“I think you have a case of either 'testitis' or 'I Didn't Do My Homework Syndrome'. It's common in the Spring.”
― Ellen Schreiber, quote from Vampireville
“You've used up all your school sick days," he said, persuing my file. "You've requested to leave school one hundred and thirty days out of the one hudred and forty days of school so far."
So thirty-one might be the magic number?"
Principal Reed and Raven”
― Ellen Schreiber, quote from Vampireville
“The hunt isn't sustaining me. It's flowing blood that I really crave. The sweet taste of red succulent liquid mixing with the salt of my beloved as it drips and dances on his flesh. To know that someone will ache for me as much as I hunger for him and eternally satiate each other. I want someone to satisfy my hunger forever.”
― Ellen Schreiber, quote from Vampireville
“I'm looking for someone
to quench my thirst-for all eternity"
-Luna Maxwell”
― Ellen Schreiber, quote from Vampireville
“Alexander and I sat together on a backyard swing. "This is like a dream come true," Alexander said as we gently swung back and forth. "We can finally just focus on us now. Continue the traditional 'Boy meets girl, girl falls for boy, boy turns out to be a vampire' story.”
― Ellen Schreiber, quote from Vampireville
“It's more like Gomez without Morticia.”
― Ellen Schreiber, quote from Vampireville
“I had waited an eternity for this moment. My childhood fantasy was now coming true— I would be a dark angel of the night.”
― Ellen Schreiber, quote from Vampireville
Ellen Schreiber
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“You must keep them as tidy as you can,”
― quote from Little Pilgrim's Progress: From John Bunyan's Classic
“People, he told her, are shaped somehow by their climate and the land they live in. Those who live by the sea are like the currents and tides; they go and come, and discover many shores. Their words and loves are like water that slips between one's fingers and is never still. Mountain people have fought the mountain to win their place. Once they have conquered it they protect their mountain, and others coming from far below in the valley risk being seen as enemies. Hill people take some time before greeting each other.”
― Gil Courtemanche, quote from A Sunday at the Pool in Kigali
“Intensity of experience is what we're looking for, I think. We know we won't find it at home any more, but there's always the hope that we'll find it abroad”
― David Lodge, quote from Small World
“We come into contact with people only with our exteriors—physically and externally; yet each of us walks about with a great wealth of interior life, a private and secret self. We are, in reality, somewhat split in two, the self and the body; the one hidden, the other open. The child learns very quickly to cultivate this private self
because it puts a barrier between him and the demands of the world. He learns he can keep secrets—at first an excruciating, intolerable burden: it seems that the outer world has every right to penetrate into his self and that the parents could automatically do so if they wished—they always seem to know just what he is thinking and feeling. But then he discovers that he can lie and not be found out: it is a
great and liberating moment, this anxious first lie—it represents the staking out of his claim to an integral inner self, free from the prying eyes of the world. By the time we grow up we become masters at dissimulation, at cultivating a self that the world cannot probe. But we pay a price. After years of turning people away,
of protecting our inner self, of cultivating it by living in a different world, of furnishing this world with our fantasies and dreams—we find that we are hopelessly separated from everyone else. We have become victims of our own art. We touch people on the outsides of their bodies, and they us, but we cannot get at their insides and cannot reveal our insides to them. This is one of the great tragedies of our interiority—it is utterly personal and unrevealable. Often we want to say something unusually intimate to a spouse, a parent, a friend, communicate
something of how we are really feeling about a sunset, who we really feel we are—only to fall strangely and miserably flat. Once in a great while we succeed, sometimes more with one person, less or never with others. But the occasional breakthrough only proves the rule. You reach out with a disclosure, fail, and fall back bitterly into yourself. We emit huge globs of love to our parents and spouses, and the glob slithers away in exchanges of words that are somehow beside the point of what we are trying to say. People seem to keep bumping up against each other with their exteriors and falling away from each other. The cartoonist Jules Feiffer is the modern master of this aspect of the human tragedy. Take even the sexual act—the most intimate merger given to organisms. For most people, even for their entire lives, it is simply a joining of exteriors. The insides melt only in the moment of orgasm, but even this is brief, and a melting is not a communication. It is a physical overcoming of separateness, not a symbolic revelation and justification of one’s interior. Many people pursue sex precisely because it is a mystique of the overcoming of the separateness of the inner world; and they go from one partner to another because they can never quite achieve “it.” So the endless interrogations: “What are you thinking about right now—me? Do you feel what I feel? Do you love me?”
― Ernest Becker, quote from The Birth and Death of Meaning: An Interdisciplinary Perspective on the Problem of Man
“If we aren't here for one another, why are we here?" - Grady Adams”
― Dean Koontz, quote from Breathless
Hard to Be a God
Love Unrehearsed
The Rising
Shame
Titus Andronicus
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