Quotes from BZRK

Michael Grant ·  391 pages

Rating: (7.3K votes)


“Nemo Me Impugn Lacessit—No One Assails Me with Impunity. Or the alternative version—Do Not Fuck with Us or We Will Hurt You”
― Michael Grant, quote from BZRK


“A man without pleasure is a man without any idea what life is about”
― Michael Grant, quote from BZRK


“Tell me something, Noah. Which is more important: freedom or happiness?'

What was this, a game? But Nijinsky wasn't smiling.

'You can't be happy unless your free,' Noah said.”
― Michael Grant, quote from BZRK


“We're fighting for unhappiness?" Noah asked skeptically. "It sounds a bit crazy when you put it that way."

Nijinsky laughed, delighted. "Oh, it is." Then, serious again, he said, "We fight for the right to be what we choose,to feel what we choose. Even if what we choose seems crazy to others."

"If it's all the same to you, I'll fight for revenge," Sadie said.

Nijinsky's eyes glittered. "Oh, yes. That's fine with me.”
― Michael Grant, quote from BZRK


“Fantasies don't have to make any sense," he snapped. "That's what makes them fantasies. They aren't meant to be logical, they're meant to keep you from losing your mind or panicking or wanting to kill yourself.”
― Michael Grant, quote from BZRK



“Sadie was like that, one of those people untouched by trend or fashion, comfortable building her own world out of what she liked, from tunes and styles and reads that could be so ancient they were cobwebbed, up through to things so new they barley existed yet.”
― Michael Grant, quote from BZRK


“The clips hurt. The presence of a chainsaw was terrifying. And Noah did not want to hear about insane Nazi poets.”
― Michael Grant, quote from BZRK


“I need you both to trust me," Vincent said. "I don't mean that I would like you to trust me. I mean that I need you to trust me.”
― Michael Grant, quote from BZRK


“No, for God's sake, I'm not bloody suicidal. And I'm not proposing, either. Forget I said anything.”
― Michael Grant, quote from BZRK


“I didn't betray you. I was used. I was set up.”
― Michael Grant, quote from BZRK



About the author

Michael Grant
Born place: in Los Angeles, The United States
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Popular quotes

“You thought you’d never give up your vocation, a voice whispered inside me. You thought you’d never even consider it. But you’ve met the one man who could change your mind. He is your perfect complement. He is Cathal to your Clodagh; he is Bran to your Liadan. No wonder you conjured up those images. No wonder they make you weep.”
― Juliet Marillier, quote from Seer of Sevenwaters


“It’s dangerous to assume that because a person is drawn to holiness in his study that he is thereby a holy man. There is irony here. I am sure that the reason I have a deep hunger to learn of the holiness of God is precisely because I am not holy. I am a profane man—a man who spends more time out of the temple than in it. But I have had just enough of a taste of the majesty of God to want more. I know what it means to be a forgiven man and what it means to be sent on a mission. My soul cries for more. My soul needs more.”
― R.C. Sproul, quote from The Holiness of God


“A woman who likes her whisky,” he said while refilling her glass. “Careful that you doona steal my heart, Annalía.” “It figures that the one requirement you’d have for your woman is ‘whisky drinker.’” “Aye, but that’s only after ‘walks upright.”
― Kresley Cole, quote from If You Dare


“La cenere s'indurì, cadde altra pomice. L'interno dei cadaveri marcì e insieme a loro, con il passare dei secoli, marcì anche il ricordo dell'esistenza in quel punto di una città. Pompei divenne una città di cittadini vuoti dai contorni perfetti, stretti l'uno all'altro o isolati, con gli abiti volati via o sollevati sul capo, che tentano disperatamente di afferrare i loro oggetti più adorati senza riuscire a stringere nulla tra le mani: vuote entità sospese a mezz'aria al livello dei tetti.”
― Robert Harris, quote from Pompeii


“Durante a rápida estação em que a mulher permanece em flor, os caracteres da sua beleza servem admiravelmente bem à dissimulação à qual a sua fraqueza natural e as leis sociais a condenam. Sob o rico colorido do seu viçoso rosto, sob o fogo dos seus olhos, sob a fina textura das suas feições tão delicadas, com tantas linhas curvas ou retas, mas puras e perfeitamente determinadas, todas as suas comoções podem permanecer secretas: o rubor então nada revela, aumentando ainda mais cores já tão vivas; todos os focos interiores concordam tão bem com a luz desses olhos brilhantes de vida que a fugaz chama de um sofrimento aparece apenas como um encanto a mais. Por isso, na da há mais discreto do que um rosto juvenil, porque também não há nada mais imóvel. A fisionomia de uma jovem tem a serenidade, o polido, o frescor da superfície de um lago; a das mulheres só se revela aos trinta anos. Até essa idade, o pintor só lhes acha no rosto róseos e brancos sorrisos e expressões que repetem um mesmo pensamento, pensamento de mocidade e de amor, pensamento uniforme e sem profundidade; mas, na velhice, tudo na mulher fala, as paixões incrustaram-se-lhe no rosto; foi amante, esposa, mãe; as mais violentas expressões de alegria e de dor acabaram por alterar-lhe, torturar-lhe o rosto, formando aí mil rugas, tendo todas uma linguagem; e uma fronte de mulher torna-se, então, sublime pelo horror, bela pela melancolia, ou magnífica pela serenidade; se se permite desenvolver esta estranha metáfora, o lago seco deixa então ver todos os traços das torrentes que o produzi ram; uma fronte de mulher velha já então não pertence nem ao mundo, que, frívolo, se assusta de ver a destruição de todas as idéias de elegância a que está habituado, nem aos artistas vulgares, que nada descobrem por aí; mas, sim, aos verdadeiros poetas, àqueles que possuem o sentimento de uma beleza independente de todas as convenções sobre as quais repousam tantos preconceitos sobre a arte e a formosura.”
― Honoré de Balzac, quote from A Woman Of Thirty


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