Robert McKee · 466 pages
Rating: (9K votes)
“True character is revealed in the choices a human being makes under pressure - the greater the pressure, the deeper the revelation, the truer the choice to the character's essential nature.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“A fine work of art - music, dance, painting, story - has the power to silence the chatter in the mind and lift us to another place.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“In a world of lies and liars, an honest work of art is always an act of social responsibility.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Do research. Feed your talent. Research not only wins the war on cliche, it's the key to victory over fear and it's cousin, depression.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“When we want mood experiences, we go to concerts or museums. When we want meaningful emotional experience, we go to the storyteller.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“If the story you're telling, is the story you're telling, you're in deep shit.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Most of life's actions are within our reach, but decisions take willpower.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“In life two negatives don't make a positive. Double negatives turn positive only in math and formal logic. In life things just get worse and worse and worse.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“(...)while it's true that the unexamined life is not worth living, it's also true that the unlived life isn't worth examining.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“No matter our talent, we all know in the midnight of our souls that 90 percent of what we do is less than our best.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“When talented people write badly, it's generally for one of two reasons: Either they're blinded by an idea they feel compelled to prove of they're driven by an emotion they must express. When talented people write well, it is generally for this reason: They're moved by a desire to touch the audience.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Good story' means something worth telling that the world wants to hear. Finding this is your lonely task...But the love of a good story, of terrific characters and a world driven by your passion, courage, and creative gifts is still not enough. Your goal must be a good story well told.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“We realize we can't go around saying and doing what we're actually thinking and feeling. If we all did that, life would be a lunatic asylum. Indeed, that's how you know you're talking to a lunatic. Lunatics are those poor souls who have lost their inner communication and so they allow themselves to say and do exactly what they are thinking and feeling and that's why they're mad.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Secure writers don't sell first drafts. They patiently rewrite until the script is as director-ready, as actor-ready as possible. Unfinished work invites tampering, while polished, mature work seals its integrity.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Deus ex machina not only erases all meaning and emotion, it's an insult to the audience. Each of us knows we must choose and act, for better or worse, to determine the meaning of our lives...Deus ex machina is an insult because it is a lie.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Boredom is the inner conflict we suffer when we lose desire, when we lack a lacking.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“All writing is discipline, but screenwriting is a drill sergeant.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Whereas life separates meaning from emotion, art unites them. Story is an instrument by which you create such epiphanies at will, the phenomenon known as aesthetic emotion...Life on its own, without art to shape it, leaves you in confusion and chaos, but aesthetic emotion harmonizes what you know with what you feel to give you a heightened awareness and a sureness of your place in reality.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“In comedy laughter settles all arguments.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Angry contradiction of the patriarch is not creativity; it's delinquency calling for attention. Difference for the sake of difference is as empty an achievement as slavishly following the commercial imperative.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“No civilization, including Plato's, has ever been destroyed because its citizens learned too much.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“A culture cannot evolve without honest, powerful storytelling. When a society repeatedly experiences glossy, hollowed-out, pseudo-stories, it degenerates. We need true satires and tragedies, dramas and comedies that shine a clean light into the dingy corners of the human psyche and society.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Given the choice between trivial material brilliantly told versus profound material badly told, an audience will always choose the trivial told brilliantly.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Story is metaphor for life and life is lived in time.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Anxious, inexperienced writers obey rules. Rebellious, unschooled writers break rules. Artists master the form.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Politics is the name we give to the orchestration of power in any society.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“in comedy laughter settles all argument
فى الكوميديا، الضحك ينهى أى جدل”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Stories are the currency of human relationships.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Story isn’t a flight from reality but a vehicle that carries us on our search for reality,”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Story isn’t a flight from reality but a vehicle that carries us on our search for reality, our best effort to make sense out of the anarchy of existence.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“But I was right. I think that must be an hereditary quality, for my father says he is scarcely ever wrong.”
― Elizabeth Gaskell, quote from Cranford
“You said earlier today that you wanted to talk about something,” Halt said. Crowley nodded, gathering his thoughts before he began. “We seem to share a lot of the same skills,” he said. “And the same weapons. I noticed you carry a saxe knife and a throwing knife like mine. I wondered where you came by them.” Crowley, of course, carried his two knives in the distinctive Ranger-issue double scabbard. Halt’s were in separate scabbards, placed close together on the left side of his belt. He glanced at them now, where the belt was draped over a rock beside the campfire. “My mentor gave them to me,” he said. “He was a Ranger, like you.” Crowley sat up at that piece of information. “A Ranger?” he said. “In Hibernia? What was his name?” “He called himself Pritchard. He was an amazing man.” “He was indeed,” Crowley affirmed, and now it was Halt’s turn to look surprised. “You knew him?” Crowley nodded eagerly. “I was his apprentice for five years. He taught me everything I know. How did you come to meet him?” “He turned up at Du . . . Droghela, some three years ago. He took me under his wing and taught me silent movement, knife work, tracking and the rest. I could already shoot, but he tightened up my technique quite a bit.” Crowley noticed the hesitation and correction when Halt mentioned the name of the place where he’d met Pritchard. But he let it pass. “Yes. He was very big on technique.” “And practice,” Halt agreed. Crowley smiled at the memory of his old teacher. “He had a saying. An ordinary archer practices until he gets it right. A Ranger—” “Practices until he never gets it wrong.” Halt”
― John Flanagan, quote from The Lost Stories
“Darkdoom? Darkdoom did this?" Nero was visibly surprised. He placed a hand on his forehead, rubbing his temples. "Oh, why is it always the bald ones?”
― Mark Walden, quote from H.I.V.E. Higher Institute of Villainous Education
“A small oversight, but it proved fatal. Small oversights often do.”
― J.R.R. Tolkien, quote from Unfinished Tales of Númenor and Middle-Earth
“free will (noun):
A delusional idea that humans are in control of their own destiny and not subject to the benevolent rule of The One Who Is The One.”
― James Patterson, quote from The Fire
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