Joss Whedon · 200 pages
Rating: (7.6K votes)
“Everything is so fragile. There's so much conflict, so much pain...you keep waiting for the dust to settle and then you realize this is it; the dust is your life going on. If happy comes along--that weird, unbearable delight that's actual happy--I think you have to grab it while you can. You take what you can get, 'cause it's here, and then...gone.”
― Joss Whedon, quote from Astonishing X-Men, Volume 4: Unstoppable
“What's plan b?'
'We all die now.'
'What's plan c?”
― Joss Whedon, quote from Astonishing X-Men, Volume 4: Unstoppable
“I’m assuming you’re as mystified by this as the rest of us, Rasputin.
No. I’m not. I have been planning to destroy the Breakworld since I was a child.
[silence]
This is why I don’t make so many jokes. I never know when is good.”
― Joss Whedon, quote from Astonishing X-Men, Volume 4: Unstoppable
“I object!
What?
Bugger, was that acting?
Is not courtroom, Katya.
Shut up! I'm not good at having two conversations at once. And I hate Scott's plan!
You mean you "object" to it.”
― Joss Whedon, quote from Astonishing X-Men, Volume 4: Unstoppable
“I'd better go before Kitty tries to act again.”
― Joss Whedon, quote from Astonishing X-Men, Volume 4: Unstoppable
“Lies. The great human weapon. Pathetic.
I'd say "pathetic" would be falling for them. Especially Kitty's.”
― Joss Whedon, quote from Astonishing X-Men, Volume 4: Unstoppable
Joss Whedon
Born place: in New York, New York, The United States
Born date June 23, 1964
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“Maybe that's it, [...] [w]ith what you were talking about before. The world being broken. Maybe it isn't that we're supposed to find the pieces and put them back together. Maybe we're the pieces." [...] "Maybe [...] what we're supposed to do is come together. That's how we stop the breaking.”
― Rachel Cohn, quote from Nick & Norah's Infinite Playlist
“زندگی بهآسانی نابود نمیشود. انسان تا اشیائی که در آنها تغییر داده است نابود نشود، نمیتواند بمیرد. حتی تا زمانی که خاطرهی او در ذهن است او نیز همچنان زنده است. مردن انسان امری طولانی و تدریجی است.”
― John Steinbeck, quote from To a God Unknown
“Now,” Samite continued, “after Essel has just spent time warning you about generalities and how they often don’t apply, I’m going to use some. Because some generalities are true often enough that we have to worry about them. So here’s one: men will physically fight for status. Women, generally, are more clever. The why of it doesn’t matter: learned, innate, cultural, who cares? You see the chest-bumping, the name-calling, performing for their fellows, what they’re really doing is getting the juices flowing. That interval isn’t always long, but it’s long enough for men to trigger the battle juice. That’s the terror or excitation that leads people to fight or run. It can be useful in small doses or debilitating in large ones. Any of you have brothers, or boys you’ve fought with?” Six of the ten raised their hands. “Have you ever had a fight with them—verbal or physical—and then they leave and come back a little later, and they’re completely done fighting and you’re just fully getting into it? They look like they’ve been ambushed, because they’ve come completely off the mountain already, and you’ve just gotten to the top?” “Think of it like lovemaking,” Essel said. She was a bawdy one. “Breathe in a man’s ear and tell him to take his trousers off, and he’s ready to go before you draw your next breath. A woman’s body takes longer.” Some of the girls giggled nervously. “Men can switch on very, very fast. They also switch off from that battle readiness very, very fast. Sure, they’ll be left trembling, sometimes puking from it, but it’s on and then it’s off. Women don’t do that. We peak slower. Now, maybe there are exceptions, maybe. But as fighters, we tend to think that everyone reacts the way we do, because our own experience is all we have. In this case, it’s not true for us. Men will be ready to fight, then finished, within heartbeats. This is good and bad. “A man, deeply surprised, will have only his first instinctive response be as controlled and crisp as it is when he trains. Then that torrent of emotion is on him. We spend thousands of hours training that first instinctive response, and further, we train to control the torrent of emotion so that it raises us to a heightened level of awareness without making us stupid.” “So the positive, for us Archers: surprise me, and my first reaction will be the same as my male counterpart’s. I can still, of course, get terrified, or locked into a loop of indecision. But if I’m not, my second, third, and tenth moves will also be controlled. My hands will not shake. I will be able to make precision movements that a man cannot. But I won’t have the heightened strength or sensations until perhaps a minute later—often too late. “Where a man needs to train to control that rush, we need to train to make it closer. If we have to climb a mountain more slowly to get to the same height to get all the positives, we need to start climbing sooner. That is, when I go into a situation that I know may be hazardous, I need to prepare myself. I need to start climbing. The men may joke to break the tension. Let them. I don’t join in. Maybe they think I’m humorless because I don’t. Fine. That’s a trade I’m willing to make.” Teia and the rest of the girls walked away from training that day somewhat dazed, definitely overwhelmed. What Teia realized was that the women were deeply appealing because they were honest and powerful. And those two things were wed inextricably together. They said, I am the best in the world at what I do, and I cannot do everything. Those two statements, held together, gave them the security to face any challenge. If her own strengths couldn’t surmount an obstacle, her team’s strengths could—and she was unembarrassed about asking for help where she needed it because she knew that what she brought to the team would be equally valuable in some other situation.”
― Brent Weeks, quote from The Blinding Knife
“The day you ever have that much control over my behavior, it will be because somebody's asking you, should she get the pine box or a plain white shroud?”
― Michael Chabon, quote from The Yiddish Policemen's Union
“What kind of love would drive a man for miles through solid rock?”
― Cinda Williams Chima, quote from The Crimson Crown
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