“Unless we are willing to escape into sentimentality or fantasy, often the best we can do with catastrophes, even our own, is to find out exactly what happened and restore some of the missing parts.”
― Norman Maclean, quote from Young Men and Fire
“As I get considerably beyond the biblical allotment of three score years and ten, I feel with increasing intensity that I can express my gratitude for still being around on the oxygen-side of the earth's crust only by not standing pat on what I have hitherto known and loved. While oxygen lasts, there are still new things to love, especially if compassion is a form of love.”
― Norman Maclean, quote from Young Men and Fire
“It is very important to a lot of people to make unmistakably clear to themselves and to the universe that they love the universe but are not intimidated by it and will not be shaken by it, no matter what it has in store. Moreover, they demand something from themselves early in life that can be taken ever after as a demonstration of this abiding feeling.”
― Norman Maclean, quote from Young Men and Fire
“I, an old man, have written this fire report. Among other things, it was important to me, as an exercise for old age, to enlarge my knowledge and spirit so I could accompany young men whose lives I might have lived on their way to death. I have climbed where they climbed, and in my time I have fought fire and inquired into its nature. In addition, I have lived to get a better understanding of myself and those close to me, many of them now dead. Perhaps it is not odd, at the end of this tragedy, where nothing much was left of the elite who came from the sky, but courage struggling for oxygen, that I have often found myself thinking of my wife on her brave and lonely way to death.”
― Norman Maclean, quote from Young Men and Fire
“Probably most catastrophes end this way without an ending, the dead not even knowing how they died...,those who loved them forever questioning "this unnecessary death," and the rest of us tiring of this inconsolable catastrophe and turning to the next one.”
― Norman Maclean, quote from Young Men and Fire
“A mystery of the universe is how it has managed to survive with so much volunteer help.”
― Norman Maclean, quote from Young Men and Fire
“They were still so young they hadn't learned to count the odds and to sense they might owe the universe a tragedy.”
― Norman Maclean, quote from Young Men and Fire
“But first of all he is a woodsman, and you aren't a woodsman unless you have such a feeling for topography that you can look at the earth and see what it would look like without any woods or covering on it. It's something like the gift all men wish for when they or young-- or old-- of being able to look through a woman's clothes and see her body, possibly even a little of her character.”
― Norman Maclean, quote from Young Men and Fire
“time was just a hangover from the past with no present meaning”
― Norman Maclean, quote from Young Men and Fire
“In this story of the outside world and the inside world with a fire between, the outside world of little screwups recedes now for a few hours to be taken over by the inside world of blowups, this time by a colossal blowup but shaped by little screwups that fitted together tighter and tighter until all became one and the same thing--the fateful blowup.”
― Norman Maclean, quote from Young Men and Fire
“In 1949 the Smokejumpers were still so young that they referred affectionately to all fires they jumped on as “ten o’clock fires,” as if they already had them under control before they jumped. They were still so young they hadn’t learned to count the odds and to sense they might owe the universe a tragedy.”
― Norman Maclean, quote from Young Men and Fire
“Although divine bewilderment addresses its grief to the universe, it only cries out to it. It has to find its answer, if at all, in its own final act. It is not to be found among the answers God gave to Job in a whirlwind.”
― Norman Maclean, quote from Young Men and Fire
“Far back in the impulses to find this story is a storyteller's belief that at times life takes on the shape of art and that the remembered remnants of these moments are largely what we come to mean by life. The short semihumours comedies we live, our long certain tragedies, and our springtime lyrics and limericks make up most of what we are. they become almost all of what we remember of ourselves.”
― Norman Maclean, quote from Young Men and Fire
Norman Maclean
Born place: in Clarinda, Iowa, The United States
Born date January 23, 1902
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“If you're not scared when you are writing you're not working hard enough. You'll be afraid but you have to keep going.”
― M. Molly Backes, quote from The Princesses of Iowa
“For most of the nineteen years of Zachary’s life, Susan had done what parents do when their child turns out to be so different from what they’d imagined—which is to pretend, and pretend, with the wretchedness of hope, that he would be all right. Zach would grow into himself. He’d make friends and take part in life. Grow into it, grow out of it … Variations had played in Susan’s mind on sleepless nights. But her mind had also held the dark relentless beat of doubt: He was friendless, he was quiet, he was hesitant in all his actions, his schoolwork barely adequate. Tests showed an IQ above average, no discernible learning disorders—yet the package of Zachness added up to not quite right. And sometimes Susan’s melody of failure crescendoed with the unbearable knowledge: It was her fault. How”
― Elizabeth Strout, quote from The Burgess Boys
“That’s called style, girlfriend. It’s what sets us apart from the animals. And the rednecks.”
― Tracy Brogan, quote from Crazy Little Thing
“She is so intimately united with Thee that it were easier to separate the light from the sun, the heat from the fire; nay, it were easier to separate from Thee all the angels and the saints than the divine Mary, because she loves Thee more ardently and glorifies Thee more perfectly than all the other creatures put together.”
― St. Louis de Montfort, quote from True Devotion to Mary
“Tune, tune,” said Porch briskly. He turned to Orson. “And is there a word for today?” Orson was the word person, spilling words out as if they were notes on a staff. “Rebarbative,” said Orson promptly. “Causing annoyance or irritation. Mozart’s rebarbative music causes me to want to throw up.” Porch sighed. Orson preferred Schubert.”
― Patricia MacLachlan, quote from The Facts and Fictions of Minna Pratt
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