“Consider the stars. Among them are no passions, no wars. They know neither love nor hatred. Did man but emulate the stars, would not his soul become clear and radiant as they are? But man's spirit draws him like a moth to the ephemera of this world, and in their heat he is consumed entire.”
― Sarah Monette, quote from Mélusine
“Sacred bleeding fuck,” I said, because, I mean its one thing to know your crazy hocus brother sees ghosts, and a whole different thing when you find out they’re telling him bedtime stories.”
― Sarah Monette, quote from Mélusine
“Well fuck me sideways 'til I cry”
― Sarah Monette, quote from Mélusine
“I miss my fox-headed brother. Keeper”
― Sarah Monette, quote from Mélusine
“And besides, the thing about committing yourself to a lie is that mostly you end up in twice the trouble, 'cause truth is like a whirlwind and you can't keep it in a box.”
― Sarah Monette, quote from Mélusine
Sarah Monette
Born place: in Oak Ridge, Tennessee, The United States
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“The emphasis on shifting essences, uncertainty, and fiercely contrasting opposite states was, of course, neither new nor unique to Byron. He and the other Romantic poets, however, took the ideas and emotions to a particularly intense extreme. Shelley's belief that poetry "marries exultation and horror, grief and pleasure, eternity and change," and that it "subdues to union, under its light yoke, all irreconcilable things," was in sympathy not only with the views of Byron but those of Keats as well. "Negative capability," wrote Keats, exists "when a man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching out after fact & reason." The "poetical Character," he said:
has no self-it is every thing and nothing-It has no character-it enjoys light and shade; it lives in gusto, be it foul or fair, high or low, rich or poor, mean or elevated-It has as much delight in conceiving an Iago as an Imogen. What shocks the virtuous philosopher, delights the camelion Poet. It does no harm from its relish of the dark side of things any more than from its taste for the bright one; because they both end in speculation.”
― Kay Redfield Jamison, quote from Touched with Fire: Manic-Depressive Illness and the Artistic Temperament
“For the survivors, the disaster of the Indy is their My Lai massacre or Watergate, a touchstone moment of historic disappointment: the navy put them in harm's way, hundreds of men died violently, and then the government refused to acknowledge its culpability.
What's amazing, however, is that these men, unlike contemporary generations who've been disappointed by bad government, are not bitter. Somehow, a majority brushed aside their feelings of rancor and went on to help build the booming postwar American economy of the fifties.”
― Doug Stanton, quote from In Harm's Way: The Sinking of the USS Indianapolis and the Extraordinary Story of Its Survivors
“You’re very good at the flirting thing. Very confident for your age.”
“I don’t know about that. I’ve never really had to wor—“
“Work at it,” I finished for him, quirking my eyebrow at him. “Confident or arrogant…”
His laughing eyes narrowed on me. “You think you’re pretty smart.”
“No. I know I’m pretty smart.”
“Now who’s arrogant?”
I chuckled but shrugged. “Well, I have reason to be. I’m awesome.”
― Samantha Young, quote from Into the Deep
“Inteligenţa te face nefericit, singuratic, sărac, pe cînd
deghizarea inteligenţei îţi conferă o imortalitate de hîrtie
de ziar şi admiraţia celor care cred în ce citesc.”
― Martin Page, quote from How I Became Stupid
“Cole gets up and then says, “Adam. Five texts. I can read them to you.” He pauses. “Unless they’re personal.” I roll my eyes.
“Not that it’s any of your business, but I’m pretty sure he’s desperately in love with my sister.” Cole snorts.
“He’s crazy.”
“He’d have to be, right?”
― Kiersten White, quote from Perfect Lies
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