“All men are born free: just not for long.”
― John le Carré, quote from A Murder of Quality
“It was from us they learnt the secret of life: that we grow old without growing wise. They realized that nothing happened when we grew up: no blinding light on the road to Damascus, no sudden feeling of maturity.”
― John le Carré, quote from A Murder of Quality
“I used to think it was clever to confuse comedy with tragedy. Now i wish i could distinguish them.”
― John le Carré, quote from A Murder of Quality
“He hated to be alone, but people bored him. Being alone was like being tired, but unable to sleep.”
― John le Carré, quote from A Murder of Quality
“Smiley himself was one of those solitaires who seem to have come into the world fully educated at the age of eighteen. Obscurity was his nature, as well as his profession. The byways of espionage are not populated by the brash and colourful adventurers of fiction. A man who, like Smiley, has lived and worked for years among his country's enemies learns only one prayer: that he may never, never be noticed. Assimilation is his highest aim, he learns to love the crowds who pass him in the street without a glance; he clings to them for his anonimity and his safety. His fear makes him servile - he could embrace the shoppers who jostle him in their impatience, and force him from the pavement. He could adore the officials, the police, the bus conductors, for the terse indifference of their attitudes. (ch. 9)”
― John le Carré, quote from A Murder of Quality
“Urgent equals ephemeral, and ephemeral equals unimportant.”
― John le Carré, quote from A Murder of Quality
“Only adults had nervous breakdowns in those days, so the methods of survival for boys who refused to join the system were animal cunning, “internal immigration” as the Germans call it, or simply getting the hell out. I practised the first two, then opted for the third and took myself to Switzerland.”
― John le Carré, quote from A Murder of Quality
“Smiley was not opposed to social distinctions but he liked to make his own.”
― John le Carré, quote from A Murder of Quality
“It was like feeding a small child. You couldn't over load the spoon.”
― John le Carré, quote from A Murder of Quality
“Shane was horrid to her, always sneering at her because she was honest and simple about the things she liked. Shane hated Stella—I think it was because Stella didn’t want to be a lady of quality. She was quite happy to be herself. That’s what really worried Shane. Shane likes people to compete so that she can make fools of them.”
― John le Carré, quote from A Murder of Quality
“He hated to be alone, but people bored him.”
― John le Carré, quote from A Murder of Quality
“There was a fellow called Smiley married Ann Sercomb, Lord Sawley’s cousin. Damned pretty girl, Ann was, and went and married this fellow. Some funny little beggar in the Civil Service with an OBE and a gold watch. Sawley was damned annoyed.”
― John le Carré, quote from A Murder of Quality
“right…What do you do for a living, Smiley?” “After the war I was at Oxford for a bit. Teaching and research. I’m in London now.” “One of those clever coves, eh?”
― John le Carré, quote from A Murder of Quality
“He hated to be alone, but people bored him. Being alone was like being tired, but unable”
― John le Carré, quote from A Murder of Quality
John le Carré
Born place: in Poole, Dorset, England, The United Kingdom
Born date October 19, 1931
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“The night became silver again; looking up, it was as if they saw the moon sailing through the clouds instead of the other way around; racing smoothly across the sky, passing puffs and wisps of cloud on either side, and yet never moving from its place.”
― Susan Cooper, quote from Over Sea, Under Stone
“You can never count on them. They say what they think you want them to say, and then they say what the opposing council wants them to say, too, if they like his face.”
― Richard Hughes, quote from A High Wind in Jamaica
“Of all such reformers Mr. Sentiment is the most powerful. It is incredible the number of evil practices he has put down: it is to be feared he will soon lack subjects and that when he has made the working classes comfortable, and got bitter beer put into proper-sized pint bottles, there will be nothing further for him left to do. Mr. Sentiment is certainly a very powerful man, and perhaps not the less so that his good poor people are so very good; his hard rich people so very hard; and the genuinely honest so very honest. Namby-pamby in these days is not thrown away if it be introduced in the proper quarters. Divine peeresses are no longer interesting, though possessed of every virtue; but a pattern peasant or an immaculate manufacturing hero may talk as much twaddle as one of Mrs. Ratcliffe's heroines, and still be listened to. Perhaps, however, Mr. Sentiment's great attraction is in his second-rate characters. If his heroes and heroines walk upon stilts as heroes and heroines, I fear, ever must, their attendant satellites are as natural as though one met them in the street: they walk and talk like men and women, and live among our friends a rattling, lively life — yes, live, and will live till the names of their callings shall be forgotten in their own, and Buckett and Mrs. Gamp will be the only words left to us to signify detective police officer or a monthly nurse.”
― Anthony Trollope, quote from The Warden
“Answers are bitter things, and once you get them, they’re yours and you can’t give them back. Did I want to know badly enough that I was willing to live with whatever answer she gave me?
-- Toby”
― Seanan McGuire, quote from An Artificial Night
“Той харесва това, което прави. Използването на острие е нещо лично. То е гневна постъпка, но също така е акт на удоволствие. Като да убиеш любовница. Единственото по-интимно е да убиваш с голи ръце. С острие убиваш непознатата, която обичаш. Това е знак на уважение, благодарност за смъртта, с която те дарява. - Обгръщам кървавата стая с жест. - Пускането на кръв може да бъде интимно или лично. Кръвта е живот. Режеш непознатата, която обичаш, за да си близо до кръвта, когато започне да тече. Кръвта също така е пътека към смъртта. Източваме кръвта на прасетата по сравнително същия начин. Въпросът е как ги приема той? Като прасета или любовници? Дали са нищо за него, или са всичко?”
― Cody McFadyen, quote from The Face of Death
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