you. And you aren't sure whether you're walking toward something, or if you're just walking away.”
“Sure, I trusted Kayden to see all of me, but I’m uncertain about the world, because it’s big and scary and always shifting. One minute it feels like home and the next, distant and unfamiliar.”
“Every one of Joel's important songs--including the happy ones--are ultimately about loneliness. And it's not 'clever lonely' (like Morrissey) or 'interesting lonely' (like Radiohead); it's 'lonely lonely,' like the way it feels when you're being hugged by someone and it somehow makes you sadder.”
“The way to maintain one's connection to the wild is to ask yourself what it is that you want. This is the sorting of the seed from the dirt. One of the most important discriminations we can make in this matter is the difference between things that beckon to us and things that call from our souls.
Nowhere can this be seen more clearly than in the choice of mates and lovers. A lover cannot be chosen a la smorgasbord. A lover has to be chosen from soul-craving. To choose just because something mouthwatering stands before you will never satisfy the hunger of the soul-self. And that is what the intuition is for; it is the direct messenger of the soul.”
“Mud ? They're going to put mud on my face ?"
"You'll love it."
"Whenever the kitties and I played stalk and pounce and we ended up muddy, everyone frowned about it."
Surreal grunted softly. Only Jaenelle referred to Jaal and Kaelas, a full-grown tiger and an eight-hundred-pound Arcerian cat, as "the kitties"... or voluntarily played games with them to keep their predatory skills honed.
"So why is this mud different ?" Jaenelle grumbled.
Stretched out on the other table, Surreal turned her head and opened one eye. "It's expensive.”
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