Michael Ondaatje · 156 pages
Rating: (4.8K votes)
“This last night we tear into each other, as if to wound, as if to find the key to everything before morning.”
― Michael Ondaatje, quote from Coming Through Slaughter
“But there was a discipline, it was just that we didn't understand. We thought he was formless, but I think now he was tormented by order, what was outside it. He tore apart the plot - see his music was immediately on top of his own life. Echoing. As if, when he was playing he was lost and hunting for the right accidental notes. Listening to him was like talking to Coleman. You were both changing direction with every sentence, sometimes in the middle, using each other as a springboard through the dark. You were moving so fast it was unimportant to finish and clear everything. He would be describing something in 27 ways. There was pain and gentleness everything jammed into each number.”
― Michael Ondaatje, quote from Coming Through Slaughter
“The right ending is an open door you can't see too far out of. It can mean exactly the opposite of what you are thinking.”
― Michael Ondaatje, quote from Coming Through Slaughter
“There was no control except the "mood of his power... and it is for this reason it is good you never heard him play someplace where the weather for instance could change the next series of notes-- then you should never have heard him at all. He was never recorded. He stayed away while others moved into wax history, electronic history, those who said later that Boldon broke the path. It was just as important to watch him stretch and wheel around the last notes or to watch nerves jumping under the sweat of his head.”
― Michael Ondaatje, quote from Coming Through Slaughter
“as if he were trying to escape the smell of her words as if the air from her talking came into his mouth and filled it puffed it up with poison so the brain was put to sleep and he could do nothing with it only react in his flesh.”
― Michael Ondaatje, quote from Coming Through Slaughter
“It was a music that had so little wisdom you wanted to clean nearly every note he passed, passed it seemed along the way as if travelling in a car, passed before he even approached it and saw it properly. There was no control except the mood of his power … and it is for this reason it is good you never heard him play on recordings. If you never heard him play some place where the weather for instance could change the next series of notes—then you should never have heard him at all. He was never recorded.”
― Michael Ondaatje, quote from Coming Through Slaughter
“But his own mind was helpless against every moment's headline. He did nothing but leap into the mass of changes and explore them and all the tiny facets so eventually he was completely governed by fears of certainty. He distrusted it in anyone but Nora for there it went to the spine, and yet he attacked it again and again in her, cruelly, hating it, the sure lanes of the probable. Breaking chairs and window glass doors in fury at her certain answers. [15-16]”
― Michael Ondaatje, quote from Coming Through Slaughter
“Once they were sitting at the kitchen table opposite each other. To his right and to her left was a window. Furious at something he drew his right hand across his body and lashed out. Half way there at full speed he realized it was a window he would be hitting and breaked. For a fraction of a second hid open palm touched the glass, beginning simultaneously to draw back. The window scarred and crumpled slowly two floors down. His hand miraculously uncut. It had acted exactly like a whip violating the target and still free, retreating from the outline of a star. She was delighted by the performance. Surprised he examined his fingers. [p.16]”
― Michael Ondaatje, quote from Coming Through Slaughter
“Always listening, listening to the wet fluid speech with no order, unfinished stories, badly told jokes that he sober as a spider perfected in silence.”
― Michael Ondaatje, quote from Coming Through Slaughter
“But there was a discipline, it was just that we didn’t understand. We thought he was formless, but I think now he was tormented by order, what was outside it. He tore apart the plot—see his music was immediately on top of his own life. Echoing. As if, when he was playing he was lost and hunting for the right accidental notes.”
― Michael Ondaatje, quote from Coming Through Slaughter
Michael Ondaatje
Born place: in Colombo, Sri Lanka
Born date September 12, 1943
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“The world is a chaos, an irreducible plurality of forces, instincts and drives which ceaselessly clash.”
― Luc Ferry, quote from A Brief History of Thought: A Philosophical Guide to Living
“The path taken by the authorities in their so-called Rauschgiftbekämpfung, or “war on drugs,” lay less in an intensification of the opium law, which was simply adopted from the Weimar Republic,21 than in several new regulations that served the central National Socialist idea of “racial hygiene.” The term Droge—drug—which at one point meant nothing more than “dried plant parts,”* was given negative connotations. Drug consumption was stigmatized and—with the help of quickly established new divisions of the criminal police—severely penalized. This new emphasis came into force as early as November 1933, when the Reichstag passed a law that allowed the imprisonment of addicts in a closed institution for up to two years, although that period of confinement could be extended indefinitely by legal decree.22”
― quote from Blitzed: Drugs in Nazi Germany
“But I am not perfect in my way of putting things
Because I lack the divine simplicity
Of being only what I appear to be.”
― Fernando Pessoa, quote from Poems of Fernando Pessoa
“One raven for uncertain peril. Six for danger sure to arrive. A dozen for death, if not avoided. The enchantment is sealed.”
― Margaret Rogerson, quote from An Enchantment of Ravens
“Everyone is an autobiographer nowadays, it’s like everyone is actively writing their own biography all the time,”
― James Wallman, quote from Stuffocation: Living More with Less
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