Quotes from Game

Barry Lyga ·  520 pages

Rating: (9.3K votes)


“Anger was a waste of time and energy. Anger was useless."Anger" was the label given to the emotion that accomplished nothing.”
― Barry Lyga, quote from Game


“If I think she' hot and it turns out she's a psychopath, then what does that say about me? I'm totally not ready for that kind of therapy.”
― Barry Lyga, quote from Game


“She screamed. Her screaming was beautiful. But, truth be told he missed the crying.”
― Barry Lyga, quote from Game


“Yes,” Howie said solemnly. “I can teach you how to be more ‘street’”.
“For God’s sake…”
“Or is it ‘urban’? I can’t remember. Anyway, I can teach you, grasshopper. Or hip-hopper.”
― Barry Lyga, quote from Game


“Your words hurt, Jazz. They hurt like cotton balls thrown in my direction.”
― Barry Lyga, quote from Game



“Well, of course it was Billy screwing with his mind. That's what Billy did. Dear Old Dad had a PhD in mind screwing. The question was, was it just Billy screwing with his mind?”
― Barry Lyga, quote from Game


“Jazz felt as though his own life was a mindfield, one he'd lost the map for. One wrong step and he'd lose a foot or leg. or his mind.”
― Barry Lyga, quote from Game


“He didn't dislike New York with the simple diffidence of a small-town kid or the tragic ignorance of a yokel--he hated it with what he hoped was his soul.”
― Barry Lyga, quote from Game


“That's what I thought I was. A stalker of stalkers. A predator preying on predators.”
― Barry Lyga, quote from Game


“Billy Dent stared in the mirror. He didn't quite recognize himself, but that was nothing new. Billy had almost always seen a stranger in mirrors, ever since childhood. At first he had hated and feared the figure that seemed to pursue him everywhere, stalking him through mirrors and store windows. But eventually Billy came to understand that what he saw in the mirror was what other people saw when they looked at him.

Other people somehow did not see the real Billy. They saw something that looked like them. Something that looked human and mortal. Something that looked like a prospect.”
― Barry Lyga, quote from Game



“Any man worth having will wait for his woman to be ready. How can I not return the favor?”
― Barry Lyga, quote from Game


“Ginny Davis—poor, dead Ginny—had lent Connie a set of yoga DVDs that looked like they’d come from the ancient 1990s.”
― Barry Lyga, quote from Game


“You think you're gonna find your soul. Ever since I've known you, you've been thinkin' that someday you're gonna crack and end up like your daddy. And you're been looking for proof that you won't. What you don't realize is this: the looking is the proof. Trust me when I tell you that Billy Dent never had a moment's doubt in his life about what he was and what he was doing. Your doubt is your soul”
― Barry Lyga, quote from Game


“They sent spies", Gramma went on, her voice a hush, "and they look like one man, but they can split into two, then four, and so on. I've seen it before. During the war. It's a Communist trick and they taught it to the Democrats so that they could take our guns. I would have fought them off, but they already made the shotgun disappear.”
― Barry Lyga, quote from Game


“Women always cried. It was their last, best weapon. It made boyfriends apologize and husbands fold them in their arms. It made Daddy spend the extra money on the prom dress.”
― Barry Lyga, quote from Game



About the author

Barry Lyga
Born place: in The United States
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― Robert Leckie, quote from Helmet for My Pillow


“And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
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“She was very special to me. But I think I'm going to have to get back...so I can. God. So I can kill her. -Dylan”
― Melissa de la Cruz, quote from Keys to the Repository


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