Bruce Robinson · 144 pages
Rating: (390 votes)
“Those with the money are eccentric. Those without, insane.”
― Bruce Robinson, quote from Withnail and I: The Screenplay
“We are indeed drifting into the arena of the unwell.”
― Bruce Robinson, quote from Withnail and I: The Screenplay
“I don't advise a haircut, man. All hairdressers are in the employment of the government. Hairs are your aerials. They pick up signals from the cosmos, and transmit them directly into the brain. This is the reason bald-headed men are uptight.”
― Bruce Robinson, quote from Withnail and I: The Screenplay
“We've gone on holiday by mistake”
― Bruce Robinson, quote from Withnail and I: The Screenplay
“BALLS! We want the finest wines available to humanity. We want them HERE, and we want them NOW.”
― Bruce Robinson, quote from Withnail and I: The Screenplay
“Dostoyevsky described hell as perhaps nothing more than a room with a chair in it. This room has several chairs. A young man sits in one.”
― Bruce Robinson, quote from Withnail and I: The Screenplay
“Here. Hare. Here. Here hare here!”
― Bruce Robinson, quote from Withnail and I: The Screenplay
“Withnail: This is ridiculous. Look at me, I'm 30 in a month and I've got a sole flapping off my shoe.
Marwood: It'll get better, it has to.
Withnail: Easy for you to say, luvvie, you've had an audition. Why can't I have an audition? It's ridiculous. I've been to drama school. I'm good looking. I tell you, I've a fuck sight more talent that half the rubbish that gets on television. Why can't I get on television?
Marwood: Well, I don't know. It'll happen.
Withnail: Will it? That's what you say. The only programme I'm likely to get on is the fucking news.”
― Bruce Robinson, quote from Withnail and I: The Screenplay
“You have done something to your brain. You have made it high. If I lay 10 mls of diazepam on you, it will do something else to your brain. You will make it low. Why trust one drug and not the other?”
― Bruce Robinson, quote from Withnail and I: The Screenplay
Bruce Robinson
Born place: in Broadstairs, Kent, The United Kingdom
Born date May 2, 1946
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“both you and paintings are layered… first, ephemera and notations on the back of the canvas. Labels indicate gallery shows, museum shows, footprints in the snow, so to speak. Then pencil scribbles on the stretcher, usually by the artist, usually a title or date. Next the stretcher itself. Pine or something. Wooden triangles in the corners so the picture can be tapped tighter when the canvas becomes loose. Nails in the wood securing the picture to the stretcher. Next, a canvas: linen, muslin, sometimes a panel; then the gesso - a primary coat, always white. A layer of underpaint, usually a pastel color, then, the miracle, where the secrets are: the paint itself, swished around, roughly, gently, layer on layer, thick or thin, not more than a quarter of an inch ever -- God can happen in that quarter of an inch -- the occasional brush hair left embedded, colors mixed over each other, tones showing through, sometimes the weave of the linen revealing itself. The signature on top of the entire goulash. Then varnish is swabbed over the whole. Finally, the frame, translucent gilt or carved wood. The whole thing is done.”
― Steve Martin, quote from An Object of Beauty
“Princes don't come around everyday, and happy endings don't grow on trees”
― Jodi Picoult, quote from Between the Lines
“In fairy tales there's always one person who is made for one other, and they find each other and live happily ever after. Cal was my person. I couldn't imagine anyone more perfect. Yet what kind of sick fairy tale would it be if he was the one made exactly right for me and I wasn't right for him?”
― Cate Tiernan, quote from Book of Shadows
“I thought you were her knight, but you have become only her woodsman--taking little girls into the forest to cut out their hearts.”
― Holly Black, quote from Ironside
“WE
When it is over, we breathe and ache like old oak, like peeling birch. One of Our lost souls set free. We move, a chess piece in a dark room, cast-iron legs moving a centimeter at a time, crying out in silent carved graffiti. Calling to Our next victim, Our next savior. We carve on Our face:
Touch me.
Save my soul. ”
― Lisa McMann, quote from Cryer's Cross
Grasping at Eternity
Wild Cards
Unravel
The Plum Tree
Children of Eden
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