“I'm sick of just liking people. I wish to God I could meet somebody I could respect.”
“I'm sick of not having the courage to be an absolute nobody.”
“I’m just sick of ego, ego, ego. My own and everybody else’s. I’m sick of everybody that wants to get somewhere, do something distinguished and all, be somebody interesting. It’s disgusting.”
“And I can't be running back and fourth forever between grief and high delight.”
“An artist's only concern is to shoot for some kind of perfection, and on his own terms, not anyone else's.”
“It's everybody, I mean. Everything everybody does is so — I don't know — not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and — sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way.”
“I don't know what good it is to know so much and be smart as whips and all if it doesn't make you happy.”
“I love you to pieces, distraction, etc.”
“You don't know how to talk to people you don't like. Don't love, really. You can't live in the world with such strong likes and dislikes.”
“She was not one for emptying her face of expression. ”
“You're lucky if you get time to sneeze in this goddam phenomenal world.”
“I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete — that's what scares me. That's why I quit the Theatre Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.”
“She said she knew she was able to fly because when she came down she always had dust on her fingers from touching the light bulbs.”
“I don’t think it would have all got me quite so down if just once in a while—just once in a while—there was at least some polite little perfunctory implication that knowledge should lead to wisdom, and that if it doesn't, it's just a disgusting waste of time! But there never is! You never even hear any hints dropped on a campus that wisdom is supposed to be the goal of knowledge. You hardly ever even hear the word 'wisdom' mentioned!”
“Sometimes I see me dead in the rain.”
“Your heart, Bessie, is an autumn garage.”
“I do like him. I'm sick of just liking people. I wish to God I could meet somebody I could respect....
.... Listen, don't hate me because I can't remember some person immediately. Especially when they look like everybody else, and talk and dress and act like everybody else." Franny made her voice stop. It sounded to her caviling and bitchy, and she felt a wave of self-hatred that, quite literally, made her forehead begin to perspire again. But her voice picked up again, in spite of herself. "I don't mean there's anything horrible about him or anything like that. It's just that for four solid years I've kept seeing Wally Campbells wherever I go. I know when they're going to be charming, I know when they're going to start telling you some really nasty gossip about some girl that lives in your dorm, I know when they're going to ask me what I did over the summer, I know when they're going to pull up a chair and straddle it backward and start bragging in a terribly, terribly quiet voice--or name-dropping in a terribly quiet, casual voice. There's an unwritten law that people in a certain social or financial bracket can name-drop as much as they like just as long as they say something terribly disparaging about the person as soon as they've dropped his name—that he's a bastard or a nymphomaniac or takes dope all the time, or something horrible." She broke off again. She was quiet for a moment, turning the ashtray in her fingers.
Franny quickly tipped her cigarette ash, then brought the ashtray an inch closer to her side of the table. "I'm sorry. I'm awful," she said. "I've just felt so destructive all week. It's awful, I'm horrible.”
“[...] don't you know who that Fat Lady really is? ... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.”
“Against my better judgment I feel certain that somewhere very near here—the first house down the road, maybe—there's a good poet dying, but also somewhere very near here somebody's having a hilarious pint of pus taken from her lovely young body, and I can't be running back and forth forever between grief and high delight.”
“I just never felt so fantastically rocky in my entire life.”
“Give me an honest con man any day.”
“Listen, I don't care what you say about my race, creed, or religion, Fatty, but don't tell me I'm not sensitive to beauty. That's my Achilles' heel, and don't you forget it. To me, everything is beautiful. Show me a pink sunset, and I'm limp, by God. Anything. Peter Pan. Even before the curtain goes up at Peter Pan I'm a goddamn puddle of tears.”
“In the first place, you’re way off when you start railing at things and people instead of at yourself. ”
“My god, there's absolutely nothing tenth-rate about you, and yet you're up to your neck at this minute in tenth-rate thinking.”
“This is God's universe, buddy, not yours, and he has the final say about what's ego and what isn't.”
“Bessie: 'Why don't you get married?'
Zooey: 'I like riding in trains too much. You never get to sit next to the window anymore when you're married.”
“Oh, it's lovely to see you!' Franny said as the cab moved off. 'I've missed you.' The words were no sooner out than she realized that she didn't mean them at all.”
“Franny was staring at the little blotch of sunshine with a special intensity, as if she were considering lying down in it.”
“You can't exist in this world with such strong likes and dislikes.”
“I don’t think they’re really mad,” said Ivy. “You don’t?” They had seemed pretty mad to Bean. “They have to act mad so they’ll seem fair to your sister,”
“He did smile at her, though, but she did not return the smile. Her teeth were somewhere in the house.”
“anything he may have written to her.” “She never mentioned this to you?” the detective asked. “Never,” Theo said. He had learned that with April’s weird family there were many secrets, many things she kept to herself. The detective put away the photo, and Theo was relieved. He never wanted to see the face again, but he doubted if he could ever forget it. Sergeant Bolick said, “We suspect that April knew the person who took her. How else can you explain the lack of a forcible entry?” “Do you think he would hurt her?” Theo asked. “We have no way of knowing that, Theo. This man’s been in prison most of his life. His behavior is unpredictable.” The detective added, “The good thing is that he always gets caught.” Theo said, “If April’s with him, she’ll contact us. She’ll find a way.” “Then, please let us know.” “Don’t worry.” “Excuse me, Officer,” Mrs. Boone said. “But I thought in a case like this you first investigate”
“Every man knows he will die; and nobody believes it. On that paradox stand not only a host of religions but the entity of sane being.”
“Sergeant Bellow marched us to the quartermaster’s. It was there we were stripped of all vestiges of personality. It is the quartermasters who make soldiers, sailors and marines. In their presence, one strips down. With each divestment, a trait is lost; the discard of a garment marks the quiet death of an idiosyncrasy. I take off my socks; gone is a propensity for stripes, or clocks, or checks, or even solids; ended is a tendency to combine purple socks with brown tie. My socks henceforth will be tan. They will neither be soiled, nor rolled, nor gaudy, nor restrained, nor holey. They will be tan. The only other thing they may be is clean.”
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