Kathleen Baldwin · 352 pages
Rating: (3K votes)
“And I learned all those many years ago to stop listening to what people said, and listen instead to what they mean. Some people speak with honey and intend to serve us poison. You, my lord, speak with thorns but yearn for cake.”
― Kathleen Baldwin, quote from A School for Unusual Girls
“Joy means so much more when shared with you.”
― Kathleen Baldwin, quote from A School for Unusual Girls
“"You're here because you're odd. Exceptional Unrelenting, Jane followed me to the edge of the circle. "You're unusual, Georgiana. And that is far more dangerous than any fire." ”
― Kathleen Baldwin, quote from A School for Unusual Girls
“Why must people always assume we moderns knew more than any of the previous cultures? It simply isn't true, evidence proves otherwise.”
― Kathleen Baldwin, quote from A School for Unusual Girls
“I wasn’t certain Sebastian’s teasing was the same. It felt different somehow. Sera clarified, “That’s the way men are.” Jane”
― Kathleen Baldwin, quote from A School for Unusual Girls
“I picked up a small square shortbread biscuit and stared at it, noting the uneven angles, wishing it were a perfect square, but it was, after all, merely a baked good, and baked goods did not ordinarily form perfect squares.”
― Kathleen Baldwin, quote from A School for Unusual Girls
Kathleen Baldwin
Born place: in The United States
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“I volunteer,” Clay said. “I’m a world champion at sitting on my friends.”
― Tui T. Sutherland, quote from The Hidden Kingdom
“skilled manual work offered spiritual rewards to which academic institutions and my parent’s social milieu were oblivious.”
― quote from Why We Make Things and Why It Matters: The Education of a Craftsman
“How to Meditate 1. Sit comfortably, with your spine erect, either in a chair or cross-legged on a cushion. 2. Close your eyes, take a few deep breaths, and feel the points of contact between your body and the chair or the floor. Notice the sensations associated with sitting—feelings of pressure, warmth, tingling, vibration, etc. 3. Gradually become aware of the process of breathing. Pay attention to wherever you feel the breath most distinctly—either at your nostrils or in the rising and falling of your abdomen. 4. Allow your attention to rest in the mere sensation of breathing. (You don’t have to control your breath. Just let it come and go naturally.) 5. Every time your mind wanders in thought, gently return it to the breath. 6. As you focus on the process of breathing, you will also perceive sounds, bodily sensations, or emotions. Simply observe these phenomena as they appear in consciousness and then return to the breath. 7. The moment you notice that you have been lost in thought, observe the present thought itself as an object of consciousness. Then return your attention to the breath—or to any sounds or sensations arising in the next moment. 8. Continue in this way until you can merely witness all objects of consciousness—sights, sounds, sensations, emotions, even thoughts themselves—as they arise, change, and pass away.”
― Sam Harris, quote from Waking Up: A Guide to Spirituality Without Religion
“Maia screamed and woke.
'Serenity?' Cala's voice, Cala's angular shape outlined against the window.
' 'Tis an ironic title, in sooth,' Maia said feebly, realizing that the entangling garments of the nightmare were merely his bedsheets. His heart was hammering, and he was clammy with sweat.”
― Katherine Addison, quote from The Goblin Emperor
“LORNE MICHAELS: I taught at an art school in Toronto, I was teaching improvisations, the conceptual art movement which was being talked about and on the edge of things in the early seventies. Where that and entertainment met was what Andy Kaufman was doing. It wasn’t just that he lip-synched to “Mighty Mouse”; it was that he only did that one part in it, that one line, and stood around for the rest. It was very conceptual, and it instantly signaled to the brighter part of the audience that that was the kind of show we were going to do. And they weren’t getting that anywhere else on television. In the first couple years, Andy must have been on close to ten times. One night he even read from The Great Gatsby. In the beginning I had Penn and Teller on a few times, because that was the DNA, but I couldn’t do that now. The pure variety show part of it is over. It’s a straight comedy show now.”
― Tom Shales, quote from Live From New York: An Uncensored History Of Saturday Night Live
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