“There's a fine line between being practical and being a candyass, which is a word that my father used to describe someone whom he considered to be the opposite of tough. ... Because I'm very afraid of becoming a candyass, I'll sometimes do things that I know to be impractical just so I don't have to worry about being a candyass.”
― quote from American Buffalo: In Search of a Lost Icon
“At once [the buffalo] is a symbol of the tenacity of wilderness and the destruction of wilderness; it's a symbol of Native American culture and the death of Native American culture; it's a symbol of the strength and vitality of America and the pettiness and greed of America; it represents a frontier both forgotten and remembered; it stands for freedom and captivity, extinction and salvation.”
― quote from American Buffalo: In Search of a Lost Icon
“Every schoolboy knows that the Indians used every part of the buffalo, which is true. But they did not use every part of every buffalo.”
― quote from American Buffalo: In Search of a Lost Icon
“I used to be endlessly troubled by meat-eating people who were uneasy with hunters and hunting. ... How can someone suggest that paying for the slaughter of animals is more justifiable than taking the responsibility for one's food into one's own hands? ... Civilization is a mechanism that allows us to avoid the necessary but ugly aspects of life; most of us do not euthanize our own pets, we don't unplug the life support on our own ailing grandparents, we don't repair our own cars, and we don't process our own raw sewage. Instead, the delegations of our less-pleasant responsibilities is so widespread that taking these things on is almost like trying to swim upriver. It's easier not to do them, and those who insist on doing so are bound to look a little odd.”
― quote from American Buffalo: In Search of a Lost Icon
“Indians only needed so many implements and decorations. If a tribe drove three hundred buffalo over a cliff, they wouldn’t feel obligated to make twenty-four hundred buffalo-hoof spoons and six hundred buffalo-horn charcoal carriers. Rather, they might just take the meat and hides from the best-looking female buffalo, those that weren’t too smashed up or buried under other buffalo. That might be all they touched. After all, their time and energy had value, just as ours does.”
― quote from American Buffalo: In Search of a Lost Icon
“That kiss you gave me was the hottest kiss i've ever had. I pulled away because i was afraid i wouldn't be able to stop myself from ripping off your clothes. And that didn't seem like the right way to end a first date. I didn't want you to think that was all i was interested in."
She stared at him. There was silence again, but this time she didn't worry about how long it went on.
"Why didn't you tell me?" She said finally.
"I tried to, but every time i saw you afterward you disappeared. I got the feeling you were avoiding me."
"i didn't want things to be awkward."
"Yeah, there was nothing awkward about you hiding behind a plant when i came into the dining hall at lunch on wednesday."
"I wasn't hiding. I was, um, breathing. You know, oxygen. From the plant. Very oxygenated, that air is."
"Of course. I should have thought of that."
"It's a healthy thing. Not many people know about it.”
― Meg Cabot, quote from Prom Nights from Hell
“You are the most sleepiest man I ever seed.”
― Jean Toomer, quote from Cane
“The cabby left, muttering under his nose. "What's he muttering about?" Mr. Goliadkin thought through his tears. "I hired him for the evening, I'm sort of...within my rights nows...so there! I hired him for the evening, and that's the end of the matter. Even if he just stands there, it's all the same. It's as I will. I'm free to go, and free not to go. And that I'm now standing behind the woodpile--that, too, is quite all right...and don't you dare say anything; I say, the gentleman wants to stand behind the woodpile, so he stands behind the woodpile...and it's no taint to anybody's honor--so there! So there, lady mine, if you'd like to know. Thus and so, I say, but in our age, lady mine, nobody lives in a hut. So there! In our industrial age, lady mine, you can't get anywhere without good behavior, of which you yourself serve as a pernicious example...You say one must serve as a chief clerk and live in a hut on the seashore. First of all, lady mine, there are no chief clerks on the seashore, and second, you and I can't possible get to be a chief clerk. For, to take an example, suppose I apply, I show up--thus and so, as a chief clerk, say, sort of...and protect me from my enemy...and they'll tell you, my lady, say, sort of...there are lots of chief clerks, and here you're not at some émigrée Falbala's, where you learned good behavior, of which you yourself serve as a pernicious example. Good behavior, my lady, means sitting at home, respecting your father, and not thinking of any little suitors before it's time. Little suitors, my lady, will be found in due time! So there! Of course, one must indisputably have certain talents, to wit: playing the piano on occasion, speaking French, some history, geography, catechism, and arithmetic--so there!--but not more. Also cooking; cooking should unfailingly be part of every well-behaved girl's knowledge!”
― Fyodor Dostoyevsky, quote from The Double
“The humanities are like the great old Paris Flea Market where, amidst masses of junk, people with a good eye found cast away treasures...They are like a refugee camp where all the geniuses driven out of their jobs and countries by unfriendly regimes are idling.”
― Allan Bloom, quote from The Closing of the American Mind
“[...] und sie hört, wie er sich in sein Doppelbett legt, auf seine Seite, da er nicht auf Helens Seite schlafen kann, wo er heimlich drei ihrer bestickten Kissen arrangiert hat und sich zum Schlafen ihnen zuwendet, ein Arm um das mittlere Kissen gelegt, den anderen unter dem Kopf, wobei seine Hand wie zum Schutz auf seiner Stirn ruht.”
― Amy Bloom, quote from Away
Rant
Reaper Man
Lady Midnight
The Miraculous Journ...
The Summer I Turned...
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