Brooke Gladstone · 172 pages
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“Objectivity works to repel the attacks of critics, like a kind of ethical pepper spray.”
― Brooke Gladstone, quote from The Influencing Machine: Brooke Gladstone on the Media
“There's a long-standing debate in the media biz over whether the news outlets should give the public what it wants, or what it needs. This debate presupposes that media execs actually know what it wants or needs. And that there actually is a unitary "public.”
― Brooke Gladstone, quote from The Influencing Machine: Brooke Gladstone on the Media
“Speech itself, inevitable and unrelenting is the wind. It can dance like a zephyr. It can roar or shriek or wail. But it cant be stopped. Everything we hate about the media today was present at its creation; its corrupt or craven practitioners, its easy manipulation by the powerful, its capacity for propagating lies, its penchant for amplifying rage.
Also present was everything we admire: factual information, penetrating analysis, probing investigation, truth spoken to power. Same as it ever was.”
― Brooke Gladstone, quote from The Influencing Machine: Brooke Gladstone on the Media
“Humans run on emotion, assumption and impulse. We cant function on logic alone. But emotion assumption and impulse also allow us to weave cozy cocoons of unexamined prejudice and received wisdom. They shield us from the pain of unwelcome information.”
― Brooke Gladstone, quote from The Influencing Machine: Brooke Gladstone on the Media
“Suppose an individual believes something with his whole heart; suppose further that he has taken irrevocable actions because of it. Finally suppose he is presented with evidence, unequivocal and undeniable evidence that his belief is wrong. What will happen? The individual will frequently emerge not only unshaken but even more convinced of the truth of his beliefs than ever before. Indeed he may even show a new fervor for converting other people to his view.”
― Brooke Gladstone, quote from The Influencing Machine: Brooke Gladstone on the Media
“The big threat of photoshopification is not that we will believe documents and photos are fake. Its that we'll find it easier to disbelieve documents and photos that are real, when its convenient.”
― Brooke Gladstone, quote from The Influencing Machine: Brooke Gladstone on the Media
“Many focus on what they perceive as a loss of some vital aspect of our humanity. To me, the sessence of being human is not in our limitations. It is our ability to reach beyond our limitations. We did not stay on the ground. We did not even stay on the planet. And we are already not settling for the limitations of our biology.”
― Brooke Gladstone, quote from The Influencing Machine: Brooke Gladstone on the Media
“Worrying about offending people drags us back to the lowest common denominator
Our enemies are not the digital bits that dance across our screens but the neural impulses that animate our lizard brains”
― Brooke Gladstone, quote from The Influencing Machine: Brooke Gladstone on the Media
“She was still thinking of your safety p. 362”
― Jessica Grant, quote from Come, Thou Tortoise
“–Levántate y date una ducha, cabrón.
–¿Qué pasa?
–A mí no me vengas con qué pasa. Anoche fumaste marihuana.
–Pero no era nada buena, de todos modos –dije, y me fui al baño.”
― William S. Burroughs, quote from And the Hippos Were Boiled in Their Tanks
“A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. What with the bear as a mascot and the droll spaghetti, our studio anthropologists will have no trouble in postulating an Orient which is exotic in form, while being in reality profoundly similar to the Occident, at least the Occident of spiritualist thought. Orientals have religions of their own? Never mind, these variations matter very little compared to the basic unity of idealism. Every rite is thus made at once specific and eternal, promoted at one stroke into a piquant spectacle and a quasi-Christian symbol.
...If we are concerned with fisherman, it is not the type of fishing which is whown; but rather, drowned in a garish sunset and eternalized, a romantic essense of the fisherman, presented not as a workman dependent by his technique and his gains on a definite society, but rather as the theme of an eternal condition, in which man is far away and exposed to the perils of the sea, and woman weeping and praying at home. The same applies to refugees, a long procession of which is shown at the beginning, coming down a mountain: to identify them is of course unnecessary: they are eternal essences of refugees, which it is in the nature of the East to produce.”
― Roland Barthes, quote from Mythologies
“I stood and let the feeling of that place fill me. I have often wondered if this was what religious people feel when they pray. It is a feeling of reverence and awe, serenity and belonging. The light breeze, the smell of the forest, the rushing water, the whispering leaves—they seem to fill me, like my soul is opening up and being swept clean. It is the only thing in my life I could call spiritual.”
― Marie Sexton, quote from Promises
“The dragonets found the carpenters to be even more fascinating than the furniture, and followed the poor men from pen to pen, crowding around to watch, tasting the wooden planks, trying to steal the tools. It made for an interesting day for everyone, as the boys tried to keep the dragonets away from the carpenters, and the dragonets tried to get at the carpenters, and the carpenters worked probably a great deal faster than they ever had in their lives, sure that the dragonets would go from tasting the wood to tasting them. ”
― Mercedes Lackey, quote from Alta
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