“America is a lonely crock of shit...”
― Jack Kerouac, quote from Visions of Cody
“I am writing this book because we're all going to die - In the loneliness of my own life, my father dead, my brother dead, my mother faraway, my sister and my wife far away, nothing here but my own tragic hands that once were guarded by a world, a sweet attention, that now are left to guide and disappear their own way into the common dark of all our deaths, sleeping in me raw bed, alone and stupid: with just this one pride and consolation: my broke heart in the general despair and opened up inwards to the Lord, I made a supplication in this dream”
― Jack Kerouac, quote from Visions of Cody
“I can’t think of anybody…who knows the sum and substance of what I know and feel and cry about in my secret self all the time when I don’t feel strong, the sorrows of time and personality, and can therefore on all levels make it all the way with me”
― Jack Kerouac, quote from Visions of Cody
“...the great black bird broods outside my window in the high dark night waiting to enfold me when I leave the house tomorrow only I'm going to dodge it successfully by sheer animalism and ability and even exhilaration, so goodnight”
― Jack Kerouac, quote from Visions of Cody
“Ah the mad hearts of all of us.”
― Jack Kerouac, quote from Visions of Cody
“…the loneliness…the “inexpressibly delicious" sensation of this memory - for as memories are older they’re like wine rarer, till if you find a real old memory, one of infancy, not an established often tasted one but a brand new one, it would taste better than the Napoleon brandy Stendhal himself must have stared at…”
― Jack Kerouac, quote from Visions of Cody
“I know the secrets; I dig Joyce and Proust above Melville and Celine.”
― Jack Kerouac, quote from Visions of Cody
“Out on the road outside Cheyenne Wells a great argument developed between Pomeray and Old Bull as to whether they were going to buy a little whiskey or lot of wine, one being a wino, the other an alcoholic. Not having eaten for a long time, feverish, they leaped out of the car and started making brawling gestures at each other which were supposed to represent a fistfight between two men...and the next moment they were embracing each other, old Pomeray tearfully, Old Bull raising his eyes with lonely sarcasm at the huge and indefatigable heavens above Colorado...because everybody was in a hole during the Depression, and felt it”
― Jack Kerouac, quote from Visions of Cody
“I'm a fool, the new day rises on the world and on my foolish life: I'm a fool, I loved the blue dawns over racetracks and made a bet Ioway was sweet like its name, my heart went out to lonely sounds in the misty springtime night of wild sweet America in her powers, the wetness on the wire fence bugled me to belief, I stood on sandpiles with an open soul, I not only accept loss forever, I am made of loss - I am made of Cody, too -”
― Jack Kerouac, quote from Visions of Cody
Jack Kerouac
Born place: in Lowell, Massachusetts, The United States
Born date March 12, 1922
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“I have never forgotten, and I can't imagine you have, and I've thought of it over the years. It was so good, when it was good, I kept thinking. How could it go wrong?”
― George R.R. Martin, quote from Dying of the Light
“Igual que en la ética el mal es consecuencia del bien, en realidad de la alegría nace la tristeza.”
― Edgar Allan Poe, quote from Berenice
“But you won’t abdicate."
Of course not. It’s my duty to go on, to maintain the line. I can’t possibly fail in that. It’s as if you and I were throwing a ball back and forth to establish a record, and had been doing so for a millennium. You cannot drop a ball that has remained airborne through good effort for most of a thousand years. You cannot stop an unlikely heart that has been beating for so long. I would rather die than betray continuity, for its own sake if for nothing else. And Britain needs a king, just as it needs motormen and cooks and a prime minister. Just as it needs soldiers who will die for it if they must. It’s my job, or it will be, but you should know that I’ve never wanted it. I was only born to it, as if with a deformity, to which I hope I can respond with grace."
Fredericka had been running her finger over the carpet, tracing a pattern in the way children do when they have learnt something overwhelming and are moved, but cannot say so. Freddy expected her to look up, with tears, and that in this moment she might have begun the long and arduous process of becoming a queen. She was so beautiful. To embrace her now, with high emotion flowing from her physical majesty, was all he wanted in the world. Her finger stopped moving, and she turned her eyes to him.
Freddy?"
Yes?" he answered.
What’s raw egg? I read a recipe in She that called for a cup of raw egg. What is that?"
After a long silence, Freddy asked, "Which part of the formulation escapes you? Egg? Raw? The link between the two?"
The two what?"
Fredericka?"
Yes, Freddy?"
Would you like to go dancing?"
Oh, yes Freddy!"
Come then. We will.”
― Mark Helprin, quote from Freddy and Fredericka
“The Bostonians is special because it never was ‘titivated’ for the New York edition, for its humour and its physicality, for its direct engagement with social and political issues and the way it dramatized them, and finally for the extent to which its setting and action involved the author and his sense of himself. But the passage above suggests one other source of its unique quality. It has been called a comedy and a satire – which it is. But it is also a tragedy, and a moving one at that. If its freshness, humour, physicality and political relevance all combine to make it a peculiarly accessible and enjoyable novel, it is also an upsetting and disturbing one, not simply in its treatment of Olive, but also of what she tries to stand for. (Miss Birdseye is an important figure in this respect: built up and knocked down as she is almost by fits and starts.) The book’s jaundiced view of what Verena calls ‘the Heart of humanity’ (chapter 28) – reform, progress and the liberal collectivism which seems so essential an ingredient in modern democracy – makes it contentious to this day. An aura of scepticism about the entire political process hangs about it: salutary some may say; destructive according to others. And so, more than any other novel of James’s, it reminds us of the literature of our own time. The Bostonians is one of the most brilliant novels in the English language, as F. R. Leavis remarked;27 but it is also one of the bleakest. In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old. It is a remarkably experimental modern novel, written by a man of conservative values. It is judgemental about people with whom its author identified, and lenient towards attitudes hostile to large areas of James’s own intellectual and personal inheritance. The strength of the contradictions embodied in the novel are a guarantee of the pleasure it has to give.”
― Henry James, quote from The Bostonians
“They use the pretext of avoiding war, to make you swallow any kind of peace, said Paul. They use the pretext of a revolution to involve us in any kind of war, said Jardinet.”
― Simone de Beauvoir, quote from The Blood of Others
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