“This book will prove the following ten facts:
1. A Goon is a being who melts into the foreground and sticks there.
2. Pigs have wings, making them hard to catch.
3. All power corrupts, but we need electricity.
4. When an irresistible force meets an immovable object, the result is a family fight.
5. Music does not always sooth the troubled beast.
6. An Englishman's home is his castle.
7. The female of the species is more deadly than the male.
8. One black eye deserves another.
9. Space is the final frontier, and so is the sewage farm.
10. It pays to increase your word power.”
― Diana Wynne Jones, quote from Archer's Goon
“Learn to drive?"
"Never," said Quentin. "My mission in life is to be a passenger.”
― Diana Wynne Jones, quote from Archer's Goon
“Somewhere in the lane after that they came level with a small door next to a fried chicken shop. There was a small red-lit sign over this door.”
― Diana Wynne Jones, quote from Archer's Goon
“You don’t give hired assassins supper, do you?” Quentin smiled. “No, but when a wolf follows your sleigh, you give it meat,” he”
― Diana Wynne Jones, quote from Archer's Goon
“All power corrupts, but we need electricity.”
― Diana Wynne Jones, quote from Archer's Goon
“The pretended desires of many to behold the glory of Christ in heaven, who have no view of it by faith while they are here in this world, are nothing but self-deceiving imaginations.”
― John Owen, quote from The Glory of Christ
“The first card was a beautifully rendered but terrifying representation of what Henry guessed was one of the Elders’ forms. Next was half a Wolf cookie. Last was a card that had a simple drawing of a smiley face. “That is sooooo wrong,” Merri Lee said, shuddering. “Yes, it is.” Henry picked”
― Anne Bishop, quote from Marked in Flesh
“Put. That coffee. Down. Coffee's for closers only.”
― David Mamet, quote from Glengarry Glen Ross
“كم اشتهي أن أتذوق أيضا و أيضا ، تلك المتعة المرتسمة .لا لحرصي على إبقائها طاهرة للأبد . غير أني لم أمل تلك الجيرة المبهمة ، و ذلك التواطؤ المتعاظم ، و تلك الرغبة الحبلى بالمحن العذبة ، أي باختصار تلك الدرب التي نسلكها معا ، مبتهجين سرا ، و زاعمين في كل مرة أن العناية الإلهية وحدها التي تدفع أحدنا نحو الأخر.
تلك الرغبة تسحرني و لست على يقين من رغبتي بالعبور الى الجهة الأخرى من التلال .
أعرف أنها لعبة لا تخلو من الخطورة . ففي أية لحظة قد تحرقنا النيران ، و لكن كم كانت نهاية العالم تلوح بعيدة نائية في تلك الليلة.”
― Amin Maalouf, quote from Balthasar's Odyssey
“Marginalia
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.”
― Billy Collins, quote from Picnic, Lightning
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