“Half full, half empty, what the hell difference does it make? If there's something in the damn glass, drink it.”
― Nora Roberts, quote from Angels Fall
“I didn't get fired."
"You didn't punch your boss and get fired from the Tribune? That's what I heard."
"I punched what could loosely be called a colleague for cribbing my notes on a story and since the editor–who happened to be the asshole's uncle–took his word over mine, I quit."
"To write books. Is it fun?"
"I guess it is."
"I bet you killed the asshole in the first one you wrote."
"You'd be right. Beat him to death with a shovel. Very satisfying.”
― Nora Roberts, quote from Angels Fall
“Happily ever after?"
"If justice doesn't triumph and love doesn't make the circle in entertainment fiction, what's the point? Real life sucks too often.”
― Nora Roberts, quote from Angels Fall
“((Doc is getting ready to do a Pap-smear on Reece))
"Looks healthy," Doc commented.
"Good, because it hasn't been getting any exercise in quite a while." When she heard Willow smother a laugh, Reece just closed her eyes. She had to remember some old saying about being careful of thoughts. They become words.”
― Nora Roberts, quote from Angels Fall
“Hard isn’t hard if you’ve got a strong back and a purpose.”
― Nora Roberts, quote from Angels Fall
“She’d learned not to hurry—had taught herself not to push, not to rush, but to take things as they came. And in a very real way to embrace every single moment.”
― Nora Roberts, quote from Angels Fall
“Fine, a Lithuanian couple gets lost because, like men across the globe, he values his penis—among other things—as a compass. So he’s incapable of asking for directions and thereby disparaging the power of his penis.”
― Nora Roberts, quote from Angels Fall
“I love you. I'm in love with you.
She heard absolutely nothing for ten full seconds. And when he did speak, she caught the faintest trace of fear mixed in with the annoyance.
Hell. No good deed goes unpunished.”
― Nora Roberts, quote from Angels Fall
“Well, I'd have more zing with George Clooney and Harrison Ford in a threesome, but neither of us are going to get that wish.”
― Nora Roberts, quote from Angels Fall
“Need a gallon of milk and a box of bullets? This was the spot.”
― Nora Roberts, quote from Angels Fall
Nora Roberts
Born place: in Silver Spring, Maryland, The United States
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“I see enough. I saw you.”
― Sophie Jordan, quote from Foreplay
“Gamache in anger. “He knew that’s”
― Louise Penny, quote from The Beautiful Mystery
“One cannot refute Christianity; one cannot refute a disease of the eye.”
― Friedrich Nietzsche, quote from The Birth of Tragedy/The Case of Wagner
“There was an irony and a paradox here: Franco thought of Pontito constantly, saw it in fantasy, depicted it, as infinitely desirable – and yet he had a profound reluctance to return. But it is precisely such a paradox that lies at the heart of nostalgia – for nostalgia is about a fantasy that never takes place, one that maintains itself by not being fulfilled. And yet such fantasies are not just idle daydreams or fancies; they press toward some fulfillment, but an indirect one - the fulfillment of art. These, at least, are the terms that D. Geahchan, the French psychoanalyst, has used. With reference in particular to the greatest of nostalgies, Proust, the psychoanalyst David Werman speaks of an 'aesthetic crystallization of nostalgia' - nostalgia raised to the level of art and myth.”
― Oliver Sacks, quote from An Anthropologist on Mars: Seven Paradoxical Tales
“[I]s there not something basically hostile to the actor's art in the consanguinity principle? After all, what is acting but an exercise in dissimulation?
The challenge to actors is to create characters on the stage; and these characters may be very different from what the actors are in real life. That indeed is the actor's triumph. The racialist restriction nullifies the talent of directors. The idea that only Swedes can direct Strindberg, only Russians Chekhov, only Irish Sheridan or Shaw, only Englishmen Shakespeare is self-evidently ridiculous--and, if carried out, would hopelessly impoverish the art of the theater. The consanguinity principle is an exclusionary rule that penalizes the very minorities it claims to benefit.”
― Arthur M. Schlesinger Jr., quote from The Disuniting of America: Reflections on a Multicultural Society
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